A. Mihrab | ||
B. Minaret | ||
C. Iwan | ||
D. Muqarna | ||
E. Madrasa |
A. Byzantine | ||
B. Sassanian | ||
C. Greco-Roman | ||
D. All of the above | ||
E. None of the above |
A. The Nasirids | ||
B. The Abbasids | ||
C. The Seljuks | ||
D. The Fatimids | ||
E. The Umayyads |
A. Islamic paradise | ||
B. Mecca | ||
C. Medina | ||
D. All of the above | ||
E. None of the above |
A. Umayyads | ||
B. Ottomans | ||
C. Abbasids | ||
D. Ayyubids | ||
E. Fatimids |
A. Ka'ba | ||
B. Dome of the Rock | ||
C. Kiswa | ||
D. Madrasa | ||
E. None of the above |
A. Dome of the Rock | ||
B. Ka'ba | ||
C. Great Mosque of Damascus | ||
D. Great Mosque of Córdoba | ||
E. Sulaybiya Mausoleum |
A. The Alhambra | ||
B. The Red Fort | ||
C. The Topkapi Palace | ||
D. Qusayr 'Amra | ||
E. Guri Amir |
A. The Sultan Hasan Mosque | ||
B. The Great Mosque of Córdoba | ||
C. The Al-Aqsa Mosque | ||
D. The Süleymaniye Mosque | ||
E. Qusayr 'Amra |
A. The Dome of the Rock | ||
B. The Umayyad Mosque | ||
C. The Al-Aqsa Mosque | ||
D. Great Mosque of Córdoba | ||
E. Qusayr 'Amra |
A. The Umayyad Mosque | ||
B. The Sultan Hasan Mosque | ||
C. The Taj Mahal | ||
D. The Süleymaniye Mosque | ||
E. Maidan-I Shah |
A. The Great Mosque of Córdoba | ||
B. The Alhambra | ||
C. The Great Mosque of Damascus | ||
D. The Süleymaniye Mosque | ||
E. The Sultan Hasan Mosque |
A. The Dome of the Rock | ||
B. The Qibla | ||
C. The Ka'ba | ||
D. The Great Mosque of Damascus | ||
E. The Sultan Hasan Mosque |
A. The Ka'ba in Mecca | ||
B. The Dome of the Rock in Jerusalem | ||
C. The House of the Prophet in Medina | ||
D. All of the above | ||
E. None of the above |
A. Profession of Faith | ||
B. Fasting | ||
C. Alms | ||
D. Prayer | ||
E. All of the above |
A. Kufic | ||
B. Naskhi | ||
C. Thuluth | ||
D. Nastaʿlīq | ||
E. Ruq'ah |
A. It is an optional part of the Muslim faith. | ||
B. All Muslims, if financially and physically able, must perform it once in their lifetime. | ||
C. It is performed during the twelfth month of the Islamic calendar. | ||
D. Pilgrims wear simple clothes made of two pieces of unstitched white cloth. | ||
E. Its focus is on the Ka'ba in Mecca. |
A. A large architectural space for prayer is central to a mosque's design. | ||
B. Historically, in addition to being places for prayer, mosques were community meeting places. | ||
C. The very first mosque was believed to be in the courtyard of Muhammad's home. | ||
D. All of the above | ||
E. None of the above |
A. The Ka'ba | ||
B. The Al-Aqsa Mosque | ||
C. The Great Mosque of Damascus | ||
D. The Sultan Hasan Mosque | ||
E. Qusayr 'Amra |
A. Vegetal scrolls | ||
B. Calligraphy | ||
C. Figural decoration | ||
D. Floral motifs | ||
E. Geometric patterns |
A. Mudėjar | ||
B. Kufic | ||
C. Mashriq | ||
D. Maghreb | ||
E. Nasrid |
A. Minarets | ||
B. Madrasas | ||
C. Iwans | ||
D. Mihrabs | ||
E. Maqsurahs |
A. Sha'ria | ||
B. Hadith | ||
C. Qibla | ||
D. Umma | ||
E. Ramadan |
A. Damascus | ||
B. Jerusalem | ||
C. Cairo | ||
D. Istanbul | ||
E. Ishafan |
A. The Umayyad period | ||
B. The Abbasid period | ||
C. The Seljuk period | ||
