| A. Mihrab | ||
| B. Minaret | ||
| C. Iwan | ||
| D. Muqarna | ||
| E. Madrasa |
| A. Byzantine | ||
| B. Sassanian | ||
| C. Greco-Roman | ||
| D. All of the above | ||
| E. None of the above |
| A. The Nasirids | ||
| B. The Abbasids | ||
| C. The Seljuks | ||
| D. The Fatimids | ||
| E. The Umayyads |
| A. Islamic paradise | ||
| B. Mecca | ||
| C. Medina | ||
| D. All of the above | ||
| E. None of the above |
| A. Umayyads | ||
| B. Ottomans | ||
| C. Abbasids | ||
| D. Ayyubids | ||
| E. Fatimids |
| A. Ka'ba | ||
| B. Dome of the Rock | ||
| C. Kiswa | ||
| D. Madrasa | ||
| E. None of the above |
| A. Dome of the Rock | ||
| B. Ka'ba | ||
| C. Great Mosque of Damascus | ||
| D. Great Mosque of Cordoba | ||
| E. Sulaybiya Mausoleum |
| A. The Alhambra | ||
| B. The Red Fort | ||
| C. The Topkapi Palace | ||
| D. Qusayr 'Amra | ||
| E. Guri Amir |
| A. The Sultan Hasan Mosque | ||
| B. The Great Mosque of Cordoba | ||
| C. The Al-Aqsa Mosque | ||
| D. The Suleymaniye Mosque | ||
| E. Qusayr 'Amra |
| A. The Dome of the Rock | ||
| B. The Umayyad Mosque | ||
| C. The Al-Aqsa Mosque | ||
| D. Great Mosque of Cordoba | ||
| E. Qusayr 'Amra |
| A. The Umayyad Mosque | ||
| B. The Sultan Hasan Mosque | ||
| C. The Taj Mahal | ||
| D. The Suleymaniye Mosque | ||
| E. Maidan-I Shah |
| A. The Great Mosque of Cordoba | ||
| B. The Alhambra | ||
| C. The Great Mosque of Damascus | ||
| D. The Suleymaniye Mosque | ||
| E. The Sultan Hasan Mosque |
| A. The Dome of the Rock | ||
| B. The Qibla | ||
| C. The Ka'ba | ||
| D. The Great Mosque of Damascus | ||
| E. The Sultan Hasan Mosque |
| A. The Ka'ba in Mecca | ||
| B. The Dome of the Rock in Jerusalem | ||
| C. The House of the Prophet in Medina | ||
| D. All of the above | ||
| E. None of the above |
| A. Profession of Faith | ||
| B. Fasting | ||
| C. Alms | ||
| D. Prayer | ||
| E. All of the above |
| A. Kufic | ||
| B. Naskhi | ||
| C. Thuluth | ||
| D. Nastaʿlīq | ||
| E. Ruq'ah |
| A. It is an optional part of the Muslim faith. | ||
| B. All Muslims, if financially and physically able, must perform it once in their lifetime. | ||
| C. It is performed during the twelfth month of the Islamic calendar. | ||
| D. Pilgrims wear simple clothes made of two pieces of unstitched white cloth. | ||
| E. Its focus is on the Ka'ba in Mecca. |
| A. A large architectural space for prayer is central to a mosque's design. | ||
| B. Historically, in addition to being places for prayer, mosques were community meeting places. | ||
| C. The very first mosque was believed to be in the courtyard of Muhammad's home. | ||
| D. All of the above | ||
| E. None of the above |
| A. The Ka'ba | ||
| B. The Al-Aqsa Mosque | ||
| C. The Great Mosque of Damascus | ||
| D. The Sultan Hasan Mosque | ||
| E. Qusayr 'Amra |
| A. Vegetal scrolls | ||
| B. Calligraphy | ||
| C. Figural decoration | ||
| D. Floral motifs | ||
| E. Geometric patterns |
| A. MudÄ—jar | ||
| B. Kufic | ||
| C. Mashriq | ||
| D. Maghreb | ||
| E. Nasrid |
| A. Minarets | ||
| B. Madrasas | ||
| C. Iwans | ||
| D. Mihrabs | ||
| E. Maqsurahs |
| A. Sha'ria | ||
| B. Hadith | ||
| C. Qibla | ||
| D. Umma | ||
| E. Ramadan |
| A. Damascus | ||
| B. Jerusalem | ||
| C. Cairo | ||
| D. Istanbul | ||
| E. Ishafan |
| A. The Umayyad period | ||
