a. Oil paintings from the Caribbean ![]() |
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b. Sketches from New England ![]() |
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c. Watercolors from the Jamestown Colony ![]() |
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d. Sketches from the voyage of Christopher Columbus ![]() |
a. The Aztec ![]() |
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b. The Mayan ![]() |
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c. The Toltec ![]() |
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d. The Spanish ![]() |
a. Renaissance ![]() |
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b. Baroque ![]() |
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c. Medieval ![]() |
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d. Classical ![]() |
a. Pennsylvania ![]() |
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b. Wisconsin ![]() |
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c. California ![]() |
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d. Ohio ![]() |
a. The English ![]() |
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b. The French ![]() |
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c. The Spanish ![]() |
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d. The German ![]() |
a. Paris ![]() |
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b. New York ![]() |
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c. London ![]() |
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d. Philadelphia ![]() |
a. John Trumbull ![]() |
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b. Benjamin West ![]() |
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c. Gilbert Stuart ![]() |
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d. John Singleton Copley ![]() |
a. John Singleton Copley ![]() |
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b. William Penn ![]() |
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c. Benjamin West ![]() |
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d. None of the above ![]() |
a. John Singleton Copley ![]() |
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b. John Trumbull ![]() |
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c. Benjamin West ![]() |
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d. None of the above. ![]() |
a. Boston Harbor ![]() |
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b. Havana Harbor ![]() |
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c. Port of London ![]() |
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d. None of the above ![]() |
a. The United States Capitol ![]() |
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b. The White House ![]() |
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c. The Pentagon ![]() |
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d. Monticello ![]() |
a. John Trumbull ![]() |
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b. John Singleton Copley ![]() |
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c. John Vanderlyn ![]() |
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d. John Smibert ![]() |
a. Distorted anatomical proportion ![]() |
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b. Stormy skies ![]() |
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c. Loose brushwork ![]() |
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d. Strong contours ![]() |
a. It depicts an event that happened the year it was painted ![]() |
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b. It depicts a scene from a novel ![]() |
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c. The work was copied in many forms ![]() |
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d. The artist was related to William Penn ![]() |
a. Death of General Wolfe ![]() |
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b. Death of Jane McCrea ![]() |
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c. Both A and B ![]() |
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d. Neither A or B ![]() |
a. Military heroism ![]() |
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b. Domestic life ![]() |
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c. Landscape ![]() |
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d. Greek sculptural form ![]() |
a. Domesticity ![]() |
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b. Early industrialism ![]() |
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c. Patriotic iconography ![]() |
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d. The divine in nature ![]() |
a. An academic painter ![]() |
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b. A landscape specialist ![]() |
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c. A Realist painter ![]() |
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d. A self-taught painter ![]() |
a. Luminism ![]() |
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b. Romanticism ![]() |
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c. Both A and B ![]() |
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d. Impressionism ![]() |
a. domestic pets ![]() |
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b. foodstuffs ![]() |
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c. maps ![]() |
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d. scientific objects ![]() |
a. Portraiture ![]() |
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b. Still life ![]() |
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c. Landscape ![]() |
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d. Everyday life ![]() |
a. 1777 ![]() |
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b. 1801 ![]() |
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c. 1851 ![]() |
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d. 1880 ![]() |
a. A pyramidal form ![]() |
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b. Repeated rectangular forms ![]() |
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c. Repeated circular rhythms ![]() |
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d. A bird’s eye view ![]() |
a. He opened the first public museum in America ![]() |
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b. He had several sons that were accomplished artists ![]() |
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c. He lived and worked mainly in Philadelphia ![]() |
