a. A church built onto a family home. ![]() |
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b. A large church built to look like a house. ![]() |
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c. A house that has been renovated and reused as a church. ![]() |
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d. A church that has been renovated and reused as a house. ![]() |
a. The Eucharist. ![]() |
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b. The resurrection. ![]() |
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c. Original sin. ![]() |
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d. The fertility of the Virgin. ![]() |
a. The site of Saint Peter’s martyrdom and burial. ![]() |
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b. The site of Christ’s resurrection. ![]() |
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c. The site of Christ’s birth. ![]() |
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d. The site of King David’s palace. ![]() |
a. A man of sorrows. ![]() |
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b. Young and beardless, like Apollo. ![]() |
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c. Old and bearded, like Zeus. ![]() |
||
d. Both B and C ![]() |
a. Temples. ![]() |
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b. Baths. ![]() |
||
c. Law courts. ![]() |
||
d. Granaries. ![]() |
a. Original sin. ![]() |
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b. Human sexuality. ![]() |
||
c. Marital love. ![]() |
||
d. The continuation of the human race. ![]() |
a. Saint John in Lateran. ![]() |
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b. Old Saint Peter's Basilica. ![]() |
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c. The Church at Dura Europos. ![]() |
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d. The Basilica of Constantine and Maxentius. ![]() |
a. It was commissioned by and for a member of elite Roman society. ![]() |
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b. It is made of marble. ![]() |
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c. Christ is depicted in the relief sculpture. ![]() |
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d. All of the above. ![]() |
a. The founding of Constantinople. ![]() |
||
b. The martyrdom of Saint Peter. ![]() |
||
c. The persecution of Christians. ![]() |
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d. Constantine’s conversion to Christianity. ![]() |
a. A priest saying mass. ![]() |
||
b. An angel in flight. ![]() |
||
c. A praying figure, with palms facing out. ![]() |
||
d. A figure from the Old Testament. ![]() |
a. Christian imagery before Constantine was more vague and symbolic than it was after Constantine. ![]() |
||
b. Christian imagery after Constantine began to incorporate the emperor into religious narrative scenes. ![]() |
||
c. Christian imagery after Constantine was more vague and symbolic than it was before Constantine. ![]() |
||
d. After Constantine, Christian imagery was created on a much larger scale than it was before. ![]() |
a. Adherents of Christianity believed in miracles. ![]() |
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b. Christianity was monotheistic. ![]() |
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c. Adherents of Christianity believed in an afterlife. ![]() |
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d. All of the above. ![]() |
a. The apse end and altar. ![]() |
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b. The nave. ![]() |
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c. The vault. ![]() |
||
d. The rose window. ![]() |
a. Public forums. ![]() |
||
b. Bath houses. ![]() |
||
c. Law courts. ![]() |
||
d. Catacombs. ![]() |
a. Santa Sabina. ![]() |
||
b. Santa Costanza. ![]() |
||
c. Santa Maria Maggiore. ![]() |
||
d. Sant’Apollinare in Classe. ![]() |
a. The Good Shepherd. ![]() |
||
b. Christ’s Entry into Jerusalem. ![]() |