| B. The Abbasid period | ||
| C. The Seljuk period | ||
| D. The Mamluk period | ||
| E. The Fatimid period |
| A. The Umayyad period | ||
| B. The Abbasid period | ||
| C. The Seljuk period | ||
| D. The Ilkhanid period | ||
| E. The Fatimid period |
| A. The Umayyad period | ||
| B. The Abbasid period | ||
| C. The Seljuk period | ||
| D. The Fatimid period | ||
| E. The Ottoman period |
| A. Umayyad | ||
| B. Abbasid | ||
| C. Seljuk | ||
| D. Fatimid | ||
| E. Timurid |
| A. Umayyad | ||
| B. Abbasid | ||
| C. Seljuk | ||
| D. Ottoman | ||
| E. Mughal |
| A. The Umayyad period | ||
| B. The Abbasid period | ||
| C. The Fatimid period | ||
| D. The Ilkhanid period | ||
| E. The Ottoman period |
| A. The Great Mosque of Cordoba | ||
| B. The Sultan Hasan Mosque | ||
| C. The Great Mosque of Al-Mutawakkil | ||
| D. The Suleymaniye Mosque | ||
| E. The Ka'ba |
| A. Samarra | ||
| B. Damascus | ||
| C. Baghdad | ||
| D. Istanbul | ||
| E. Cairo |
| A. Umayyad | ||
| B. Abbasid | ||
| C. Mamluk | ||
| D. Ottoman | ||
| E. Mughal |
| A. Pishtaq | ||
| B. Iwan | ||
| C. Muqarna | ||
| D. Masjid | ||
| E. Mihrab |
| A. The Qarawiyyin Mosque | ||
| B. The Sultan Hasan Mosque | ||
| C. The Al-Aqsa Mosque | ||
| D. The Alhambra | ||
| E. The Umayyad Mosque |
| A. Caravanserais | ||
| B. Muqarnas | ||
| C. Iwans | ||
| D. Pishtaqs | ||
| E. Madrasas |
| A. Baghdad | ||
| B. Jerusalem | ||
| C. Medina | ||
| D. Cairo | ||
| E. Istanbul |
| A. Caravanserais | ||
| B. Iwan | ||
| C. Muqarna | ||
| D. Mihrab | ||
| E. Madrasa |
| A. The Umayyad dynasty | ||
| B. The Ayyubid dynasty | ||
| C. The Mamluk dynasty | ||
| D. The Ilkhanid dynasty | ||
| E. The Timurid dynasty |
| A. The Umayyads | ||
| B. The Abbasids | ||
| C. The Seljuks | ||
| D. The Fatimids | ||
| E. The Ottomans |
| A. The Ilkhanid dynasty | ||
| B. The Ottoman dynasty | ||
| C. The Seljuk dynasty | ||
| D. The Mamluk dynasty | ||
| E. The Mughal dynasty |
| A. The Umayyads | ||
| B. The Abbasids | ||
| C. The Fatimids | ||
| D. The Seljuks | ||
| E. The Ottomans |
| A. The Great Mosque of Cordoba | ||
| B. The Sultan Hasan Mosque | ||
| C. The Al-Aqsa Mosque | ||
| D. The Suleymaniye Mosque | ||
| E. The Al-Hakim Mosque |
| A. The Al-Azhar Mosque | ||
| B. The Umayyad Mosque | ||
| C. The Al-Aqsa Mosque | ||
| D. The Suleymaniye Mosque | ||
| E. The Sultan Hasan Mosque |
| A. The Citadel of Cairo | ||
| B. The Sultan Hasan Mosque | ||
| C. The Firdawsi Mosque and Madrasa | ||
| D. The Suleymaniye Mosque | ||
| E. The Imam al-Shafi'i Mausoleum |
| A. The Umayyads | ||
| B. The Mamluks | ||
| C. The Fatimids | ||
| D. The Mughals | ||
| E. The Safavids |
| A. The four iwan plan | ||
| B. Three-tiered minarets | ||
| C. Domes with cylindrical drums and pointed profiles | ||
| D. Stone muqarnas | ||
| E. All of the above |
| A. The Umayyad dynasty | ||
| B. The Abbasid dynasty | ||
| C. The Ayyubid dynasty | ||
| D. The Fatimid dynasty | ||
| E. The Mughal dynasty |
| A. The Ilkhanid period | ||
| B. The Abbasid period | ||
| C. The Seljuk period | ||
| D. The Mamluk period | ||
| E. The Umayyad period |
| A. The Great Mongol Shahnama | ||
| B. The Book of Omens | ||
| C. The Free Men's Companion to the Subtleties of Poetry | ||
| D. The Compendium of Chronicles | ||