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d. All of the above ![]() |
a. Contrasts of darks and lights ![]() |
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b. Illusionistic images that trick the eye ![]() |
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c. Abstract backdrops ![]() |
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d. Broad areas of color ![]() |
a. Deep space/linear perspective ![]() |
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b. Shallow space/flatness ![]() |
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c. Sculptural modeling and shadows ![]() |
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d. Thick application of paint ![]() |
a. William Sydney Mount ![]() |
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b. George Catlin ![]() |
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c. Will Harnett ![]() |
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d. Edward Hicks ![]() |
a. Religious ![]() |
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b. Still life ![]() |
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c. Portraiture ![]() |
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d. Everyday life ![]() |
a. 1860s ![]() |
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b. 1870s ![]() |
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c. 1880s ![]() |
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d. 1890s ![]() |
a. The depiction of texture in still life ![]() |
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b. Focus on detail in portraiture ![]() |
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c. The capturing of outdoor lighting effects ![]() |
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d. Emphasis on geometric forms in nature ![]() |
a. Pissarro ![]() |
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b. Degas ![]() |
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c. Monet ![]() |
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d. Renoir ![]() |
a. Painting ![]() |
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b. Leaded glass work ![]() |
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c. Ceramics ![]() |
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d. Furniture design ![]() |
a. 1800 ![]() |
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b. 1840 ![]() |
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c. 1860 ![]() |
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d. 1880 ![]() |
a. Color ![]() |
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b. Iconographic detail ![]() |
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c. Light ![]() |
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d. Contour ![]() |
a. Sports pictures of rowers ![]() |
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b. Market scenes ![]() |
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c. Family portraits ![]() |
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d. Architecture of Washington, D.C. ![]() |
a. Landscape ![]() |
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b. History ![]() |
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c. Photographic ![]() |
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d. Still life ![]() |
a. Winslow Homer ![]() |
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b. Eastman Johnson ![]() |
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c. Raphaelle Peale ![]() |
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d. Thomas Eakins ![]() |
a. Winslow Homer ![]() |
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b. William Merritt Chase ![]() |
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c. Edward Mitchell Bannister ![]() |
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d. John Singer Sargent ![]() |
a. Augustus Saint-Gaudens ![]() |
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b. Edmonia Lewis ![]() |
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c. Thomas Ball ![]() |
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d. Eastman Johnson ![]() |
a. Georgia ![]() |
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b. Pennsylvania ![]() |
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c. Washington, D.C. ![]() |
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d. Kentucky ![]() |
a. Impressionistic ![]() |
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b. Luministic ![]() |
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c. Romantic ![]() |
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d. Realistic ![]() |
a. 1850s ![]() |
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b. 1860s ![]() |
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c. 1870s ![]() |
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d. 1880s ![]() |
a. 1876 ![]() |
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b. 1885 ![]() |
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c. 1893 ![]() |
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d. 1900 ![]() |
a. Chicago ![]() |
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b. Philadelphia ![]() |
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c. New York ![]() |
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d. San Francisco ![]() |
a. William Merritt Chase ![]() |
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b. Winslow Homer ![]() |
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c. Eastman Johnson ![]() |
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d. J. Alden Weir ![]() |
a. Loose brushwork ![]() |
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b. Literary narrative ![]() |
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c. Modern life ![]() |
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d. History ![]() |
a. She lived her whole life in the Boston area ![]() |
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b. She exhibited at the Philadelphia Centennial Exposition ![]() |
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c. Both A and B ![]() |
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d. Neither A or B ![]() |
a. It addresses common stereotypes of the era ![]() |
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b. It was posed carefully by Tanner, using models ![]() |
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c. Both A and B ![]() |
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d. It depicts family members in Tanner’s home at the time ![]() |
