|
A. Mihrab |
||
|
B. Minaret |
||
|
C. Iwan |
||
|
D. Muqarna |
||
|
E. Madrasa |
|
A. Byzantine |
||
|
B. Sassanian |
||
|
C. Greco-Roman |
||
|
D. All of the above |
||
|
E. None of the above |
|
A. The Nasirids |
||
|
B. The Abbasids |
||
|
C. The Seljuks |
||
|
D. The Fatimids |
||
|
E. The Umayyads |
|
A. Islamic paradise |
||
|
B. Mecca |
||
|
C. Medina |
||
|
D. All of the above |
||
|
E. None of the above |
|
A. Umayyads |
||
|
B. Ottomans |
||
|
C. Abbasids |
||
|
D. Ayyubids |
||
|
E. Fatimids |
|
A. Ka'ba |
||
|
B. Dome of the Rock |
||
|
C. Kiswa |
||
|
D. Madrasa |
||
|
E. None of the above |
|
A. Dome of the Rock |
||
|
B. Ka'ba |
||
|
C. Great Mosque of Damascus |
||
|
D. Great Mosque of Córdoba |
||
|
E. Sulaybiya Mausoleum |
|
A. The Alhambra |
||
|
B. The Red Fort |
||
|
C. The Topkapi Palace |
||
|
D. Qusayr 'Amra |
||
|
E. Guri Amir |
|
A. The Sultan Hasan Mosque |
||
|
B. The Great Mosque of Córdoba |
||
|
C. The Al-Aqsa Mosque |
||
|
D. The Süleymaniye Mosque |
||
|
E. Qusayr 'Amra |
|
A. The Dome of the Rock |
||
|
B. The Umayyad Mosque |
||
|
C. The Al-Aqsa Mosque |
||
|
D. Great Mosque of Córdoba |
||
|
E. Qusayr 'Amra |
|
A. The Umayyad Mosque |
||
|
B. The Sultan Hasan Mosque |
||
|
C. The Taj Mahal |
||
|
D. The Süleymaniye Mosque |
||
|
E. Maidan-I Shah |
|
A. The Great Mosque of Córdoba |
||
|
B. The Alhambra |
||
|
C. The Great Mosque of Damascus |
||
|
D. The Süleymaniye Mosque |
||
|
E. The Sultan Hasan Mosque |
|
A. The Dome of the Rock |
||
|
B. The Qibla |
||
|
C. The Ka'ba |
||
|
D. The Great Mosque of Damascus |
||
|
E. The Sultan Hasan Mosque |
|
A. The Ka'ba in Mecca |
||
|
B. The Dome of the Rock in Jerusalem |
||
|
C. The House of the Prophet in Medina |
||
|
D. All of the above |
||
|
E. None of the above |
|
A. Profession of Faith |
||
|
B. Fasting |
||
|
C. Alms |
||
|
D. Prayer |
||
|
E. All of the above |
|
A. Kufic |
||
|
B. Naskhi |
||
|
C. Thuluth |
||
|
D. Nastaʿlīq |
||
|
E. Ruq'ah |
|
A. It is an optional part of the Muslim faith. |
||
|
B. All Muslims, if financially and physically able, must perform it once in their lifetime. |
||
|
C. It is performed during the twelfth month of the Islamic calendar. |
||
|
D. Pilgrims wear simple clothes made of two pieces of unstitched white cloth. |
||
|
E. Its focus is on the Ka'ba in Mecca. |
|
A. A large architectural space for prayer is central to a mosque's design. |
||
|
B. Historically, in addition to being places for prayer, mosques were community meeting places. |
||
|
C. The very first mosque was believed to be in the courtyard of Muhammad's home. |
||
|
D. All of the above |
||
|
E. None of the above |
|
A. The Ka'ba |
||
|
B. The Al-Aqsa Mosque |
||
|
C. The Great Mosque of Damascus |
||
|
D. The Sultan Hasan Mosque |
||
|
E. Qusayr 'Amra |
|
A. Vegetal scrolls |
||
|
B. Calligraphy |
||
|
C. Figural decoration |
||
|
D. Floral motifs |
||
|
E. Geometric patterns |
|
A. Mudėjar |
||
|
B. Kufic |
||
|
C. Mashriq |
||
|
D. Maghreb |
||
|
E. Nasrid |
|
A. Minarets |
||
|
B. Madrasas |
||
|
C. Iwans |
||
|
D. Mihrabs |
||
|
E. Maqsurahs |
|
A. Sha'ria |
||
|
B. Hadith |
||
|
C. Qibla |
||
|
D. Umma |
||
|
E. Ramadan |
|
A. Damascus |
||
|
B. Jerusalem |
||
|
C. Cairo |
||
|
D. Istanbul |
||
|
E. Ishafan |
|
A. The Umayyad period |
||
|
B. The Abbasid period |
||
