a. Piece-mold method of casting ![]() |
||
b. Sand casting ![]() |
||
c. Lost wax casting ![]() |
||
d. Centrifugal casting ![]() |
||
e. None of the above ![]() |
a. Hindu Indian ![]() |
||
b. Muslim Indian ![]() |
||
c. Timurid Iranian and Central Asian ![]() |
||
d. All of the above ![]() |
||
e. None of the above ![]() |
a. Granite ![]() |
||
b. Red sandstone ![]() |
||
c. Marble ![]() |
||
d. All of the above ![]() |
||
e. None of the above ![]() |
a. Guptas ![]() |
||
b. Pallavas ![]() |
||
c. Mughals ![]() |
||
d. Cholas ![]() |
||
e. None of the above ![]() |
a. Sandstone ![]() |
||
b. Granite ![]() |
||
c. Marble ![]() |
||
d. Limestone ![]() |
||
e. None of the above ![]() |
a. Kailasanatha ![]() |
||
b. Khajuraho ![]() |
||
c. Brihadisvara ![]() |
||
d. Ajanta ![]() |
||
e. Mahabalipuram ![]() |
a. Fatehpur Sikri ![]() |
||
b. Khajuraho ![]() |
||
c. Sarnath ![]() |
||
d. Gandhara ![]() |
||
e. Sanchi ![]() |
a. Ellora ![]() |
||
b. Mahabalipuram ![]() |
||
c. Tamil Nadu ![]() |
||
d. Ajanta ![]() |
||
e. None of the above ![]() |
a. Mathura ![]() |
||
b. Gandhara ![]() |
||
c. Sarnath ![]() |
||
d. Kondavane ![]() |
||
e. None of the Above ![]() |
a. Pala Empire ![]() |
||
b. Mauryan Empire ![]() |
||
c. Kushan Empire ![]() |
||
d. Gupta Empire ![]() |
||
e. Chalukya Empire ![]() |
a. Gupta ![]() |
||
b. Mauryan ![]() |
||
c. Pallava ![]() |
||
d. Kushan ![]() |
||
e. Harsha ![]() |
a. Stupas ![]() |
||
b. Chaitya grihas ![]() |
||
c. Viharas ![]() |
||
d. Gorupas ![]() |
||
e. None of the above ![]() |
a. Stories about the lives of the Buddha’s disciples ![]() |
||
b. Stories about the lives of bodhisattvas ![]() |
||
c. Stories about the life of and previous lives of the Buddha ![]() |
||
d. All of the above ![]() |
||
e. None of the above ![]() |
a. They are most well-known as examples of Dravidian temple architecture. ![]() |
||
b. They are most well-known for their erotic carvings on the temple’s exterior. ![]() |
||
c. They are most well-known for their tall pyramidal towers. ![]() |
||
d. All of the above ![]() |
||
e. None of the above ![]() |
a. A monumental tower at the entrance to a Hindu temple ![]() |
||
b. The most sacred area of a Hindu temple ![]() |
||
c. The name of a pool in a Hindu temple used for ritual washing ![]() |
||
d. The area surrounding a Hindu temple ![]() |
||
e. The inner courtyard of a Hindu temple ![]() |
a. Jama Masjid ![]() |
||
b. Badshahi Mosque ![]() |
||
c. Quwwat-ul-Islam Masjid ![]() |
||
d. Moti Masjid ![]() |
||
e. None of the above ![]() |
a. Bodhisattva ![]() |
||
b. Aspara ![]() |
||
c. Buddha ![]() |
||
d. Demon king ![]() |
||
e. Arhat ![]() |
a. Ganesha ![]() |
||
b. Vishnu ![]() |
||
c. Hanuman ![]() |
||
d. Krishna ![]() |
||
e. Shiva ![]() |
a. They were usually created by a single painter. ![]() |
||
b. Many were plant and animal studies. ![]() |
||
c. Most were part of lavishly finished albums. ![]() |
||
d. Many contained realistic portraiture and Europeanized subjects. ![]() |
||
e. All of the above ![]() |
a. A garbha gihra or womb chamber ![]() |
||
b. Four gateways ![]() |
||
c. A prayer hall ![]() |
||
d. A north-south axis ![]() |
||
e. All of the above ![]() |
a. They are pyramidal in shape. ![]() |
||
b. They are square in plan. ![]() |
||
c. They contain tanks or wells of water. ![]() |
||
d. All of the above ![]() |
||
e. None of the above ![]() |
a. As a prayer wheel ![]() |
||
b. As a pair of foot prints ![]() |
||
c. As an empty seat ![]() |
||
d. As a character in a jataka tale ![]() |
||
e. All of the above ![]() |