| E. History of the World Conqueror |
| A. The Great Mosque of Cordoba | ||
| B. The Sultan Hasan Mosque | ||
| C. The Takht-i Sulayman Summer Palace | ||
| D. The Suleymaniye Mosque | ||
| E. The Imam al-Shafi'i Mausoleum |
| A. Sultaniya | ||
| B. Fez | ||
| C. Merv | ||
| D. Samarra | ||
| E. Fatehpur Sikri |
| A. The Bibi Khanum Mosque | ||
| B. The Sultan Hasan Mosque | ||
| C. The Al-Aqsa Mosque | ||
| D. The Suleymaniye Mosque | ||
| E. The Moti Mosque |
| A. Guri Amir | ||
| B. The Amir Burunduq Mausoleum | ||
| C. Aq Saray Mausoleum | ||
| D. The Bibi Khanum Mosque | ||
| E. The Ishrat Khana Tomb |
| A. Elaborate illustrations of the Shahnama were commissioned to legitimize rulers. | ||
| B. The Shahnama tells the history of Persia up until the conquest of Alexander the Great. | ||
| C. The two most famous copies are the Great Mongol Shahnama and the Shah Tahmasp Shahnama. | ||
| D. Illustrations usually depicted past real and mythical rulers dressed in contemporary costume. | ||
| E. Copies of the Shahnama were compilations of the artwork of painters, calligraphers, and other craftsmen. |
| A. It combines Persian and Central Asian elements. | ||
| B. It can be divided into four time periods based on the reigns of different rulers. | ||
| C. Its technique of squinch-net vaulting was developed in Herat. | ||
| D. Few Timurid architectural features were incorporated into later Safavid, Ottoman, or Mughal architecture. | ||
| E. Timurid rulers built madrasa-khanaqh complexes. |
| A. It had dome chambers beyond its lateral iwans. | ||
| B. It followed a four iwan plan. | ||
| C. It was the first square dome mosque. | ||
| D. It used cantilinear vaults. | ||
| E. All of the above |
| A. Herat | ||
| B. Samarkand | ||
| C. Bukhara | ||
| D. Shahr-i Sabz | ||
| E. All of the above |
| A. Chinese | ||
| B. Egyptian | ||
| C. Russian | ||
| D. All of the above | ||
| E. None of the above |
| A. China | ||
| B. Italy | ||
| C. Russia | ||
| D. England | ||
| E. Korea |
| A. Damascus | ||
| B. Ishafan | ||
| C. Samarkand | ||
| D. Baghdad | ||
| E. Samarra |
| A. The Quwwat al-Islam Mosque | ||
| B. The Moti Masjid | ||
| C. The Jama Masjid of Dehli | ||
| D. The Mecca Masjid | ||
| E. The Atala Masjid |
| A. Seljuk and Safavid | ||
| B. Seljuk and Timurid | ||
| C. Fatimid and Mamluk | ||
| D. Ummayad and Abbasid | ||
| E. Abbasid and Seljuk |
| A. Semi-nude figures | ||
| B. Languid youths | ||
| C. Young lovers | ||
| D. All of the above | ||
| E. None of the above |
| A. Limestone | ||
| B. Red sandstone | ||
| C. White marble | ||
| D. All of the above | ||
| E. None of the above |
| A. Humayun | ||
| B. Shah Jahan | ||
| C. Akbar | ||
| D. Salim Christi | ||
| E. Jahangir |
| A. Byzantine | ||
| B. Turkic | ||
| C. Perseo-Islamic | ||
| D. European | ||
| E. All of the above |
| A. Tulip | ||
| B. Rose | ||
| C. Peony | ||
| D. Gardenia | ||
| E. Iris |
| A. Mahmud II | ||
| B. Osman I | ||
| C. Mehmed II | ||
| D. Suleiman the Magnificent | ||
| E. Selim I |
| A. Illustrated manuscripts | ||
| B. Inlaid metalwork | ||
| C. Enameled glass | ||
| D. Blown glass | ||
| E. Luster painted ceramics |
| A. Limestone | ||
| B. Red sandstone | ||
| C. White marble | ||
| D. All of the above | ||
| E. None of the above |