|
C. The Seljuk period |
||
|
D. The Mamluk period |
||
|
E. The Fatimid period |
|
A. The Umayyad period |
||
|
B. The Abbasid period |
||
|
C. The Seljuk period |
||
|
D. The Ilkhanid period |
||
|
E. The Fatimid period |
|
A. The Umayyad period |
||
|
B. The Abbasid period |
||
|
C. The Seljuk period |
||
|
D. The Fatimid period |
||
|
E. The Ottoman period |
|
A. Umayyad |
||
|
B. Abbasid |
||
|
C. Seljuk |
||
|
D. Fatimid |
||
|
E. Timurid |
|
A. Umayyad |
||
|
B. Abbasid |
||
|
C. Seljuk |
||
|
D. Ottoman |
||
|
E. Mughal |
|
A. The Umayyad period |
||
|
B. The Abbasid period |
||
|
C. The Fatimid period |
||
|
D. The Ilkhanid period |
||
|
E. The Ottoman period |
|
A. The Great Mosque of Córdoba |
||
|
B. The Sultan Hasan Mosque |
||
|
C. The Great Mosque of Al-Mutawakkil |
||
|
D. The Süleymaniye Mosque |
||
|
E. The Ka'ba |
|
A. Samarra |
||
|
B. Damascus |
||
|
C. Baghdad |
||
|
D. Istanbul |
||
|
E. Cairo |
|
A. Umayyad |
||
|
B. Abbasid |
||
|
C. Mamluk |
||
|
D. Ottoman |
||
|
E. Mughal |
|
A. Pishtaq |
||
|
B. Iwan |
||
|
C. Muqarna |
||
|
D. Masjid |
||
|
E. Mihrab |
|
A. The Qarawiyyin Mosque |
||
|
B. The Sultan Hasan Mosque |
||
|
C. The Al-Aqsa Mosque |
||
|
D. The Alhambra |
||
|
E. The Umayyad Mosque |
|
A. Caravanserais |
||
|
B. Muqarnas |
||
|
C. Iwans |
||
|
D. Pishtaqs |
||
|
E. Madrasas |
|
A. Baghdad |
||
|
B. Jerusalem |
||
|
C. Medina |
||
|
D. Cairo |
||
|
E. Istanbul |
|
A. Caravanserais |
||
|
B. Iwan |
||
|
C. Muqarna |
||
|
D. Mihrab |
||
|
E. Madrasa |
|
A. The Umayyad dynasty |
||
|
B. The Ayyubid dynasty |
||
|
C. The Mamluk dynasty |
||
|
D. The Ilkhanid dynasty |
||
|
E. The Timurid dynasty |
|
A. The Umayyads |
||
|
B. The Abbasids |
||
|
C. The Seljuks |
||
|
D. The Fatimids |
||
|
E. The Ottomans |
|
A. The Ilkhanid dynasty |
||
|
B. The Ottoman dynasty |
||
|
C. The Seljuk dynasty |
||
|
D. The Mamluk dynasty |
||
|
E. The Mughal dynasty |
|
A. The Umayyads |
||
|
B. The Abbasids |
||
|
C. The Fatimids |
||
|
D. The Seljuks |
||
|
E. The Ottomans |
|
A. The Great Mosque of Córdoba |
||
|
B. The Sultan Hasan Mosque |
||
|
C. The Al-Aqsa Mosque |
||
|
D. The Süleymaniye Mosque |
||
|
E. The Al-Hakim Mosque |
|
A. The Al-Azhar Mosque |
||
|
B. The Umayyad Mosque |
||
|
C. The Al-Aqsa Mosque |
||
|
D. The Süleymaniye Mosque |
||
|
E. The Sultan Hasan Mosque |
|
A. The Citadel of Cairo |
||
|
B. The Sultan Hasan Mosque |
||
|
C. The Firdawsi Mosque and Madrasa |
||
|
D. The Süleymaniye Mosque |
||
|
E. The Imam al-Shafi'i Mausoleum |
|
A. The Umayyads |
||
|
B. The Mamluks |
||
|
C. The Fatimids |
||
|
D. The Mughals |
||
|
E. The Safavids |
|
A. The four iwan plan |
||
|
B. Three-tiered minarets |
||
|
C. Domes with cylindrical drums and pointed profiles |
||
|
D. Stone muqarnas |
||
|
E. All of the above |
|
A. The Umayyad dynasty |
||
|
B. The Abbasid dynasty |
||
|
C. The Ayyubid dynasty |
||
|
D. The Fatimid dynasty |
||
|
E. The Mughal dynasty |
|
A. The Ilkhanid period |
||
|
B. The Abbasid period |
||
|
C. The Seljuk period |
||
|
D. The Mamluk period |
||
|
E. The Umayyad period |
|
A. The Great Mongol Shahnama |
||
|
B. The Book of Omens |
||
|
C. The Free Men's Companion to the Subtleties of Poetry |
||
|
D. The Compendium of Chronicles |
||
|
E. History of the World Conqueror |
|
A. The Great Mosque of Córdoba |