||
c. Christ among His Disciples. ![]() |
||
d. All of the subjects above have some precedent in ancient art. ![]() |
a. Jonah swallowed by the whale. ![]() |
||
b. Daniel in the lion’s den. ![]() |
||
c. Abraham’s sacrifice of his son Isaac. ![]() |
||
d. All of the above. ![]() |
a. Pagan religious imagery adapted for Christian use. ![]() |
||
b. Images of Christian religious figures. ![]() |
||
c. Images of the Nativity of Christ. ![]() |
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d. Images of the Good Shepherd. ![]() |
a. A clerestory. ![]() |
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b. A cruciform plan. ![]() |
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c. A barrel vaulted ceiling. ![]() |
||
d. Double side aisles. ![]() |
a. Diocletian. ![]() |
||
b. Constantine. ![]() |
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c. Justinian. ![]() |
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d. Theodora. ![]() |
a. An icon depicting the Virgin and Child. ![]() |
||
b. An icon depicting the Virgin as intermediary between the viewer and Christ. ![]() |
||
c. A divinely created icon. ![]() |
||
d. An icon of Christ as judge of humanity. ![]() |
a. Building the Hagia Sophia. ![]() |
||
b. Reclaiming lands on the Italian peninsula. ![]() |
||
c. His mosaics in Ravenna. ![]() |
||
d. All of the above. ![]() |
a. Do not use linear or atmospheric perspective. ![]() |
||
b. Portray figures frontally, with an emphasis on flatness. ![]() |
||
c. Seek to suggest the unreality and otherworldliness of the holy subjects depicted. ![]() |
||
d. All of the above. ![]() |
a. Longitudinal and centralized. ![]() |
||
b. Centralized and circular. ![]() |
||
c. Cruciform and circular. ![]() |
||
d. Centralized and pilgrimage. ![]() |
a. Holy Emperor. ![]() |
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b. Holy Wisdom. ![]() |
||
c. The Father, Son, and Holy Ghost. ![]() |
||
d. The light of God. ![]() |
a. Byzantine mosaics were more colorful than Roman mosaics. ![]() |
||
b. Romans almost never created mosaics, unlike the Byzantines. ![]() |
||
c. Byzantine mosaics included figural images, whereas Roman mosaics only included non-figural decoration. ![]() |
||
d. Byzantine mosaics often decorated wall surfaces, whereas Romans usually only used mosaics for floors. ![]() |
a. Flying buttresses. ![]() |
||
b. A colonnade. ![]() |
||
c. A series of semi-domes, arches, and vaults. ![]() |
||
d. Hidden scaffolding. ![]() |
a. The domed church. ![]() |
||
b. The apsidal church. ![]() |
||
c. The groin-vaulted church. ![]() |
||
d. The pilgrimage church. ![]() |
a. Old Saint Peter’s Basilica. ![]() |
||
b. The Virgin and Child Enthroned with Saints. ![]() |
||
c. The Justinian Mosaic. ![]() |
||
d. Hagia Sophia. ![]() |
a. Icon paintings. ![]() |
||
b. Mosaics. ![]() |
||
c. Windows and doorways. ![]() |
||
d. Metalwork. ![]() |
a. Well-preserved collection of early icons. ![]() |
||
b. Early Byzantine library. ![]() |
||
c. Well-preserved Early Byzantine mosaics. ![]() |
||
d. All of the above. ![]() |
a. Byzantine wealth ![]() |
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b. Byzantine cruelty ![]() |
||
c. Byzantine trade with Italy ![]() |
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d. Byzantine trade with Africa ![]() |
a. It was geographically removed from Byzantium, sparing its art the destruction of the iconoclastic period. ![]() |
||
b. It was the main center for iconodules during the iconoclastic controversy. ![]() |
||
c. It was the main center for iconoclasts during the iconoclastic controversy. ![]() |
||
d. It was a center for restoration of icons that had been damaged during iconoclasm. ![]() |
a. Mosaics. ![]() |
||
b. Architecture. ![]() |
||
c. Sculpture in the round. ![]() |
||
d. Painting. ![]() |
a. The conversion of the Latin Church to the Byzantine Church. ![]() |
||
b. The defeat of enemies through the miraculous assistance of saints in an icon painting. ![]() |