D. The Mamluk period | ||
E. The Fatimid period |
A. The Umayyad period | ||
B. The Abbasid period | ||
C. The Seljuk period | ||
D. The Ilkhanid period | ||
E. The Fatimid period |
A. The Umayyad period | ||
B. The Abbasid period | ||
C. The Seljuk period | ||
D. The Fatimid period | ||
E. The Ottoman period |
A. Umayyad | ||
B. Abbasid | ||
C. Seljuk | ||
D. Fatimid | ||
E. Timurid |
A. Umayyad | ||
B. Abbasid | ||
C. Seljuk | ||
D. Ottoman | ||
E. Mughal |
A. The Umayyad period | ||
B. The Abbasid period | ||
C. The Fatimid period | ||
D. The Ilkhanid period | ||
E. The Ottoman period |
A. The Great Mosque of Córdoba | ||
B. The Sultan Hasan Mosque | ||
C. The Great Mosque of Al-Mutawakkil | ||
D. The Süleymaniye Mosque | ||
E. The Ka'ba |
A. Samarra | ||
B. Damascus | ||
C. Baghdad | ||
D. Istanbul | ||
E. Cairo |
A. Umayyad | ||
B. Abbasid | ||
C. Mamluk | ||
D. Ottoman | ||
E. Mughal |
A. Pishtaq | ||
B. Iwan | ||
C. Muqarna | ||
D. Masjid | ||
E. Mihrab |
A. The Qarawiyyin Mosque | ||
B. The Sultan Hasan Mosque | ||
C. The Al-Aqsa Mosque | ||
D. The Alhambra | ||
E. The Umayyad Mosque |
A. Caravanserais | ||
B. Muqarnas | ||
C. Iwans | ||
D. Pishtaqs | ||
E. Madrasas |
A. Baghdad | ||
B. Jerusalem | ||
C. Medina | ||
D. Cairo | ||
E. Istanbul |
A. Caravanserais | ||
B. Iwan | ||
C. Muqarna | ||
D. Mihrab | ||
E. Madrasa |
A. The Umayyad dynasty | ||
B. The Ayyubid dynasty | ||
C. The Mamluk dynasty | ||
D. The Ilkhanid dynasty | ||
E. The Timurid dynasty |
A. The Umayyads | ||
B. The Abbasids | ||
C. The Seljuks | ||
D. The Fatimids | ||
E. The Ottomans |
A. The Ilkhanid dynasty | ||
B. The Ottoman dynasty | ||
C. The Seljuk dynasty | ||
D. The Mamluk dynasty | ||
E. The Mughal dynasty |
A. The Umayyads | ||
B. The Abbasids | ||
C. The Fatimids | ||
D. The Seljuks | ||
E. The Ottomans |
A. The Great Mosque of Córdoba | ||
B. The Sultan Hasan Mosque | ||
C. The Al-Aqsa Mosque | ||
D. The Süleymaniye Mosque | ||
E. The Al-Hakim Mosque |
A. The Al-Azhar Mosque | ||
B. The Umayyad Mosque | ||
C. The Al-Aqsa Mosque | ||
D. The Süleymaniye Mosque | ||
E. The Sultan Hasan Mosque |
A. The Citadel of Cairo | ||
B. The Sultan Hasan Mosque | ||
C. The Firdawsi Mosque and Madrasa | ||
D. The Süleymaniye Mosque | ||
E. The Imam al-Shafi'i Mausoleum |
A. The Umayyads | ||
B. The Mamluks | ||
C. The Fatimids | ||
D. The Mughals | ||
E. The Safavids |
A. The four iwan plan | ||
B. Three-tiered minarets | ||
C. Domes with cylindrical drums and pointed profiles | ||
D. Stone muqarnas | ||
E. All of the above |
A. The Umayyad dynasty | ||
B. The Abbasid dynasty | ||
C. The Ayyubid dynasty | ||
D. The Fatimid dynasty | ||
E. The Mughal dynasty |
A. The Ilkhanid period | ||
B. The Abbasid period | ||
C. The Seljuk period | ||
D. The Mamluk period | ||
E. The Umayyad period |
A. The Great Mongol Shahnama | ||
B. The Book of Omens | ||
C. The Free Men's Companion to the Subtleties of Poetry | ||
D. The Compendium of Chronicles | ||
E. History of the World Conqueror |
A. The Great Mosque of Córdoba | ||
B. The Sultan Hasan Mosque | ||