||
|
B. The Sultan Hasan Mosque |
||
|
C. The Takht-i Sulayman Summer Palace |
||
|
D. The Süleymaniye Mosque |
||
|
E. The Imam al-Shafi'i Mausoleum |
|
A. Sultaniya |
||
|
B. Fez |
||
|
C. Merv |
||
|
D. Samarra |
||
|
E. Fatehpur Sikri |
|
A. The Bibi Khanum Mosque |
||
|
B. The Sultan Hasan Mosque |
||
|
C. The Al-Aqsa Mosque |
||
|
D. The Süleymaniye Mosque |
||
|
E. The Moti Mosque |
|
A. Guri Amir |
||
|
B. The Amir Burunduq Mausoleum |
||
|
C. Aq Saray Mausoleum |
||
|
D. The Bibi Khanum Mosque |
||
|
E. The Ishrat Khana Tomb |
|
A. Elaborate illustrations of the Shahnama were commissioned to legitimize rulers. |
||
|
B. The Shahnama tells the history of Persia up until the conquest of Alexander the Great. |
||
|
C. The two most famous copies are the Great Mongol Shahnama and the Shah Tahmasp Shahnama. |
||
|
D. Illustrations usually depicted past real and mythical rulers dressed in contemporary costume. |
||
|
E. Copies of the Shahnama were compilations of the artwork of painters, calligraphers, and other craftsmen. |
|
A. It combines Persian and Central Asian elements. |
||
|
B. It can be divided into four time periods based on the reigns of different rulers. |
||
|
C. Its technique of squinch-net vaulting was developed in Herat. |
||
|
D. Few Timurid architectural features were incorporated into later Safavid, Ottoman, or Mughal architecture. |
||
|
E. Timurid rulers built madrasa-khanaqh complexes. |
|
A. It had dome chambers beyond its lateral iwans. |
||
|
B. It followed a four iwan plan. |
||
|
C. It was the first square dome mosque. |
||
|
D. It used cantilinear vaults. |
||
|
E. All of the above |
|
A. Herat |
||
|
B. Samarkand |
||
|
C. Bukhara |
||
|
D. Shahr-i Sabz |
||
|
E. All of the above |
|
A. Chinese |
||
|
B. Egyptian |
||
|
C. Russian |
||
|
D. All of the above |
||
|
E. None of the above |
|
A. China |
||
|
B. Italy |
||
|
C. Russia |
||
|
D. England |
||
|
E. Korea |
|
A. Damascus |
||
|
B. Ishafan |
||
|
C. Samarkand |
||
|
D. Baghdad |
||
|
E. Samarra |
|
A. The Quwwat al-Islam Mosque |
||
|
B. The Moti Masjid |
||
|
C. The Jama Masjid of Dehli |
||
|
D. The Mecca Masjid |
||
|
E. The Atala Masjid |
|
A. Seljuk and Safavid |
||
|
B. Seljuk and Timurid |
||
|
C. Fatimid and Mamluk |
||
|
D. Ummayad and Abbasid |
||
|
E. Abbasid and Seljuk |
|
A. Semi-nude figures |
||
|
B. Languid youths |
||
|
C. Young lovers |
||
|
D. All of the above |
||
|
E. None of the above |
|
A. Limestone |
||
|
B. Red sandstone |
||
|
C. White marble |
||
|
D. All of the above |
||
|
E. None of the above |
|
A. Humayun |
||
|
B. Shah Jahan |
||
|
C. Akbar |
||
|
D. Salim Christi |
||
|
E. Jahangir |
|
A. Byzantine |
||
|
B. Turkic |
||
|
C. Perseo-Islamic |
||
|
D. European |
||
|
E. All of the above |
|
A. Tulip |
||
|
B. Rose |
||
|
C. Peony |
||
|
D. Gardenia |
||
|
E. Iris |
|
A. Mahmud II |
||
|
B. Osman I |
||
|
C. Mehmed II |
||
|
D. Suleiman the Magnificent |
||
|
E. Selim I |
|
A. Illustrated manuscripts |
||
|
B. Inlaid metalwork |
||
|
C. Enameled glass |
||
|
D. Blown glass |
||
|
E. Luster painted ceramics |
|
A. Limestone |
||
|
B. Red sandstone |
||
|
C. White marble |
||
|
D. All of the above |
||
|
E. None of the above |
|
A. Urban elite and other members of Safavid society were able to commission artworks. |
||
|