||
c. The carrying of an icon in a procession. ![]() |
||
d. The end of the iconoclastic period and the return of images of religious figures in Byzantine art. ![]() |
a. Anthemius of Tralles and Isidorus of Miletus. ![]() |
||
b. Hagesandros and Athanadoros. ![]() |
||
c. Iktinos and Kallikrates. ![]() |
||
d. Justinian and Theodoroa. ![]() |
a. Old Saint Peter’s Basilica. ![]() |
||
b. Hosios Loukas. ![]() |
||
c. The Church at Dura Europos. ![]() |
||
d. Hagia Sophia. ![]() |
a. A reliquary. ![]() |
||
b. A mosaic with images of plants and animals. ![]() |
||
c. A mosaic depicting the Virgin and Child. ![]() |
||
d. A luxurious palace. ![]() |
a. It was not planned at all; it was rather designed day by day, on the spot. ![]() |
||
b. It was planned ahead in written sketches. ![]() |
||
c. The architects were untrained; they put together the plan based on observations of other famous buildings. ![]() |
||
d. The architects flagrantly ignored the emperor’s orders. ![]() |
a. To show the wealth and status of the patron. ![]() |
||
b. To help bring the worshipper closer to the spiritual world. ![]() |
||
c. To tell the story of Christ. ![]() |
||
d. All of the above. ![]() |
a. The eighth century. ![]() |
||
b. The third century. ![]() |
||
c. The fourteenth century. ![]() |
||
d. The twelfth century. ![]() |
a. Mosaics. ![]() |
||
b. Metalwork. ![]() |
||
c. Icon painting. ![]() |
||
d. Architectural relief sculpture. ![]() |
a. The Holy Trinity by Andrei Rublev. ![]() |
||
b. The Barberini Ivory. ![]() |
||
c. The Good Shepherd from the Mausoleum of Galla Placidia. ![]() |
||
d. All of the above. ![]() |
a. A gold background. ![]() |
||
b. A white background. ![]() |
||
c. A parable. ![]() |
||
d. An image of Christ. ![]() |
a. The Good Shepherd Lunette in the Mausoleum of Galla Placidia, Ravenna. ![]() |
||
b. The Justinian and Theodora mosaics in San Vitale, Ravenna. ![]() |
||
c. The apse mosaic from Sant’Apollinare in Classe, Ravenna. ![]() |
||
d. The Virgin & Child mosaic in Hagia Sophia, Constantinople. ![]() |
a. The Vatican library. ![]() |
||
b. The Monastery of Saint Catherine at Sinai. ![]() |
||
c. San Vitale in Ravenna. ![]() |
||
d. The Hippodrome in Constantinople. ![]() |
a. It was the highest domed space in the world until the 16th century. ![]() |
||
b. Its dome collapsed in an earthquake and had to be rebuilt. ![]() |
||
c. It replaced an earlier structure that was burned in a fire. ![]() |
||
d. It was commissioned to commemorate the Edict of Milan. ![]() |
a. Icon paintings refer only to paintings on wood panels. ![]() |
||
b. When a worshipper prayed to an icon painting, it was thought that his or her prayer would be communicated directly to the saint depicted in the icon. ![]() |
||
c. Some icons were very small and portable. ![]() |
||
d. Some icons were thought to have been divinely created. ![]() |
a. Prokopius. ![]() |
||
b. Justinian. ![]() |
||
c. Isidorus. ![]() |
||
d. Theodora. ![]() |
a. Constantius Chlorus. ![]() |
||
b. Costanza. ![]() |
||
c. Constantine. ![]() |
||
d. Justinian. ![]() |
a. Depth. ![]() |
||
b. Color. ![]() |
||
c. Realism. ![]() |
||
d. Surfaces. ![]() |
a. Mirrors. ![]() |
||
b. Strategically placed lights. ![]() |
||
c. Reflective gold mosaics. ![]() |
||
d. Modified glass in the windows. ![]() |
a. Greco-Roman. ![]() |
||
b. Islamic. ![]() |
||
c. Barbarian. ![]() |
||
d. Egyptian. ![]() |
a. The Byzantine Emperors quickly regained control of the city ![]() |
||
b. The Eastern and Western (Orthodox and Latin) Churches were unified ![]() |
||
c. The Venetians occupied Constantinople ![]() |
||
d. The Byzantine Empire ceased to exist ![]() |
a. Greece. ![]() |
||
b. Constantinople. ![]() |
||
c. Syria. ![]() |
||
d. Kiev. ![]() |
a. It was an imperially commissioned building. ![]() |
||
b. It contains no images of holy figures. ![]() |
||
c. It has a massive central space that accommodates large numbers of people. ![]() |
||
