 
                                        | A. The Step Pyramid of Djoser | ||
| B. The Great Pyramid | ||
| C. The Meidum Pyramid | ||
| D. The Mortuary Temple of Mentuhotep II | ||
| E. The Mortuary Temple of Hatshepsut | 
| A. As human beings | ||
| B. With the head of an animal and the body of a human | ||
| C. As animals | ||
| D. As natural phenonmenon, such as the sun or moon | ||
| E. All of the above | 
| A. The royal kilt with ornamental bull's tail | ||
| B. A rectangular false beard | ||
| C. The crook and flail | ||
| D. The double crown with the sacred uraeus | ||
| E. All of the above | 
| A. The cube and the horizontal and vertical axes | ||
| B. The circle and the oval | ||
| C. Square forms with emphasis placed on the vertical axis | ||
| D. The pyramid | ||
| E. None of the above | 
| A. Some hieroglyphs represent actual objects. | ||
| B. No hieroglpyhs represent individual sounds. | ||
| C. As much care was taken in drawing hierogplyphs as in creating images in art. | ||
| D. Writing and art are inseperable in Ancient Egypt. | ||
| E. Hieroglyphs can be written from left to right or from right to left. | 
 
                                        | A. Mentuhotep II | ||
| B. Narmer | ||
| C. Khufu | ||
| D. Ramses II | ||
| E. Khafre | 
| A. At its top, the name of the king is inscribed between two bovine heads. | ||
| B. It depicts the king's victory over his enemies. | ||
| C. It shows the king's enemies in a marshland. | ||
| D. It was found at Thebes. | ||
| E. It is made of grey schist. | 
 
                                        | A. Khafre | ||
| B. Khufu | ||
| C. Mentuhotep II | ||
| D. Ramses II | ||
| E. Seti I | 
| a. It was orginally covered with graite stones. | ||
| b. It was built by Khafre. | ||
| c. It can not be entered. | ||
| d. It was part of a large set of monuments and rituals to help the pharaoh ascend to the gods in the heavens. | ||
| e. The Great Sphinx was built by the same ruler who commissioned it. | 
| A. The Great Pyramid | ||
| B. The Meidum Pyramid | ||
| C. Mastabs | ||
| D. The Step Pyramid of Djoser | ||
| E. The Bent Pyramid of Dashur | 
| A. Saqqara | ||
| B. Beni-Hassan | ||
| C. Deir el-Bahri | ||
| D. Abu Simbel | ||
| E. Dashur | 
| A. Mentuhotep II | ||
| B. Amenemhat I | ||
| C. Seti I | ||
| D. Pepi II | ||
| E. Ramses II | 
| A. Thebes | ||
| B. Hierakonopolis | ||
| C. Alexandria | ||
| D. Abu Simbel | ||
| E. El-Lisht | 
| A. Beni Hasan | ||
| B. El-Lisht | ||
| C. Deir el-Medina | ||
| D. Amarna | ||
| E. Giza | 
| A. Only cult temples were built during the New Kingdom. | ||
| B. Few texts survive that describe the construction, circumstance, and function of New Kingdom temples. | ||
| C. The standard temple followed a tripartite plan, cons isting of an outer court, a hypostyle (or columned) hall, and the sanctuary itself. | ||
| D. Temples are never depicted in New Kingdom art. | ||
| E. The reliefs that decorate New Kingdom temples were not painted. | 
 
                                        | A. Luxor | ||
| B. Abu Simbel | ||
| C. Karnak | ||
| D. The Temple Complex at Philae | ||
| E. The Temple of Horus at Edfu | 
 
                                        | A. Ramses II | ||
| B. Seti I | ||
| C. Amenhotep III | ||
| D. Amenhotep IV | ||
| E. Mentuhotep II | 
 
                                        | A. Karnak | ||
| B. Luxor | ||
| C. The Mortuarty Temple ot Seti I | ||
| D. The Mortuary Temple of Hatshepsut | ||
| E. Abu Simbel | 
 