a. Saint-Gaudens made studies of carved wood before casting the bronze relief ![]() |
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b. From original commission to completion to installation, the project took five years ![]() |
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c. Both A and B ![]() |
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d. Saint-Gaudens individualized the faces and bodies of the African America soldiers depicted. ![]() |
a. It was created after the Civil War ended ![]() |
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b. It suggests African culture as well as American identity ![]() |
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c. It was created on a trip by the artist to Virginia ![]() |
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d. All of the above ![]() |
a. Mary Cassatt ![]() |
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b. Childe Hassam ![]() |
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c. William Merritt Chase ![]() |
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d. J. Alden Weir ![]() |
a. A style of 19th-century painting using gold hues ![]() |
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b. New wealth in America from industrialization at the turn of the 20th century ![]() |
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c. A popular legend of about the founded of the United States ![]() |
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d. Classical Greek culture ![]() |
a. 1875 ![]() |
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b. 1870 ![]() |
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c. 1865 ![]() |
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d. 1860 ![]() |
a. Surrealism ![]() |
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b. Impressionism ![]() |
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c. Cubism ![]() |
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d. Post-Impressionism ![]() |
a. Oil paint ![]() |
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b. Photography ![]() |
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c. Marble ![]() |
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d. Etching ![]() |
a. Lighting ![]() |
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b. Settings and poses ![]() |
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c. Darkroom techniques ![]() |
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d. All of the above ![]() |
a. Arthur Davies ![]() |
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b. Georgia O’Keeffe ![]() |
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c. Marsden Hartley ![]() |
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d. Max Weber ![]() |
a. Bringing European abstract art to New York ![]() |
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b. Bringing American abstract art to Europe ![]() |
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c. Bringing Renaissance masterpieces to New York ![]() |
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d. None of the above. ![]() |
a. 1891 ![]() |
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b. 1901 ![]() |
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c. 1913 ![]() |
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d. 1924 ![]() |
a. Philadelphia ![]() |
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b. Boston ![]() |
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c. Washington, D.C. ![]() |
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d. New York ![]() |
a. Robert Henri ![]() |
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b. George Luks ![]() |
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c. Edward Hopper ![]() |
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d. Ernest Lawson ![]() |
a. Lois Mailou Jones ![]() |
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b. Jacob Lawrence ![]() |
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c. Archibald Motley, Jr. ![]() |
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d. William H. Johnson ![]() |
a. Everitt Shinn ![]() |
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b. George Bellows ![]() |
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c. John Sloan ![]() |
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d. Robert Henri ![]() |
a. Alain Locke ![]() |
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b. Langston Hughes ![]() |
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c. Marcus Garvey ![]() |
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d. W. E. B. DuBois ![]() |
a. It was advocated on the basis of its embrace by European artists ![]() |
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b. It was advocated for its long tradition ![]() |
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c. It was advocated as a sign of modernity ![]() |
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d. All of the above ![]() |
a. Interiors of the homes of the upper classes ![]() |
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b. Landscape of leisure ![]() |
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c. Family portraits ![]() |
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d. Life in the neighborhoods of recent immigrants ![]() |
a. A gallery in New York founded by Alfred Stieglitz ![]() |
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b. An exhibition of modern European artists in New York ![]() |
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c. An international artist alliance formed in 1900 ![]() |
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d. None of the above ![]() |
a. Philadelphia ![]() |
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b. Boston ![]() |
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c. Washington, D.C. ![]() |
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d. New York ![]() |
a. Grant Wood ![]() |
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b. Alvin Albright ![]() |
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c. Robert Henri ![]() |
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d. Thomas Hart Benton ![]() |
a. The Whitney Museum of American Art ![]() |
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b. The Museum of Modern Art ![]() |
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c. The Guggenheim Museum ![]() |
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d. The Asia Society ![]() |