| A. Urban elite and other members of Safavid society were able to commission artworks. | ||
| B. Artworks began to be decorated with untraditional figures, such as mythical beasts. | ||
| C. Safavid artists remained committed to their own artistic traditions and did not incorporate foriegn elements in their artwork. | ||
| D. All of the above | ||
| E. None of the above |
| A. The Taj Mahal | ||
| B. Humayun's Tomb | ||
| C. The Jama Masjd of Dehli | ||
| D. The Tomb of Salim Chisti | ||
| E. The Moti Mosque |
| A. Tughra | ||
| B. Nasta'liq | ||
| C. Muraqqa | ||
| D. Diwani | ||
| E. Thuluth |
| A. The Taj Mahal | ||
| B. Humayun's Tomb | ||
| C. The Jama Masjd of Dehli | ||
| D. Lahore Fort | ||
| E. The Babri Mosque |
| A. The Jama Masjid of Dehli | ||
| B. The Mina Mosque | ||
| C. The Moti Mosque | ||
| D. The Babri Mosque | ||
| E. The Gyanvapi Mosque |
| A. The Great Mosque of Cordoba | ||
| B. The Nusretiye Mosque | ||
| C. The Selimiye Mosque | ||
| D. The Suleymaniye Mosque | ||
| E. The Sultan Hasan Mosque |
| A. The Topkapi Palace | ||
| B. Takht-i Sulayman | ||
| C. Dolmabahçe Palace | ||
| D. Yildiz Palace | ||
| E. Hasht Behesht |
| A. The Dolmabahçe Palace | ||
| B. The Topkapi Palace | ||
| C. Aynalıkavak Palace | ||
| D. The Suleymaniye Palace | ||
| E. The Yildiz Palace |
| A. The Tomb of Salim Chisti | ||
| B. The Jama Masjid of Dehli | ||
| C. The Lahore Fort | ||
| D. Humayun's Tomb | ||
| E. The Moti Mosque |
| A. The Great Mosque of Cordoba | ||
| B. The Sultan Hasan Mosque | ||
| C. The Selimiye Mosque | ||
| D. The Suleymaniye Mosque | ||
| E. The Bibi Khanum Mosque |
| A. The development of complexes focused on a mosque that combined religious, funerary, educational, and financial institutions. | ||
| B. The construction of a new city center that focused on the Ottoman Palace. | ||
| C. The construction of a new city center that focused on the Hagia Sophia, which had been converted into a mosque. | ||
| D. The construction of a city center focused on a large open courtyard surrounded by markets, mosques, and palaces. | ||
| E. None of the above |
| A. Sultan Mahmud II | ||
| B. Mustafa IV | ||
| C. Suleiman the Magnificent | ||
| D. Ahmed II | ||
| E. Osman I |
| A. Most were part of lavishly finished albums. | ||
| B. They were usually created by a single painter. | ||
| C. Many were plant and animal studies. | ||
| D. Many contained realistic portraiture and Europeanized subjects. | ||
| E. All of the above |
| A. It represents the Islamic garden of paradise. | ||
| B. It is decorated with murals that depict Shah Jahan. | ||
| C. It is decorated throughout with verses from the Koran. | ||
| D. It contains the cenotaph of Mumtaz Muhal and Shah Jahan. | ||
| E. All of the above |
| A. They are based on Seljuk and Byzantine architecture. | ||
| B. They are distinguised by their dark interiors. | ||
| C. They are based on a square dome plan. | ||
| D. The mosque constructed by Sinan drew inspiration from the Hagia Sophia. | ||
| E. They have slender corner minarets. |
| A. Carpet weaving was an important statewide industry in the Safavid, Ottoman, and Mughal empires. | ||
| B. They were produced in large private factories. | ||
| C. Carpets were traded with merchants from East Asia and Europe. | ||