B. Artworks began to be decorated with untraditional figures, such as mythical beasts. |
||
|
C. Safavid artists remained committed to their own artistic traditions and did not incorporate foriegn elements in their artwork. |
||
|
D. All of the above |
||
|
E. None of the above |
|
A. The Taj Mahal |
||
|
B. Humayun's Tomb |
||
|
C. The Jama Masjd of Dehli |
||
|
D. The Tomb of Salim Chisti |
||
|
E. The Moti Mosque |
|
A. Tughra |
||
|
B. Nasta'liq |
||
|
C. Muraqqa |
||
|
D. Diwani |
||
|
E. Thuluth |
|
A. The Taj Mahal |
||
|
B. Humayun's Tomb |
||
|
C. The Jama Masjd of Dehli |
||
|
D. Lahore Fort |
||
|
E. The Babri Mosque |
|
A. The Jama Masjid of Dehli |
||
|
B. The Mina Mosque |
||
|
C. The Moti Mosque |
||
|
D. The Babri Mosque |
||
|
E. The Gyanvapi Mosque |
|
A. The Great Mosque of Córdoba |
||
|
B. The Nusretiye Mosque |
||
|
C. The Selimiye Mosque |
||
|
D. The Süleymaniye Mosque |
||
|
E. The Sultan Hasan Mosque |
|
A. The Topkapi Palace |
||
|
B. Takht-i Sulayman |
||
|
C. Dolmabahçe Palace |
||
|
D. Yildiz Palace |
||
|
E. Hasht Behesht |
|
A. The Dolmabahçe Palace |
||
|
B. The Topkapi Palace |
||
|
C. Aynalıkavak Palace |
||
|
D. The Süleymaniye Palace |
||
|
E. The Yildiz Palace |
|
A. The Tomb of Salim Chisti |
||
|
B. The Jama Masjid of Dehli |
||
|
C. The Lahore Fort |
||
|
D. Humayun's Tomb |
||
|
E. The Moti Mosque |
|
A. The Great Mosque of Córdoba |
||
|
B. The Sultan Hasan Mosque |
||
|
C. The Selimiye Mosque |
||
|
D. The Süleymaniye Mosque |
||
|
E. The Bibi Khanum Mosque |
|
A. The development of complexes focused on a mosque that combined religious, funerary, educational, and financial institutions. |
||
|
B. The construction of a new city center that focused on the Ottoman Palace. |
||
|
C. The construction of a new city center that focused on the Hagia Sophia, which had been converted into a mosque. |
||
|
D. The construction of a city center focused on a large open courtyard surrounded by markets, mosques, and palaces. |
||
|
E. None of the above |
|
A. Sultan Mahmud II |
||
|
B. Mustafa IV |
||
|
C. Suleiman the Magnificent |
||
|
D. Ahmed II |
||
|
E. Osman I |
|
A. Most were part of lavishly finished albums. |
||
|
B. They were usually created by a single painter. |
||
|
C. Many were plant and animal studies. |
||
|
D. Many contained realistic portraiture and Europeanized subjects. |
||
|
E. All of the above |
|
A. It represents the Islamic garden of paradise. |
||
|
B. It is decorated with murals that depict Shah Jahan. |
||
|
C. It is decorated throughout with verses from the Koran. |
||
|
D. It contains the cenotaph of Mumtaz Muhal and Shah Jahan. |
||
|
E. All of the above |
|
A. They are based on Seljuk and Byzantine architecture. |
||
|
B. They are distinguised by their dark interiors. |
||
|
C. They are based on a square dome plan. |
||
|
D. The mosque constructed by Sinan drew inspiration from the Hagia Sophia. |
||
|
E. They have slender corner minarets. |
|
A. Carpet weaving was an important statewide industry in the Safavid, Ottoman, and Mughal empires. |
||
|
B. They were produced in large private factories. |
||
|
C. Carpets were traded with merchants from East Asia and Europe. |
||
|
D. Carpets were central to Shah 'Abbas I plan to attract foreign merchants. |
||
|
E. Few carpets were produced in India before the reign of Akbar. |
|
