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a. Oil paintings from the Caribbean |
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b. Sketches from New England |
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c. Watercolors from the Jamestown Colony |
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d. Sketches from the voyage of Christopher Columbus |
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a. The Aztec |
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b. The Mayan |
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c. The Toltec |
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d. The Spanish |
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a. Renaissance |
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b. Baroque |
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c. Medieval |
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d. Classical |
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a. Pennsylvania |
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b. Wisconsin |
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c. California |
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d. Ohio |
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a. The English |
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b. The French |
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c. The Spanish |
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d. The German |
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a. Paris |
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b. New York |
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c. London |
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d. Philadelphia |
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a. John Trumbull |
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b. Benjamin West |
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c. Gilbert Stuart |
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d. John Singleton Copley |
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a. John Singleton Copley |
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b. William Penn |
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c. Benjamin West |
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d. None of the above |
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a. John Singleton Copley |
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b. John Trumbull |
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c. Benjamin West |
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d. None of the above. |
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a. Boston Harbor |
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b. Havana Harbor |
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c. Port of London |
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d. None of the above |
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a. The United States Capitol |
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b. The White House |
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c. The Pentagon |
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d. Monticello |
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a. John Trumbull |
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b. John Singleton Copley |
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c. John Vanderlyn |
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d. John Smibert |
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a. Distorted anatomical proportion |
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b. Stormy skies |
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c. Loose brushwork |
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d. Strong contours |
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a. It depicts an event that happened the year it was painted |
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b. It depicts a scene from a novel |
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c. The work was copied in many forms |
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d. The artist was related to William Penn |
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a. Death of General Wolfe |
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b. Death of Jane McCrea |
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c. Both A and B |
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d. Neither A or B |
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a. Military heroism |
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b. Domestic life |
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c. Landscape |
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d. Greek sculptural form |
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a. Domesticity |
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b. Early industrialism |
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c. Patriotic iconography |
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d. The divine in nature |
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a. An academic painter |
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b. A landscape specialist |
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c. A Realist painter |
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d. A self-taught painter |
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a. Luminism |
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b. Romanticism |
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c. Both A and B |
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d. Impressionism |
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a. domestic pets |
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b. foodstuffs |
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c. maps |
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d. scientific objects |
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a. Portraiture |
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b. Still life |
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c. Landscape |
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d. Everyday life |
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a. 1777 |
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b. 1801 |
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c. 1851 |
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d. 1880 |
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a. A pyramidal form |
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b. Repeated rectangular forms |
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c. Repeated circular rhythms |
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d. A bird’s eye view |
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a. He opened the first public museum in America |
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b. He had several sons that were accomplished artists |
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c. He lived and worked mainly in Philadelphia |
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d. All of the above |
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a. Contrasts of darks and lights |
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b. Illusionistic images that trick the eye |
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c. Abstract backdrops |
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d. Broad areas of color |
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a. Deep space/linear perspective |
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b. Shallow space/flatness |
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c. Sculptural modeling and shadows |
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d. Thick application of paint |
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a. William Sydney Mount |
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b. George Catlin |
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c. Will Harnett |
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d. Edward Hicks |
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a. Religious |
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b. Still life |
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c. Portraiture |
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d. Everyday life |
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a. 1860s |
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b. 1870s |
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c. 1880s |
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d. 1890s |
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a. The depiction of texture in still life |
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b. Focus on detail in portraiture |
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c. The capturing of outdoor lighting effects |
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d. Emphasis on geometric forms in nature |
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a. Pissarro |
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b. Degas |
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c. Monet |
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d. Renoir |
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a. Painting |
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b. Leaded glass work |