a. It represents the Islamic garden of paradise. ![]() |
||
b. It is decorated throughout with verses from the Koran. ![]() |
||
c. It is decorated with murals that depict Shah Jahan. ![]() |
||
d. It contains the cenotaph of Mumtaz Muhal and Shah Jahan. ![]() |
||
e. All of the above ![]() |
a. Tomb of Salim Christi ![]() |
||
b. Red Fort ![]() |
||
c. Taj Mahal ![]() |
||
d. All of the above ![]() |
||
e. None of the above ![]() |
a. The sculptures emphasized organic, fleshy human forms. ![]() |
||
b. The sculptures were made of sandstone. ![]() |
||
c. The sculptures were influenced by Greco-Roman sculpture. ![]() |
||
d. The figures are often depicted semi-nude. ![]() |
||
e. The figures were made in workshops in and around the city of Mathura. ![]() |
a. Frequent use of geometric patterns ![]() |
||
b. Frequent use of figural representation ![]() |
||
c. High regard for calligraphy ![]() |
||
d. Frequent use of vegetal patterns ![]() |
||
e. Frequent use of arabesques ![]() |
a. Jataka tales ![]() |
||
b. Iconic representations of the Buddha ![]() |
||
c. Fertility figures ![]() |
||
d. Lions ![]() |
||
e. Elephants ![]() |
a. Khajuraho ![]() |
||
b. Bhimbetka ![]() |
||
c. Elephanta ![]() |
||
d. Ajanta ![]() |
||
e. Mahabalipuram ![]() |
a. They are said to contain the relics of the Buddha. ![]() |
||
b. Buddhists worship inside them. ![]() |
||
c. They are usually pyramidal in shape. ![]() |
||
d. They are all made from stone. ![]() |
||
e. None of the above ![]() |
a. It was carved from a single piece of stone. ![]() |
||
b. It is a Dravidian Temple. ![]() |
||
c. It is dedicated to Shiva. ![]() |
||
d. All of the above ![]() |
||
e. None of the above ![]() |
a. They are also called Rathas. ![]() |
||
b. They are made from single blocks of stone. ![]() |
||
c. They were commissioned by the Pallava Dynasty. ![]() |
||
d. All of the above ![]() |
||
e. None of the above ![]() |
a. They have curvilinear towers. ![]() |
||
b. They are pyramidal in shape. ![]() |
||
c. They were built mainly in the north of India. ![]() |
||
d. Many were built by the Cholas. ![]() |
||
e. All of the above ![]() |
a. Chandra Gupta I ![]() |
||
b. Shah Jahan ![]() |
||
c. Rajaraja Chola I ![]() |
||
d. Akbar ![]() |
||
e. None of the above ![]() |
a. Siddhartha Gautama ![]() |
||
b. Chandra Gupta I ![]() |
||
c. Kanishka I ![]() |
||
d. Ashoka ![]() |
||
e. None of the above ![]() |
a. Ashoka ![]() |
||
b. Shah Jahan ![]() |
||
c. Chandra Gupta I ![]() |
||
d. Rajaraja Chola I ![]() |
||
e. None of the above ![]() |
a. Akbar ![]() |
||
b. Shah Jahan ![]() |
||
c. Salim Cristi ![]() |
||
d. Babur ![]() |
||
e. None of the above ![]() |
a. Shah Jahan ![]() |
||
b. Babur ![]() |
||
c. Akbar ![]() |
||
d. Jahangir ![]() |
||
e. None of the above ![]() |
a. The main image hall at Horyū-ji ![]() |
||
b. The chaitya hall at Karle ![]() |
||
c. The stupa at Bodhgaya ![]() |
||
d. The Great Stupa at Sanchi ![]() |
||
e. The chaitya hall at Bharhut ![]() |
a. A network of planned mud-brick cities ![]() |
||
b. Seals possibly decorated with a form of writing ![]() |
||
c. Evidence of trade with Mesopotamia ![]() |
||
d. All of the above ![]() |
||
e. None of the above ![]() |
a. The Northern Wei Dynasty ![]() |
||
b. The Sui Dynasty ![]() |
||
c. The Northern Liang Dynasty ![]() |
||
d. The Tang Dynasty ![]() |
||
e. None of the above ![]() |
a. The First Emperor of China ![]() |
||
b. Emperor Wu of the Han dynasty ![]() |
||
c. Emperor Taizong of the Tang dynasty ![]() |
||
d. The Qianlong Emperor ![]() |
||