                                        | A. Hatshepsut | ||
| B. Seti I | ||
| C. Akhenaten | ||
| D. Ramses II | ||
| E. Khufu | 
| A. It is a multi-terraced temple. | ||
| B. It was designed by the architect Senemut. | ||
| C. Its terraced form was unprecedented. | ||
| D. It was built into the cliffs at Deir el-Bahri. | ||
| E. It contains a chapel devoted to the goddess Hathor. | 
| A. The divine birth of Hatshepsut | ||
| B. Hatshepsut's co-regent, Thutmose III | ||
| C. An expedition to Punt | ||
| D. Festival scenes | ||
| E. All of the above | 
 
                                        | A. Abydos | ||
| B. Deir el-Bahri | ||
| C. Giza | ||
| D. Beni Hasen | ||
| E. Deir el-Medina | 
| A. The Valley of the Kings | ||
| B. In tombs near their mortuary temples | ||
| C. Beni Hasen | ||
| D. In pyramids at Giza and other sites | ||
| E. Saqarra | 
 
                                        | A. Amarna | ||
| B. Old Kingdom | ||
| C. Middle Kingdom | ||
| D. First Intermediate Period | ||
| E. None of the above | 
| A. Deir el-Medina | ||
| B. Beni Hasen | ||
| C. Abydos | ||
| D. Deir el-Bahri | ||
| E. El-Lisht | 
 
                                        | A. Ramses II | ||
| B. Akhenaten | ||
| C. Senusret III | ||
| D. Seti I | ||
| E. Hatshepsut | 
| A. It was focused on the sun disc Aten. | ||
| B. At this time, the pharaoh was frequently depicted with his wife and children. | ||
| C. Humans are usually depicted with swelled bellies and hips, as well as thin shoulders and arms. | ||
| D. The pharaoh is frequently depicted with the godess Maat. | ||
| E. Official inscriptions reflected everyday spoken language. | 
| A. The Third Intermediate Period was a time when many great temples were constructed. | ||
| B. Temple networks were the center of artistic production. | ||
| C. Temple precincts were favored burial sites. | ||
| D. The king was often emphasized in art as the child/son of a divine pair. | 
 
                                        | A. Karnak | ||
| B. Luxor | ||
| C. Osireion | ||
| D. Abu Simbel | ||
| E. The Mortuary Temple of Seti I | 
 
                                        | A. Thirtieth Dynasty | ||
| B. Eleventh Dynasty | ||
| C. Eighteenth Dynasty | ||
| D. Nineteenth Dynasty | ||
| E. Twenty-fifth dynasty | 
| A. Piye | ||
| B. Tantamani | ||
| C. Shabako | ||
| D. Taharqa | ||
| E. None of the above | 
| A. During this period, Egyptian art was infused with Hellenisitc elements. | ||
| B. Many temples were built during this period. | ||
| C. The Ptolemys did not promote Egyptian art and culture. | ||
| D. The Ptolemy were worshipped as gods while they were living. | ||
| E. All of the above | 
 
                                        | A. The New Kingdom | ||
| B. The Ptolemaic Period | ||
| C. Third Intermediate Period | ||
| D. Second Intermediate Period | ||
| E. Late Period | 
| A. Shabti portrait | ||
| B. Oinochoai portrait | ||
| C. Fayum portrait | ||
| D. Mummy masks | ||
| E. None of the above | 
 
                                        | A. New Kingdom | ||
| B. Third Intermediate Period | ||
| C. Late Period | ||
| D. Ptolemaic Period | ||
| E. Roman Period | 
 
                                        | A. Dendera | ||
| B. Abydos | ||
| C. Deir el-Bahri | ||
| D. Abu Simbel | ||
| E. Thebes | 
 
                                        | A. Abu Simbel | ||
| B. The Temple of Philae | ||
| C. Luxor Temple | ||
| D. The Temple of Horus at Edfu | ||
| E. None of the above | 
| A. Amun | ||
| B. Maat | ||
| C. Isis | ||
| D. Horus | ||
| E. Osiris | 
| A. Göbekli Tepe | ||
| B. Jericho | ||
| C. 'Ain Ghazal | ||
| D. Uruk | ||
| E. Nevali Çori | 
 