a. International Style ![]() |
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b. Prairie Style ![]() |
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c. Geometric Style ![]() |
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d. Organic Style ![]() |
a. Surrealism ![]() |
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b. Cubism ![]() |
||
c. Impressionism ![]() |
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d. Classicism ![]() |
a. Divine providence ![]() |
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b. The history of a region ![]() |
||
c. Family legacies ![]() |
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d. Naturalistic style ![]() |
a. Surrealism ![]() |
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b. Cubism ![]() |
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c. Impressionism ![]() |
||
d. Classicism ![]() |
a. OWI ![]() |
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b. FAP ![]() |
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c. FSA ![]() |
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d. None of the above ![]() |
a. John Sloan ![]() |
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b. Thomas Hart Benton ![]() |
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c. John Steuart Curry ![]() |
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d. Isabel Bishop ![]() |
a. William Henry Johnson ![]() |
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b. Archibald Motley, Jr. ![]() |
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c. Jacob Lawrence ![]() |
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d. Aaron Douglas ![]() |
a. Federal Works of Art Project ![]() |
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b. Works Progress Administration ![]() |
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c. Farms Securities Administration ![]() |
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d. Both A and B ![]() |
a. Oil painting ![]() |
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b. Wood and stone carving ![]() |
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c. Assemblage of found materials ![]() |
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d. Two-dimensional works on paper ![]() |
a. She is a protégé of Georgia O’Keeffe ![]() |
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b. She is known as an abstract painter ![]() |
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c. She is known as a Surrealist ![]() |
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d. She is known as a sculptor ![]() |
a. Farm communities around the country ![]() |
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b. Northern urban cities ![]() |
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c. Southern urban cities ![]() |
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d. Rural communities of California ![]() |
a. Religious genre ![]() |
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b. People at work ![]() |
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c. Bucolic landscapes ![]() |
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d. Still life ![]() |
a. Social Realism ![]() |
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b. Regionalism ![]() |
||
c. American Scene ![]() |
||
d. All of the above ![]() |
a. William Henry Johnson’s ![]() |
||
b. Archibald Motley, Jr.’s ![]() |
||
c. Jacob Lawrence’s ![]() |
||
d. Lois Mailou Jones’ ![]() |
a. Theodore Roosevelt ![]() |
||
b. Franklin Delano Roosevelt ![]() |
||
c. Alexander Hamilton ![]() |
||
d. Harry Truman ![]() |
a. Figuration ![]() |
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b. Lyrical line ![]() |
||
c. Repetition of forms ![]() |
||
d. Use of organic materials ![]() |
a. Paris ![]() |
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b. Los Angeles ![]() |
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c. New York ![]() |
||
d. San Francisco ![]() |
a. “Drip” paintings ![]() |
||
b. Paintings based on the American flag ![]() |
||
c. Paintings of Campbell’s Soup cans ![]() |
||
d. Paintings of popular comic book characters ![]() |
a. Consumer products ![]() |
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b. Psychological portraiture ![]() |
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c. Nature in the industrial world ![]() |
||
d. Reviving early oil painting techniques ![]() |
a. Regionalist painting in the Mid-West ![]() |
||
b. European art styles brought by exiles from Europe before World War II ![]() |
||
c. Picasso’s paintings of the 1920s ![]() |
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d. The Russian Revolution ![]() |
a. Willem de Kooning ![]() |
||
b. Clyfford Still ![]() |
||
c. Barnett Newman ![]() |
||
d. Jackson Pollock ![]() |
a. Robert Smithson ![]() |
||
b. Bruce Nauman ![]() |
||
c. Julian Schnabel ![]() |
||
d. Donald Judd ![]() |
a. Audry Flack ![]() |
||
b. Hannah Wilke ![]() |
||
c. Betye Saar ![]() |
||
d. Judy Chicago ![]() |
a. Andy Warhol ![]() |
||
b. Roy Lichtenstein ![]() |
||
c. Claus Oldenburg ![]() |
||
d. James Rosenquist ![]() |
a. An interest in earlier art forms ![]() |
||
b. The appropriation of earlier art imagery ![]() |
||
c. Direct expressions of gender and ethnic identity in art ![]() |
||
d. All of the above ![]() |
a. They often have hidden narratives ![]() |
||
b. They often feature a single visual focal point ![]() |
||
c. They are characterized by all-over compositions ![]() |
||
d. All of the above ![]() |
a. It is considered non-objective in content ![]() |
||
b. It is based on geometric form ![]() |
||
c. Signs of the artist’s gesture are usually obscured ![]() |
||
d. All of the above ![]() |
a. It remains installed at the site for which it was designed in Lower Manhattan ![]() |
||
b. It was moved to another public site in New York City ![]() |
||
c. It was removed and is not on view to the public ![]() |
||
d. The artist did not have a strong opinion about the controversy over the work and stayed out of the debates about it ![]() |
a. It was designed by a woman ![]() |
||
b. It includes figurative components ![]() |
||
c. Its style is influenced by American War memorials of the past ![]() |
||
d. All of the above ![]() |
a. Colorfield Painting ![]() |
||
b. Action Painting ![]() |
||
c. Neo-Impressionism ![]() |
||
d. Both A and B ![]() |
a. 1940 ![]() |
||
b. 1945 ![]() |
||
c. 1950 ![]() |
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d. 1955 ![]() |