e. Emperor Huizong of the Song dynasty ![]() |
a. Dunhunag ![]() |
||
b. Ellora ![]() |
||
c. Longmen ![]() |
||
d. Ajanta ![]() |
||
e. Yungang ![]() |
a. Album leaf ![]() |
||
b. Hanging scroll ![]() |
||
c. Mural ![]() |
||
d. Handscoll ![]() |
||
e. Fan ![]() |
a. Bronze ![]() |
||
b. Jade ![]() |
||
c. Lacquer ![]() |
||
d. All of the above ![]() |
||
e. None of the above ![]() |
a. Zhao Mengfu ![]() |
||
b. Dong Qichang ![]() |
||
c. Qian Xuan ![]() |
||
d. Ni Zan ![]() |
||
e. None of the above ![]() |
a. The constellations that decorate the main tomb chamber ![]() |
||
b. Its life-size terracotta figures ![]() |
||
c. Its elaborate underground system of corridors ![]() |
||
d. Its large number of jades ![]() |
||
e. Its large number of bronzes ![]() |
a. Jian ![]() |
||
b. Qingbai ![]() |
||
c. Ge ![]() |
||
d. Sancai ![]() |
||
e. None of the above ![]() |
a. Jingdezhen ![]() |
||
b. Changsha ![]() |
||
c. Ganzhou ![]() |
||
d. Zibo ![]() |
||
e. Longquanwu ![]() |
a. Wang Mang ![]() |
||
b. Marquis Yi of Zeng ![]() |
||
c. Count Yu ![]() |
||
d. Han Wudi ![]() |
||
e. Duke of Zhou ![]() |
a. Chang’an ![]() |
||
b. Dunhuang ![]() |
||
c. Juyuan ![]() |
||
d. Yungang ![]() |
||
e. Longmen ![]() |
a. Anyang ![]() |
||
b. Sanxingdui ![]() |
||
c. Changsha ![]() |
||
d. Xi’an ![]() |
||
e. Luoyang ![]() |
a. Philippe Couplet ![]() |
||
b. Giuseppe Castiglione ![]() |
||
c. Sabatino de Ursis ![]() |
||
d. Matteo Ricci ![]() |
||
e. Alvaro Semedo ![]() |
a. Dong Qichang ![]() |
||
b. Wen Zhengming ![]() |
||
c. Shen Zhou ![]() |
||
d. Xia Chang ![]() |
||
e. Lu Zhi ![]() |
a. Lin Liang ![]() |
||
b. Zhu Yunming ![]() |
||
c. Dong Qichang ![]() |
||
d. Lu Zhi ![]() |
||
e. Shen Zhou ![]() |
a. Kangxi Emperor ![]() |
||
b. Qianlong Emperor ![]() |
||
c. Yongzheng Emperor ![]() |
||
d. Jiaqing Emperor ![]() |
||
e. None of the above ![]() |
a. Fatehpur Sikri ![]() |
||
b. Tang Dynasty Chang’an ![]() |
||
c. The Forbidden City ![]() |
||
d. The Imperial City of Heian ![]() |
||
e. None of the above ![]() |
a. Huizong ![]() |
||
b. Taizong ![]() |
||
c. Yingzong ![]() |
||
d. Shenzong ![]() |
||
e. None of the above ![]() |
a. Ma Lin ![]() |
||
b. Xia Gui ![]() |
||
c. Ma Yuan ![]() |
||
d. Mi Fu ![]() |
||
e. Zhao Mengfu ![]() |
a. Rock cut cave ![]() |
||
b. Vertical pit tomb ![]() |
||
c. Horizontal tomb chamber with sloping passageway ![]() |
||
d. Catacomb ![]() |
||
e. None of the above ![]() |
a. Lacquer ![]() |
||
b. Bronze ![]() |
||
c. Ivory ![]() |
||
d. Jade ![]() |
||
e. None of the above ![]() |
a. Yang Guifei ![]() |
||
b. Lady Dai ![]() |
||
c. Fu Hao ![]() |
||
d. Mawangdui ![]() |
||
e. Xiwangmu ![]() |
a. They were used to cook everyday food. ![]() |
||
b. They were used to serve food and wine at musical performances. ![]() |
||
c. They were used at seasonal communal festivals. ![]() |
||
d. They were used in ancestral sacrifices. ![]() |
||
e. All of the above ![]() |
a. Dunhuang ![]() |
||
b. Yungang ![]() |
||
c. Longmen ![]() |
||
d. Juyan ![]() |
||
e. Chang’an ![]() |
a. Chinese rulers ![]() |
||
b. Sages ![]() |
||
c. The Queen Mother of the West and the King Father of the East ![]() |
||
d. Historical and mythological stories ![]() |
||
e. All of the above ![]() |
a. The inscriptions are longer and more prominent on Western Zhou bronzes. ![]() |
||
b. The taotie is more prominent on Western Zhou bronzes. ![]() |
||
c. Western Zhou bronzes have only been found in tombs. ![]() |
||
d. Some Western Zhou vessels have inlaid decoration. ![]() |
||
e. None of the above ![]() |