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c. Ceramics |
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d. Furniture design |
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a. 1800 |
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b. 1840 |
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c. 1860 |
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d. 1880 |
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a. Color |
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b. Iconographic detail |
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c. Light |
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d. Contour |
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a. Sports pictures of rowers |
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b. Market scenes |
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c. Family portraits |
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d. Architecture of Washington, D.C. |
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a. Landscape |
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b. History |
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c. Photographic |
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d. Still life |
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a. Winslow Homer |
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b. Eastman Johnson |
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c. Raphaelle Peale |
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d. Thomas Eakins |
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a. Winslow Homer |
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b. William Merritt Chase |
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c. Edward Mitchell Bannister |
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d. John Singer Sargent |
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a. Augustus Saint-Gaudens |
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b. Edmonia Lewis |
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c. Thomas Ball |
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d. Eastman Johnson |
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a. Georgia |
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b. Pennsylvania |
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c. Washington, D.C. |
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d. Kentucky |
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a. Impressionistic |
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b. Luministic |
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c. Romantic |
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d. Realistic |
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a. 1850s |
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b. 1860s |
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c. 1870s |
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d. 1880s |
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a. 1876 |
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b. 1885 |
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c. 1893 |
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d. 1900 |
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a. Chicago |
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b. Philadelphia |
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c. New York |
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d. San Francisco |
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a. William Merritt Chase |
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b. Winslow Homer |
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c. Eastman Johnson |
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d. J. Alden Weir |
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a. Loose brushwork |
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b. Literary narrative |
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c. Modern life |
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d. History |
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a. She lived her whole life in the Boston area |
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b. She exhibited at the Philadelphia Centennial Exposition |
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c. Both A and B |
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d. Neither A or B |
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a. It addresses common stereotypes of the era |
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b. It was posed carefully by Tanner, using models |
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c. Both A and B |
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d. It depicts family members in Tanner’s home at the time |
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a. Saint-Gaudens made studies of carved wood before casting the bronze relief |
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|
b. From original commission to completion to installation, the project took five years |
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|
c. Both A and B |
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d. Saint-Gaudens individualized the faces and bodies of the African America soldiers depicted. |
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a. It was created after the Civil War ended |
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b. It suggests African culture as well as American identity |
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c. It was created on a trip by the artist to Virginia |
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d. All of the above |
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a. Mary Cassatt |
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b. Childe Hassam |
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c. William Merritt Chase |
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d. J. Alden Weir |
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a. A style of 19th-century painting using gold hues |
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b. New wealth in America from industrialization at the turn of the 20th century |
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|
c. A popular legend of about the founded of the United States |
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d. Classical Greek culture |
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a. 1875 |
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b. 1870 |
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c. 1865 |
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|
d. 1860 |
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a. Surrealism |
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|
b. Impressionism |
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|
c. Cubism |
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|
d. Post-Impressionism |
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a. Oil paint |
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|
b. Photography |
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|
c. Marble |
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|
d. Etching |
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a. Lighting |
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|
b. Settings and poses |
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|
c. Darkroom techniques |
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|
d. All of the above |
|
a. Arthur Davies |
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|
b. Georgia O’Keeffe |
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|
c. Marsden Hartley |
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|
d. Max Weber |
|
a. Bringing European abstract art to New York |
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|
b. Bringing American abstract art to Europe |
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|
c. Bringing Renaissance masterpieces to New York |
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|
d. None of the above. |
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a. 1891 |
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|
b. 1901 |
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|
c. 1913 |
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|
d. 1924 |
|
a. Philadelphia |
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|
b. Boston |
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|
c. Washington, D.C. |
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|
d. New York |
|
a. Robert Henri |
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|
b. George Luks |
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|
c. Edward Hopper |
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|
d. Ernest Lawson |
|
a. Lois Mailou Jones |
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|
b. Jacob Lawrence |
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|
c. Archibald Motley, Jr. |
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|
d. William H. Johnson |
|
a. Everitt Shinn |
||
|
b. George Bellows |
||
|
c. John Sloan |
||
|
d. Robert Henri |
|
a. Alain Locke |
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|
b. Langston Hughes |
||
|
c. Marcus Garvey |
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|
d. W. E. B. DuBois |
|