C. The Takht-i Sulayman Summer Palace | ||
D. The Süleymaniye Mosque | ||
E. The Imam al-Shafi'i Mausoleum |
A. Sultaniya | ||
B. Fez | ||
C. Merv | ||
D. Samarra | ||
E. Fatehpur Sikri |
A. The Bibi Khanum Mosque | ||
B. The Sultan Hasan Mosque | ||
C. The Al-Aqsa Mosque | ||
D. The Süleymaniye Mosque | ||
E. The Moti Mosque |
A. Guri Amir | ||
B. The Amir Burunduq Mausoleum | ||
C. Aq Saray Mausoleum | ||
D. The Bibi Khanum Mosque | ||
E. The Ishrat Khana Tomb |
A. Elaborate illustrations of the Shahnama were commissioned to legitimize rulers. | ||
B. The Shahnama tells the history of Persia up until the conquest of Alexander the Great. | ||
C. The two most famous copies are the Great Mongol Shahnama and the Shah Tahmasp Shahnama. | ||
D. Illustrations usually depicted past real and mythical rulers dressed in contemporary costume. | ||
E. Copies of the Shahnama were compilations of the artwork of painters, calligraphers, and other craftsmen. |
A. It combines Persian and Central Asian elements. | ||
B. It can be divided into four time periods based on the reigns of different rulers. | ||
C. Its technique of squinch-net vaulting was developed in Herat. | ||
D. Few Timurid architectural features were incorporated into later Safavid, Ottoman, or Mughal architecture. | ||
E. Timurid rulers built madrasa-khanaqh complexes. |
A. It had dome chambers beyond its lateral iwans. | ||
B. It followed a four iwan plan. | ||
C. It was the first square dome mosque. | ||
D. It used cantilinear vaults. | ||
E. All of the above |
A. Herat | ||
B. Samarkand | ||
C. Bukhara | ||
D. Shahr-i Sabz | ||
E. All of the above |
A. Chinese | ||
B. Egyptian | ||
C. Russian | ||
D. All of the above | ||
E. None of the above |
A. China | ||
B. Italy | ||
C. Russia | ||
D. England | ||
E. Korea |
A. Damascus | ||
B. Ishafan | ||
C. Samarkand | ||
D. Baghdad | ||
E. Samarra |
A. The Quwwat al-Islam Mosque | ||
B. The Moti Masjid | ||
C. The Jama Masjid of Dehli | ||
D. The Mecca Masjid | ||
E. The Atala Masjid |
A. Seljuk and Safavid | ||
B. Seljuk and Timurid | ||
C. Fatimid and Mamluk | ||
D. Ummayad and Abbasid | ||
E. Abbasid and Seljuk |
A. Semi-nude figures | ||
B. Languid youths | ||
C. Young lovers | ||
D. All of the above | ||
E. None of the above |
A. Limestone | ||
B. Red sandstone | ||
C. White marble | ||
D. All of the above | ||
E. None of the above |
A. Humayun | ||
B. Shah Jahan | ||
C. Akbar | ||
D. Salim Christi | ||
E. Jahangir |
A. Byzantine | ||
B. Turkic | ||
C. Perseo-Islamic | ||
D. European | ||
E. All of the above |
A. Tulip | ||
B. Rose | ||
C. Peony | ||
D. Gardenia | ||
E. Iris |
A. Mahmud II | ||
B. Osman I | ||
C. Mehmed II | ||
D. Suleiman the Magnificent | ||
E. Selim I |
A. Illustrated manuscripts | ||
B. Inlaid metalwork | ||
C. Enameled glass | ||
D. Blown glass | ||
E. Luster painted ceramics |
A. Limestone | ||
B. Red sandstone | ||
C. White marble | ||
D. All of the above | ||
E. None of the above |
A. Urban elite and other members of Safavid society were able to commission artworks. | ||
B. Artworks began to be decorated with untraditional figures, such as mythical beasts. | ||