a. Handscroll ![]() |
||
b. Fan ![]() |
||
c. Hanging scrolls ![]() |
||
d. Album leaves ![]() |
||
e. All of the above ![]() |
a. Tombs begin to mimic the residences of the living. ![]() |
||
b. Lacquerware becomes more common in tombs. ![]() |
||
c. Bronzes are more secularized and ornate. ![]() |
||
d. All of the above ![]() |
||
e. None of the above ![]() |
a. Most of them were mass-produced. ![]() |
||
b. They were placed in tombs. ![]() |
||
c. They are meant to represent real things. ![]() |
||
d. They were to be used by the deceased. ![]() |
||
e. All of the above ![]() |
a. They created paintings that used nonrepresentational brushwork. ![]() |
||
b. Some amassed large collections of artworks. ![]() |
||
c. They created artworks that were highly polished and representational. ![]() |
||
d. In addition to painting, many also wrote poetry. ![]() |
||
e. None of the above ![]() |
a. Traditionalists who wanted to revitalize the Chinese painting tradition ![]() |
||
b. Individualists whose personal art often expressed political protest ![]() |
||
c. Courtiers, officials, and professional artists who served the Manchu court ![]() |
||
d. Amateurs who pursued art for art’s sake, but also sometimes sold their works ![]() |
a. It was built during the Qing dynasty. ![]() |
||
b. All of the building’s roof tiles are red. ![]() |
||
c. It is where the emperor resided during the summer months. ![]() |
||
d. Its important buildings run north-south. ![]() |
||
e. All of the above ![]() |
a. They served the Manchus. ![]() |
||
b. They were inspired by the Yuan dynasty painter, Zhao Mengfu. ![]() |
||
c. Many used shading and perspective and different Western painting techniques introduced to China by the Jesuits in their compositions. ![]() |
||
d. They favored minimalist compositions. ![]() |
||
e. None of the above ![]() |
a. Wu Zhen ![]() |
||
b. Qian Xuan ![]() |
||
c. Zhao Mengfu ![]() |
||
d. Ni Zan ![]() |
||
e. Shen Zhou ![]() |
a. Doucai ![]() |
||
b. Famille verte ![]() |
||
c. Famille rose ![]() |
||
d. Wucai ![]() |
||
e. None of the above ![]() |
a. Fan Kuan ![]() |
||
b. Mi Fu ![]() |
||
c. Guo Xi ![]() |
||
d. All of the above ![]() |
||
e. None of the above ![]() |
a. Wang Wei ![]() |
||
b. Wu Daozi ![]() |
||
c. Han Gan ![]() |
||
d. Zhao Mengfu ![]() |
||
e. Li Bo ![]() |
a. Piece-mold method of casting ![]() |
||
b. Sand casting ![]() |
||
c. Lost wax casting ![]() |
||
d. Centrifugal casting ![]() |
||
e. None of the above ![]() |
a. Song dynasty ![]() |
||
b. Han dynasty ![]() |
||
c. Tang dynasty ![]() |
||
d. Qing dynasty ![]() |
||
e. Shang dynasty ![]() |
a. Ukiyo-e ![]() |
||
b. Rinpa ![]() |
||
c. Literati painting ![]() |
||
d. All of the above ![]() |
||
e. None of the above ![]() |
a. Fusuma ![]() |
||
b. Shinden ![]() |
||
c. Buke ![]() |
||
d. All of the above ![]() |
||
e. None of the above ![]() |
a. Onna-e ![]() |
||
b. Otoko-e ![]() |
||
c. Kara-e ![]() |
||
d. Rinpa ![]() |
||
e. None of the above ![]() |
a. The Tale of Heike ![]() |
||
b. The Tale of Genji ![]() |
||
c. Legends of the Kitano Shrine ![]() |
||
d. The Tale of Heiji ![]() |
||
e. Legends of the Kumano Shrine ![]() |
a. Jomon Period ![]() |
||
b. Kofun Period ![]() |
||
c. Heian Period ![]() |
||
d. Nara Period ![]() |
||
e. Yayoi Period ![]() |
a. Bayon ![]() |
||
b. Byōdō-in ![]() |
||
c. Hōryūj-i ![]() |
||
d. Tōdai-ji ![]() |
||
e. Borobudur ![]() |
a. Handscrolls that depict the world of the Heian court ![]() |
||
b. Hanging scrolls used to help a dying individual enter the Western Paradise ![]() |