A. It combine local Hindu and Islamic building traditions with the architectural traditions of Iran and Central Asia. |
||
|
B. Early Mughal buildings were constructed from white marble. |
||
|
C. Mughal rulers commissioned many different types of buildings including palaces, mosques, gardens, and mausoleums. |
||
|
D. Mughal mosques have massive enclosed courtyards. |
||
|
E. Mughal mosques have domed shallow prayer halls. |
|
A. It continues Timurid and Persian architectural traditions. |
||
|
B. It does not use the four iwan plan. |
||
|
C. It includes elements such as pishtaqs. |
||
|
D. It uses brick and decorated tiles. |
||
|
E. It included massive city planning projects, such as those of Shah 'Abbas I. |
|
A. It is written in nasta'liq script. |
||
|
B. Its fine paper is enriched with flecks of gold. |
||
|
C. It was created at the royal atelier at Tabriz. |
||
|
D. It was given as a gift to an Ottoman sultan. |
||
|
E. It was completed solely during the reign of Shah Tahmasp. |
|
A. It was built on the tip of the peninsula that overlooked the Golden Horn and the Bosphorous. |
||
|
B. It was surrounded by a wall and behind the wall were buildings loosely laid out in a garden like setting. |
||
|
C. The layout of the structure was not hierarchically ordered. |
||
|
D. It included residential, religious, educational, administrative, and service buildings. |
||
|
E. Its construction was ordered by Mehmed II, after he conquered Constantinople. |
|
A. Many were created in non-royal commercial workshops. |
||
|
B. Illustrated books were financial investments, status symbols, and objects of diplomacy. |
||
|
C. Specific workshops produced copies of the Koran. |
||
|
D. The paper used for the books was made of tree pulp. |
||
|
E. Usually only one artist worked on each scene. |
|
A. Early Ottoman architecture was based on Byzantine and Seljuk traditions. |
||
|
B. Ottoman architecture remained fairly uniform throughout its extensive empire. |
||
|
C. Imperial patronage focused on the construction of kulliye. |
||
|
D. All of the above |
||
|
E. None of the above |
|
A. They consisted of an axial arrangement of new royal markets that linked the old city to a new center of markets, mosques, and the royal palace. |
||
|
B. Their new city center was comprised of a series of concentric circles. |
||
|
C. They did not make use of large open spaces but were comprised of a series of closely connected structures. |
||
|
D. They incorporated elements of the old city behind the gates of a massive citadel. |
||
|
E. All of the above |
|
A. The Red Fort |
||
|
B. The Lahore Fort |
||
|
C. The Taj Mahal |
||
|
D. Fatehpur Sikri |
||
|
E. The Asfarwala Complex |
|
A. Mamluk |
||
|
B. Safavid |
||
|
C. Ottoman |
||
|
D. All of the above |
||
|
E. None of the above |
|
A. Textiles |
||
|
B. Porcelain |
||
|
C. Enameled glass |
||
|
D. Jades |
||
|
E. Luster painted ceramics |
|
A. Akbar |
||
|
B. Humayun |
||
|
C. Jahangir |
||
|
D. Shah Jahan |
||
|
E. Babur |
|
A. Akbar |
||
|
B. Humayun |
||
|
C. Jahangir |
||
|
D. Shah Jahan |
||
|
E. Babur |
|
A. Sinan |
||
|
B. Krikor Balyan |
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C. Garabed |
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D. Nikogos |
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E. A. Jachmund |