                                        | A. Göbekli Tepe | ||
| B. 'Ain Ghazal | ||
| C. Jericho | ||
| D. Uruk | ||
| E. Nevali Çori | 
| A. Jericho | ||
| B. Nevali Çori | ||
| C. 'Ain Ghazal | ||
| D. Çatalhöyük | ||
| E. Uruk | 
| A. Ain Ghazal | ||
| B. Jericho | ||
| C. Uruk | ||
| D. Çatalhöyük | ||
| E. Nevali Çori | 
 
                                        | A. A cylinder seal | ||
| B. A portion of a cone mosaic | ||
| C. A stamp seal amulet | ||
| D. A papyrus | ||
| E. None of the above | 
| A. Pasargadae | ||
| B. Babylon | ||
| C. Nippur | ||
| D. Nimrud | ||
| E. Ninevah | 
| A. Ashur | ||
| B. Enlil | ||
| C. Dumuzi | ||
| D. Gula | ||
| E. Ianna | 
 
                                        | A. Nippur | ||
| B. Ziggurat of Ur | ||
| C. The Royal Graves of Ur | ||
| D. Uruk | ||
| E. Tell Asmar | 
| A. The majority of these statues were votive figures. | ||
| B. They only depict female worhsippers. | ||
| C. They are made of gypsum or limestone. | ||
| D. Many have inlaid eyes and painted hair. | ||
| E. Facial characteristics show little variation between statues. | 
 
                                        | A. Old Babylonian Period | ||
| B. Early Dynastic Period | ||
| C. Neo-Sumerian Period | ||
| D. Neo-Assyrian Period | ||
| E. Neolithic Period | 
| A. They can be entered through a door at their base. | ||
| B. They are mud-brick stepped towers with temples at their top. | ||
| C. They were only built during the Early Dynastic Period. | ||
| D. They were royal tombs. | ||
| E. None of the above | 
 
                                        | A. A step pyramid | ||
| B. A "true" pyramid | ||
| C. A ziggurat | ||
| D. A royal palace | ||
| E. A royal tomb with a mortuary temple at its top | 
 
                                        | A. Early Dynastic Period | ||
| B. Akkadian Period | ||
| C. Neo-Sumerian Period | ||
| D. Old Babylonian Period | ||
| E. Neo-Assyrian Period | 
 
                                        | A. Stele with the Law Code of Hammurabi | ||
| B. The Royal Standard of Ur | ||
| C. Victory Stele of Naram-Sin | ||
| D. A modern impression of a cylinder seal | ||
| E. None of the above | 
| A. His horned helmet | ||
| B. The many weapons he carries | ||
| C. His size | ||
| D. His physcial closeness to the gods | ||
| E. All of the above | 
 
                                        | A. Gudea | ||
| B. Sargon II | ||
| C. Hammurabi | ||
| D. Ashurnasirpal II | ||
| E. Ur-Nammu | 
 
                                        | A. The Victory Stele of Naram-Sin | ||
| B. A relief from the Northwest Palace of Ashurnasirpal II | ||
| C. The Standard of Ur | ||
| D. Stele with the Law Code of Hammurabi | ||
| E. None of the above | 
 
                                        | A. Babylonians | ||
| B. Sumerians | ||
| C. Assyrians | ||
| D. Persians | ||
| E. Hittites | 
| A. Lagesh | ||
| B. Yazilikaya | ||
| C. Hattusha | ||
| D. Uruk | ||
| E. Nippur | 
 
                                        | A. Hattusha | ||
| B. Çatalhöyük | ||
| C. Uruk | ||
| D. Yazilikaya | ||
| E. Tell Asmar | 
| A. Nimrud | ||
| B. Tell Asmar | ||
| C. Ninevah | ||
| D. Susa | ||
| E. Pasargadae | 
 
                                        | A. Labbu | ||
| B. Sirrush | ||
| C. Gidim | ||
| D. Lamassu | ||
| E. Allu | 
| A. The palace was organized around three large courtyards. | ||
| B. The king does not appear in any of the reliefs that decorate the palace. | ||
| C. It was built in the ancient city of Kahlu. | ||
| D. State apartments and the major throne room were situated around the first courtyard. | ||
| E. The living quarters were located in the innermost courtyard. | 
 