a. It was advocated on the basis of its embrace by European artists |
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|
b. It was advocated for its long tradition |
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|
c. It was advocated as a sign of modernity |
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|
d. All of the above |
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a. Interiors of the homes of the upper classes |
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|
b. Landscape of leisure |
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|
c. Family portraits |
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|
d. Life in the neighborhoods of recent immigrants |
|
a. A gallery in New York founded by Alfred Stieglitz |
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|
b. An exhibition of modern European artists in New York |
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|
c. An international artist alliance formed in 1900 |
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|
d. None of the above |
|
a. Philadelphia |
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|
b. Boston |
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|
c. Washington, D.C. |
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|
d. New York |
|
a. Grant Wood |
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|
b. Alvin Albright |
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|
c. Robert Henri |
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|
d. Thomas Hart Benton |
|
a. The Whitney Museum of American Art |
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|
b. The Museum of Modern Art |
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|
c. The Guggenheim Museum |
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|
d. The Asia Society |
|
a. International Style |
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|
b. Prairie Style |
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|
c. Geometric Style |
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|
d. Organic Style |
|
a. Surrealism |
||
|
b. Cubism |
||
|
c. Impressionism |
||
|
d. Classicism |
|
a. Divine providence |
||
|
b. The history of a region |
||
|
c. Family legacies |
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|
d. Naturalistic style |
|
a. Surrealism |
||
|
b. Cubism |
||
|
c. Impressionism |
||
|
d. Classicism |
|
a. OWI |
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|
b. FAP |
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|
c. FSA |
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|
d. None of the above |
|
a. John Sloan |
||
|
b. Thomas Hart Benton |
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|
c. John Steuart Curry |
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|
d. Isabel Bishop |
|
a. William Henry Johnson |
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|
b. Archibald Motley, Jr. |
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|
c. Jacob Lawrence |
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|
d. Aaron Douglas |
|
a. Federal Works of Art Project |
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|
b. Works Progress Administration |
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|
c. Farms Securities Administration |
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|
d. Both A and B |
|
a. Oil painting |
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|
b. Wood and stone carving |
||
|
c. Assemblage of found materials |
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|
d. Two-dimensional works on paper |
|
a. She is a protégé of Georgia O’Keeffe |
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|
b. She is known as an abstract painter |
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|
c. She is known as a Surrealist |
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|
d. She is known as a sculptor |
|
a. Farm communities around the country |
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|
b. Northern urban cities |
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|
c. Southern urban cities |
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|
d. Rural communities of California |
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a. Religious genre |
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|
b. People at work |
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|
c. Bucolic landscapes |
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|
d. Still life |
|
a. Social Realism |
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|
b. Regionalism |
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|
c. American Scene |
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|
d. All of the above |
|
a. William Henry Johnson’s |
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|
b. Archibald Motley, Jr.’s |
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|
c. Jacob Lawrence’s |
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|
d. Lois Mailou Jones’ |
|
a. Theodore Roosevelt |
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|
b. Franklin Delano Roosevelt |
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|
c. Alexander Hamilton |
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|
d. Harry Truman |
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a. Figuration |
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|
b. Lyrical line |
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|
c. Repetition of forms |
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|
d. Use of organic materials |
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a. Paris |
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|
b. Los Angeles |
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|
c. New York |
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|
d. San Francisco |
|
a. “Drip” paintings |
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|
b. Paintings based on the American flag |
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|
c. Paintings of Campbell’s Soup cans |
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|
d. Paintings of popular comic book characters |
|
a. Consumer products |
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|
b. Psychological portraiture |
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|
c. Nature in the industrial world |
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|
d. Reviving early oil painting techniques |
|
a. Regionalist painting in the Mid-West |
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|
b. European art styles brought by exiles from Europe before World War II |
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|
c. Picasso’s paintings of the 1920s |
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|
d. The Russian Revolution |
|
a. Willem de Kooning |
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|
b. Clyfford Still |
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|
c. Barnett Newman |
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|
d. Jackson Pollock |
|
a. Robert Smithson |
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|
b. Bruce Nauman |
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|
c. Julian Schnabel |
||
|
d. Donald Judd |
|
a. Audry Flack |
||
|
b. Hannah Wilke |
||
|
c. Betye Saar |
||
|
d. Judy Chicago |
|
a. Andy Warhol |
||
|
b. Roy Lichtenstein |
||
|
c. Claus Oldenburg |
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|
d. James Rosenquist |
|
a. An interest in earlier art forms |
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|
b. The appropriation of earlier art imagery |
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|
c. Direct expressions of gender and ethnic identity in art |
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|
d. All of the above |
|
a. They often have hidden narratives |
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|
b. They often feature a single visual focal point |
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|
c. They are characterized by all-over compositions |
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|
d. All of the above |
|
a. It is considered non-objective in content |
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|
b. It is based on geometric form |
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|
c. Signs of the artist’s gesture are usually obscured |
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|
d. All of the above |
|
a. It remains installed at the site for which it was designed in Lower Manhattan |
||
|
b. It was moved to another public site in New York City |
||
|
c. It was removed and is not on view to the public |
||
|
d. The artist did not have a strong opinion about the controversy over the work and stayed out of the debates about it |
|
a. It was designed by a woman |
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|
b. It includes figurative components |
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|
c. Its style is influenced by American War memorials of the past |
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|
d. All of the above |
|
a. Colorfield Painting |
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|
b. Action Painting |
||
|
c. Neo-Impressionism |
||
|
d. Both A and B |
|
a. 1940 |
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|
b. 1945 |
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|
c. 1950 |
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|
d. 1955 |