| D. Carpets were central to Shah 'Abbas I plan to attract foreign merchants. | ||
| E. Few carpets were produced in India before the reign of Akbar. |
| A. It combine local Hindu and Islamic building traditions with the architectural traditions of Iran and Central Asia. | ||
| B. Early Mughal buildings were constructed from white marble. | ||
| C. Mughal rulers commissioned many different types of buildings including palaces, mosques, gardens, and mausoleums. | ||
| D. Mughal mosques have massive enclosed courtyards. | ||
| E. Mughal mosques have domed shallow prayer halls. |
| A. It continues Timurid and Persian architectural traditions. | ||
| B. It does not use the four iwan plan. | ||
| C. It includes elements such as pishtaqs. | ||
| D. It uses brick and decorated tiles. | ||
| E. It included massive city planning projects, such as those of Shah 'Abbas I. |
| A. It is written in nasta'liq script. | ||
| B. Its fine paper is enriched with flecks of gold. | ||
| C. It was created at the royal atelier at Tabriz. | ||
| D. It was given as a gift to an Ottoman sultan. | ||
| E. It was completed solely during the reign of Shah Tahmasp. |
| A. It was built on the tip of the peninsula that overlooked the Golden Horn and the Bosphorous. | ||
| B. It was surrounded by a wall and behind the wall were buildings loosely laid out in a garden like setting. | ||
| C. The layout of the structure was not hierarchically ordered. | ||
| D. It included residential, religious, educational, administrative, and service buildings. | ||
| E. Its construction was ordered by Mehmed II, after he conquered Constantinople. |
| A. Many were created in non-royal commercial workshops. | ||
| B. Illustrated books were financial investments, status symbols, and objects of diplomacy. | ||
| C. Specific workshops produced copies of the Koran. | ||
| D. The paper used for the books was made of tree pulp. | ||
| E. Usually only one artist worked on each scene. |
| A. Early Ottoman architecture was based on Byzantine and Seljuk traditions. | ||
| B. Ottoman architecture remained fairly uniform throughout its extensive empire. | ||
| C. Imperial patronage focused on the construction of kulliye. | ||
| D. All of the above | ||
| E. None of the above |
| A. They consisted of an axial arrangement of new royal markets that linked the old city to a new center of markets, mosques, and the royal palace. | ||
| B. Their new city center was comprised of a series of concentric circles. | ||
| C. They did not make use of large open spaces but were comprised of a series of closely connected structures. | ||
| D. They incorporated elements of the old city behind the gates of a massive citadel. | ||
| E. All of the above |
| A. The Red Fort | ||
| B. The Lahore Fort | ||
| C. The Taj Mahal | ||
| D. Fatehpur Sikri | ||
| E. The Asfarwala Complex |
| A. Mamluk | ||
| B. Safavid | ||
| C. Ottoman | ||
| D. All of the above | ||
| E. None of the above |
| A. Textiles | ||
| B. Porcelain | ||
| C. Enameled glass | ||
| D. Jades | ||
| E. Luster painted ceramics |
| A. Akbar | ||
| B. Humayun | ||
| C. Jahangir | ||
| D. Shah Jahan | ||
| E. Babur |
| A. Akbar | ||
| B. Humayun | ||
| C. Jahangir | ||
| D. Shah Jahan | ||
| E. Babur |
| A. Sinan | ||
| B. Krikor Balyan | ||
| C. Garabed | ||
| D. Nikogos | ||
| E. A. Jachmund |