                                        | A. Ashurnasirpal II | ||
| B. Sargon II | ||
| C. Tiglath-Pileser III | ||
| D. Sennacherib | ||
| E. Esarhaddon | 
| A. Sargon II | ||
| B. Sennacherib | ||
| C. Ashurbanipal | ||
| D. Ashurnasirpal II | ||
| E. Tiglath-Pileser III | 
 
                                        | A. The entrance to Sargon II's throne room | ||
| B. Ziggurat of Ur | ||
| C. The Ishtar Gate | ||
| D. The hypostyle hall of Ashurnasirpal II's palace | ||
| E. Nineveh's Processional Way | 
| A. The patron gods of Babylon | ||
| B. The power of the king | ||
| C. The king's subjects | ||
| D. Nature spirits | ||
| E. People who the king has conquered in battle | 
 
                                        | A. The Tomb of Cyrus the Great | ||
| B. Ziggurat of Ur | ||
| C. The Yazilikaya rock-cut sanctuary | ||
| D. The Prison of Solomon | ||
| E. Tall-i Takht | 
| A. Susa | ||
| B. Persepolis | ||
| C. Cyropolis | ||
| D. Pasargadae | ||
| E. Estakhar | 
| A. Pasagardae | ||
| B. Estakhr | ||
| C. Cyropolis | ||
| D. Persepolis | ||
| E. All of the above | 
 
                                        | A. Ur | ||
| B. Ninevah | ||
| C. Hattusha | ||
| D. Babylon | ||
| E. Persepolis | 
| A. The Apadana | ||
| B. The Palace of Darius | ||
| C. The Tomb of Cyrus the Great | ||
| D. The Palace of Xerxes | ||
| E. The Throne Hall or Hundred Column Hall | 
| a. This is the time when the Great Pyramid at Giza was constructed. | ||
| b. High-ranking officials during this period were buried in mastabas. | ||
| c. During this time kings were buried in the Valley of the Kings. | ||
| d. During this period many local artistic and architectural styles developed. | ||
| e. Art and architecture from this period does not show many regional variations. | 
| A. The defeat of the Hyksos | ||
| B. The unification of Upper and Lower Egypt | ||
| C. Ramses II's conquest of Nubia | ||
| D. Ramses II's first Syrian campaign | ||
| E. None of the above | 
| A. Hysksos-style burials for high-ranking officials | ||
| B. Rishi or human-shaped coffins decorated with vulture's wings | ||
| C. The construction of royal rock-cut tombs near Thebes | ||
| D. The end of the tradition of royal burial in pyramids | ||
| E. The development of regional art styles | 
 
                                        | A. Second Intermediate Period | ||
| B. New Kingdom | ||
| C. Early Dynastic | ||
| D. Middle Kingdom | ||
| E. Third Intermediate Period | 
 
                                        | A. Rishi | ||
| B. Canopic jars | ||
| C. Shabti | ||
| D. Mastaba | ||
| E. None of the above | 
 
                                        | A. Pit grave | ||
| B. Rock-cut tomb | ||
| C. Mastaba | ||
| D. Bent pyramid | ||
| E. Ziggurat | 
| A. They contain reliefs, paintings, and statuary that were often created by the same craftsman who worked on the tombs of the pharaohs. | ||
| B. Their hieroglyphic inscriptions record the tomb owner's titles and rank. | ||
| C. Their reliefs depict the daily activity of producing food and other provisions needed by the deceased's spirit. | ||
| D. They were not constructed near royal tombs. | ||
| E. They have a rectangular superstructure. | 
| A. It was constructed during the Old Kingdom. | ||
| B. It is famous for its many models of boats and scenes of daily life. | ||
| C. It was built in Saqarra. | ||
| D. It has a rectangular superstructure. | ||
| E. None of the above | 
 