||
c. Handscrolls that depict battles and historical events that became popular after the rise of the warrior class ![]() |
||
d. Hanging scrolls or handscrolls that depict events relating to the founding of a temple ![]() |
||
e. None of the above ![]() |
a. Minor gods and nature spirits ![]() |
||
b. Courtesans, noh actors, and bunraku puppeteers ![]() |
||
c. Buddhas and bodhisattvas ![]() |
||
d. Kabuki actors, courtesans, and famous landscapes ![]() |
||
e. None of the above ![]() |
a. Ink monochrome paintings ![]() |
||
b. Blue and green landscapes ![]() |
||
c. Bird and flower paintings ![]() |
||
d. Gold leaf folding screens ![]() |
||
e. All of the above ![]() |
a. Shoin ![]() |
||
b. Shinden ![]() |
||
c. Tokonoma ![]() |
||
d. Fusuma ![]() |
||
e. Byobu ![]() |
a. Kano ![]() |
||
b. Kara-e ![]() |
||
c. Rinpa ![]() |
||
d. Ukiyo-e ![]() |
||
e. Nihonga ![]() |
a. The pagoda at Hōryū-ji ![]() |
||
b. The main hall at Tōdai-ji ![]() |
||
c. The Yumedono Hall at Hōryūji ![]() |
||
d. The pagoda at Kōfuku-ji ![]() |
||
e. None of the above ![]() |
a. A style of painting based on Chinese precedents ![]() |
||
b. A style of painting favored by Zen monks ![]() |
||
c. A style of painting associated with the warrior class ![]() |
||
d. A style of painting favoring Japanese traditions ![]() |
||
e. None of the above ![]() |
a. Bronze bells ![]() |
||
b. A special kind of ceramic used in the tea ceremony ![]() |
||
c. Bronze mirrors ![]() |
||
d. A highly elaborate form of decoration found on folding screens, lacquerware, and other objects ![]() |
||
e. None of the above ![]() |
a. Ando Hiroshige ![]() |
||
b. Harunobu Suzuki ![]() |
||
c. Kitagawa Utamaro ![]() |
||
d. Tsukioka Yoshitoshi ![]() |
||
e. Katsushika Hokusai ![]() |
a. Ogata Kōrin ![]() |
||
b. Kano Eitoku ![]() |
||
c. Hon’ami Koetsu ![]() |
||
d. Tawaraya Sotatsu ![]() |
||
e. None of the above ![]() |
a. Katsushika Hokusai ![]() |
||
b. Ando Hiroshige ![]() |
||
c. Kitagawa Utamaro ![]() |
||
d. Harunobu Suzuki ![]() |
||
e. Tsukioka Yoshitoshi ![]() |
a. Warriors ![]() |
||
b. Courtiers ![]() |
||
c. Merchants ![]() |
||
d. Farmers ![]() |
||
e. All of the above ![]() |
a. Fujiwara ![]() |
||
b. Genji ![]() |
||
c. Heike ![]() |
||
d. Ashikaga ![]() |
||
e. None of the above ![]() |
a. The Eastern Paradise of Yakushi Nyorai ![]() |
||
b. Mount Sumeru ![]() |
||
c. The immortal island of Horai ![]() |
||
d. The Western Paradise of Amida ![]() |
||
e. None of the above ![]() |
a. From the low-fired ceramics made during the period ![]() |
||
b. From a region lying on the outskirts of Kyoto ![]() |
||
c. From the name of an archaeologist who discovered the first tombs dated to this period ![]() |
||
d. From the mounded tombs built for the elite at this time ![]() |
||
e. None of the above ![]() |
a. Slight curvature of columnar elements ![]() |
||
b. “Cloud-pattern" bracket arms with cloud-shaped holes supporting roofs ![]() |
||
c. Swastika pattern railings ![]() |
||
d. Thin block plates beneath the brackets at the tops of columns ![]() |
||
e. All of the above ![]() |
a. It depicts Amida Buddha in a landscape of rolling hills. ![]() |
||
b. It represents the myriad Buddhas as geometric relationships. ![]() |
||
c. This type of mandala was only made during the Kamakura Period. ![]() |
||
d. It is used by practitioners of Zen Buddhism. ![]() |
||
e. All of the above ![]() |
a. It often depicts Zen patriarchs and teachers. ![]() |
||
b. Personal expression is always more important than a particular painting style. ![]() |