C. Safavid artists remained committed to their own artistic traditions and did not incorporate foriegn elements in their artwork. | ||
D. All of the above | ||
E. None of the above |
A. The Taj Mahal | ||
B. Humayun's Tomb | ||
C. The Jama Masjd of Dehli | ||
D. The Tomb of Salim Chisti | ||
E. The Moti Mosque |
A. Tughra | ||
B. Nasta'liq | ||
C. Muraqqa | ||
D. Diwani | ||
E. Thuluth |
A. The Taj Mahal | ||
B. Humayun's Tomb | ||
C. The Jama Masjd of Dehli | ||
D. Lahore Fort | ||
E. The Babri Mosque |
A. The Jama Masjid of Dehli | ||
B. The Mina Mosque | ||
C. The Moti Mosque | ||
D. The Babri Mosque | ||
E. The Gyanvapi Mosque |
A. The Great Mosque of Córdoba | ||
B. The Nusretiye Mosque | ||
C. The Selimiye Mosque | ||
D. The Süleymaniye Mosque | ||
E. The Sultan Hasan Mosque |
A. The Topkapi Palace | ||
B. Takht-i Sulayman | ||
C. Dolmabahçe Palace | ||
D. Yildiz Palace | ||
E. Hasht Behesht |
A. The Dolmabahçe Palace | ||
B. The Topkapi Palace | ||
C. Aynalıkavak Palace | ||
D. The Süleymaniye Palace | ||
E. The Yildiz Palace |
A. The Tomb of Salim Chisti | ||
B. The Jama Masjid of Dehli | ||
C. The Lahore Fort | ||
D. Humayun's Tomb | ||
E. The Moti Mosque |
A. The Great Mosque of Córdoba | ||
B. The Sultan Hasan Mosque | ||
C. The Selimiye Mosque | ||
D. The Süleymaniye Mosque | ||
E. The Bibi Khanum Mosque |
A. The development of complexes focused on a mosque that combined religious, funerary, educational, and financial institutions. | ||
B. The construction of a new city center that focused on the Ottoman Palace. | ||
C. The construction of a new city center that focused on the Hagia Sophia, which had been converted into a mosque. | ||
D. The construction of a city center focused on a large open courtyard surrounded by markets, mosques, and palaces. | ||
E. None of the above |
A. Sultan Mahmud II | ||
B. Mustafa IV | ||
C. Suleiman the Magnificent | ||
D. Ahmed II | ||
E. Osman I |
A. Most were part of lavishly finished albums. | ||
B. They were usually created by a single painter. | ||
C. Many were plant and animal studies. | ||
D. Many contained realistic portraiture and Europeanized subjects. | ||
E. All of the above |
A. It represents the Islamic garden of paradise. | ||
B. It is decorated with murals that depict Shah Jahan. | ||
C. It is decorated throughout with verses from the Koran. | ||
D. It contains the cenotaph of Mumtaz Muhal and Shah Jahan. | ||
E. All of the above |
A. They are based on Seljuk and Byzantine architecture. | ||
B. They are distinguised by their dark interiors. | ||
C. They are based on a square dome plan. | ||
D. The mosque constructed by Sinan drew inspiration from the Hagia Sophia. | ||
E. They have slender corner minarets. |
A. Carpet weaving was an important statewide industry in the Safavid, Ottoman, and Mughal empires. | ||
B. They were produced in large private factories. | ||
C. Carpets were traded with merchants from East Asia and Europe. | ||
D. Carpets were central to Shah 'Abbas I plan to attract foreign merchants. | ||