                                        | A. Anubis | ||
| B. Thoth | ||
| C. Amun | ||
| D. Mut | ||
| E. Osiris | 
 
                                        | A. Djet | ||
| B. Kheper | ||
| C. Shen | ||
| D. Ankh | ||
| E. Djed | 
 
                                        | A. Amun | ||
| B. Mut | ||
| C. Osiris | ||
| D. Anubis | ||
| E. Horus | 
| A. Flanking the entrance to the temple | ||
| B. Lining the processional way | ||
| C. In the Inner Sanctuary | ||
| D. Inside the Outer Court | ||
| E. All of the above | 
| A. They are dated to the Early Dynastic Period. | ||
| B. They were formed by modeling wet plaster on a reed core. | ||
| C. They do not include human figurines. | ||
| D. They were recovered from one of the first "true" cities. | ||
| E. Similar statues have been recovered from nearby sites. | 
| A. The remains of its earliest structures date to the Akkadian period. | ||
| B. It is one of the world's longest inhabited sites. | ||
| C. The first major settlement there included a large tower with an internal staircase. | ||
| D. Painted skulls have been recovered from the ancient site. | ||
| E. The first settlement there dates back to about 9000 BCE. | 
| A. It included monumental mud-brick buildings, decorated with mosaics of painted clay cones embedded in the walls. | ||
| B. It was the largest settlement in the world c.3200 BCE. | ||
| C. Large-scale sculpture in the round and relief carving was created in Uruk for the first time. | ||
| D. Simple pictographs drawn on clay tablets have been recovered from this site. | ||
| E. It is the largest Neolithic site excavated to date. | 
| A. To help the dead in the afterlife | ||
| B. To obtain power over the forces of nature | ||
| C. To capture the relationship between the divine and terrestrial realms | ||
| D. To be used as everyday utilitarian objects by the royal household | ||
| E. None of the above | 
| A. Semiramis | ||
| B. Pu-abi | ||
| C. Ur-Nammu | ||
| D. Ishtar | ||
| E. None of the above | 
| A. Early Akkadian art drew on the style and iconography of Early Dynastic Period art. | ||
| B. Very little large scale Akkadian sculpture has survived. | ||
| C. Many Akkadian seals survive and have a rich iconography demonstarating interactions between the terrestrial and divine worlds. | ||
| D. When fully developed, Akkadian monumental sculpture emphasized naturalism through subtle modeling. | ||
| E. All of the above | 
| A. A large throne room | ||
| B. Huge carved alabaster panels decorated with reliefs that lined the interior walls | ||
| C. A plan organized around three large halls | ||
| D. An underground tunnel connecting it to a nearby temple | ||
| E. The king's tomb constructed in the interior of the palace | 
| A. Winged beings/deities | ||
| B. The king or princes hunting lions | ||
| C. Lamassu | ||
| D. Tribute-bearers | ||
| E. All of the above | 
| A. Alabaster | ||
| B. Sandstone | ||
| C. Glazed ceramic tiles | ||
| D. Granite | ||
| E. Mud-bricks with mosaics of painted clay cones | 
| A. Nebuchadnezzar II | ||
| B. Lions | ||
| C. Aurochs | ||
| D. Dragons | ||
| E. Symbols of the gods Ishtar and Marduk | 
| A. Animals that symbolize Mesopotamian gods | ||
| B. The construction of the buildings at Persepolis | ||
| C. Tributatires from different parts of the Empire processing toward the enthroned king | ||
| D. Musicians and dancers | ||
| E. Scenes of daily life | 
| A. Babylon | ||
| B. Susa | ||
| C. Persepolis | ||
| D. Pasargadae | ||
| E. All of the above | 
 
                                        | A. Ishtar | ||
| B. Marduk | ||
| C. Enlil | ||
| D. Sin | ||
| E. Apsu | 
 
                                        | A. Cuneiform | ||
| B. Hieratic | ||
| C. Hieroglyphs | ||
| D. Aramaic | ||
| E. Phoenician | 
 
                                        | A. Sargon | ||
| B. Hammurabi | ||
| C. Naram-Sin | ||
| D. Ashurnasirpal II | ||
| E. Ur-Nammu | 
 
                                        | A. Achaemenid Period | ||
| B. Akkadian Period | ||
| C. Neo-Assyrian Period | ||
| D. Early Dynastic Period | ||
| E. Neo-Sumerian Period | 
| A. Sennacherib | ||
| B. Ashurnasirpal II | ||
| C. Sargon II | ||
| D. Tiglath Pileser III | ||
| E. Shalmeneser III | 
| A. Nebuchadnezzar II | ||
| B. Hammurabi | ||
| C. Nabopolassar | ||
| D. Amel-Marduk | ||
| E. Neriglissar |