||
c. It draws upon secular Chinese themes infused with scholarly symbolism. ![]() |
||
d. It sometimes includes landscapes. ![]() |
||
e. It sometimes includes literary figures. ![]() |
a. It is an example of a dry rock garden. ![]() |
||
b. It is associated with Zen Buddhism. ![]() |
||
c. It is attributed to Soami. ![]() |
||
d. It probably originally used the concept of shakkei or “borrowed scenery” in its design. ![]() |
||
e. All of the above ![]() |
a. Katsushika Hokusai ![]() |
||
b. Ando Hiroshige ![]() |
||
c. Kitagawa Utamaro ![]() |
||
d. Suzuki Harunobu ![]() |
||
e. Tsukioka Yoshitoshi ![]() |
a. Development of waka poetry ![]() |
||
b. Growth of strong ties with China ![]() |
||
c. Growing popularity of Pure Land Buddhism ![]() |
||
d. Development of yamato-e ![]() |
||
e. A flourishing of indigeous arts and culture ![]() |
a. The active proselytization of Buddhism among commoners ![]() |
||
b. The active patronage of Amida and Esoteric Buddhism by the warrior elite ![]() |
||
c. The blossoming of an age of realism in the arts ![]() |
||
d. A return to court styles favored by the Fujiwara ![]() |
||
e. A strong role of the warrior class in arts and culture ![]() |
a. Chaonoyu ![]() |
||
b. Raku ![]() |
||
c. Wabi-sabi ![]() |
||
d. Sumi-e ![]() |
||
e. Onne-e ![]() |
a. Oda Nobunaga ![]() |
||
b. Tokugawa Ieyasu ![]() |
||
c. Toyotomi Hideyoshi ![]() |
||
d. Emperor Go-Mizunō ![]() |
||
e. None of the above ![]() |
a. Toyotomi Hideyoshi ![]() |
||
b. Sen no Rikyu ![]() |
||
c. Ogata Kōrin ![]() |
||
d. Oda Nobunaga ![]() |
||
e. Kano Masanobu ![]() |
a. Ando Hiroshige ![]() |
||
b. Katsushika Hokusai ![]() |
||
c. Kitagawa Utamaro ![]() |
||
d. Harunobu Suzuki ![]() |
||
e. Tsukioka Yoshitoshi ![]() |
a. Kano Masanobu ![]() |
||
b. Kano Eitoku ![]() |
||
c. Kano Motonobu ![]() |
||
d. Kano Sanraku ![]() |
||
e. none of the above ![]() |
a. Kano Eitoku ![]() |
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b. Ando Hiroshige ![]() |
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c. Sen no Rikyu ![]() |
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d. Kano Masanobu ![]() |
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e. Kitagawa Utamaro ![]() |
a. Designer ![]() |
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b. Engraver ![]() |
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c. Printer ![]() |
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d. Publisher ![]() |
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e. All of the above ![]() |
a. It is the oldest surviving Buddhist statue in Japan. ![]() |
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b. It was made by the sculptor Tori Busshi. ![]() |
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c. It is the largest bronze statue in the world. ![]() |
||
d. All of the above ![]() |
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e. None of the above ![]() |
a. Rinpa ![]() |
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b. Dogu ![]() |
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c. Raku ![]() |
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d. Dotaku ![]() |
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e. None of the above ![]() |
a. Ryōan-ji ![]() |
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b. Borobudur ![]() |
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c. Hōryūj-i ![]() |
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d. Tōdai-ji ![]() |
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e. Pagan ![]() |