E. Few carpets were produced in India before the reign of Akbar. |
A. It combine local Hindu and Islamic building traditions with the architectural traditions of Iran and Central Asia. | ||
B. Early Mughal buildings were constructed from white marble. | ||
C. Mughal rulers commissioned many different types of buildings including palaces, mosques, gardens, and mausoleums. | ||
D. Mughal mosques have massive enclosed courtyards. | ||
E. Mughal mosques have domed shallow prayer halls. |
A. It continues Timurid and Persian architectural traditions. | ||
B. It does not use the four iwan plan. | ||
C. It includes elements such as pishtaqs. | ||
D. It uses brick and decorated tiles. | ||
E. It included massive city planning projects, such as those of Shah 'Abbas I. |
A. It is written in nasta'liq script. | ||
B. Its fine paper is enriched with flecks of gold. | ||
C. It was created at the royal atelier at Tabriz. | ||
D. It was given as a gift to an Ottoman sultan. | ||
E. It was completed solely during the reign of Shah Tahmasp. |
A. It was built on the tip of the peninsula that overlooked the Golden Horn and the Bosphorous. | ||
B. It was surrounded by a wall and behind the wall were buildings loosely laid out in a garden like setting. | ||
C. The layout of the structure was not hierarchically ordered. | ||
D. It included residential, religious, educational, administrative, and service buildings. | ||
E. Its construction was ordered by Mehmed II, after he conquered Constantinople. |
A. Many were created in non-royal commercial workshops. | ||
B. Illustrated books were financial investments, status symbols, and objects of diplomacy. | ||
C. Specific workshops produced copies of the Koran. | ||
D. The paper used for the books was made of tree pulp. | ||
E. Usually only one artist worked on each scene. |
A. Early Ottoman architecture was based on Byzantine and Seljuk traditions. | ||
B. Ottoman architecture remained fairly uniform throughout its extensive empire. | ||
C. Imperial patronage focused on the construction of kulliye. | ||
D. All of the above | ||
E. None of the above |
A. They consisted of an axial arrangement of new royal markets that linked the old city to a new center of markets, mosques, and the royal palace. | ||
B. Their new city center was comprised of a series of concentric circles. | ||
C. They did not make use of large open spaces but were comprised of a series of closely connected structures. | ||
D. They incorporated elements of the old city behind the gates of a massive citadel. | ||
E. All of the above |
A. The Red Fort | ||
B. The Lahore Fort | ||
C. The Taj Mahal | ||
D. Fatehpur Sikri | ||
E. The Asfarwala Complex |
A. Mamluk | ||
B. Safavid | ||
C. Ottoman | ||
D. All of the above | ||
E. None of the above |
A. Textiles | ||
B. Porcelain | ||
C. Enameled glass | ||
D. Jades | ||
E. Luster painted ceramics |
A. Akbar | ||
B. Humayun | ||
C. Jahangir | ||
D. Shah Jahan | ||
E. Babur |
A. Akbar | ||
B. Humayun | ||
C. Jahangir | ||
D. Shah Jahan | ||
E. Babur |
A. Sinan | ||
B. Krikor Balyan | ||
C. Garabed | ||
D. Nikogos | ||
E. A. Jachmund |