d. It is a choppy, many-roomed building, not ideal for large numbers of people. ![]() |
a. A societal shift towards privacy. ![]() |
||
b. Regional building traditions. ![]() |
||
c. Changes in Orthodox liturgy. ![]() |
||
d. All of the above. ![]() |
a. A hodegetria image ![]() |
||
b. A pantokrator image ![]() |
||
c. A theotokos image ![]() |
||
d. An ecce homo image ![]() |
a. It is of inferior quality, proving its peripheral role in Byzantine society. ![]() |
||
b. It is highly realistic, foreshadowing the interest in classical revival of the later Italian Renaissance. ![]() |
||
c. It copies (no longer extant) icons that once existed in Armenia. ![]() |
||
d. All of the above. ![]() |
a. The third century. ![]() |
||
b. 1453. ![]() |
||
c. The tenth century. ![]() |
||
d. 1204. ![]() |
a. The Middle Byzantine Period. ![]() |
||
b. After the 1453 fall of Byzantium. ![]() |
||
c. The Early Byzantine Period. ![]() |
||
d. The Late Byzantine Period. ![]() |
a. The Basilica of San Marco. ![]() |
||
b. Santa Costanza. ![]() |
||
c. Hosios Loukas. ![]() |
||
d. Old St. Peter’s Basilica. ![]() |
a. Syria. ![]() |
||
b. Rus’ (Russia). ![]() |
||
c. Byzantium. ![]() |
||
d. Venice. ![]() |
a. Their mutual excommunication of one another in 1054. ![]() |
||
b. The Twelfth Crusade of 1204. ![]() |
||
c. The First Crusade in the eleventh century. ![]() |
||
d. All of the above. ![]() |
a. Ravenna. ![]() |
||
b. Amiens. ![]() |
||
c. Damascus. ![]() |
||
d. Venice. ![]() |
a. A rise in monasticism. ![]() |
||
b. The Sack of Constantinople by the Turks. ![]() |
||
c. The conversion of the Slavs to Orthodox Christianity. ![]() |
||
d. The Twelfth Crusade. ![]() |
a. Cimabue. ![]() |
||
b. Theofanes the Greek. ![]() |
||
c. Andrei Rubev. ![]() |
||
d. Dionisy. ![]() |
a. The Black George. ![]() |
||
b. Bishop Gunther’s Shroud. ![]() |
||
c. The Good Shepherd from the Mausoleum of Galla Placidia in Ravenna. ![]() |
||
d. The Lebanese “Two-Sided Icon.” ![]() |
a. The Latin West. ![]() |
||
b. Kievan Rus’. ![]() |
||
c. Celtic. ![]() |
||
d. Islamic. ![]() |
a. A central dome. ![]() |
||
b. Side aisles. ![]() |
||
c. A narthex. ![]() |
||
d. Open, massive space. ![]() |
a. Moscow. ![]() |
||
b. Rome. ![]() |
||
c. Jerusalem. ![]() |
||
d. Venice. ![]() |
a. Was destroyed ![]() |
||
b. Became a palace ![]() |
||
c. Was extensively remodeled ![]() |
||
d. Became a mosque ![]() |
a. Architect ![]() |
||
b. Monk ![]() |
||
c. Prince ![]() |
||
d. Scholar ![]() |
a. Was more restrained than it was in earlier Byzantine architecture ![]() |
||
b. Typically only realized the possibilities of surface details, such as pattern and color ![]() |
||
c. Was ornate, taking advantage of the possibilities of both texture and surface details ![]() |
||
d. Typically only took advantage of the possibilities of three-dimensional, textural details ![]() |
||
e. Was more restrained than it was in earlier Byzantine architecture ![]() |
||
f. Was notable for its pronounced patterns and colors. ![]() |
||
g. Was notable for its “unrestrained” quality; it featured both texture and surface detail. ![]() |
||
h. Was notable for its texture only. ![]() |
a. Byzantium and Russia. ![]() |
||
b. Byzantium and Egypt. ![]() |
||
c. Byzantium and Italy. ![]() |
||
d. Byzantium and Syria. ![]() |
a. Some Christians remained in areas conquered by Muslims. ![]() |
||
b. There was a healthy trade relationship between Islamic and Christian culture. ![]() |
||
c. Military conflict brought the two cultures into contact with one another. ![]() |
||
d. All of the above. ![]() |
a. The clothing of Byzantium’s neighbors were influenced by Byzantium ![]() |
||
b. Artists could not depict individual features ![]() |
||
c. Byzantium’s neighbors suffered tremendous violence at the hands of the Byzantines ![]() |
||
d. The Byzantine Empire enslaved many of its neighboring cultures ![]() |
a. Idolatry ![]() |
||
b. The end of iconoclasm ![]() |
||
c. The Emperor ![]() |
||
d. The Fall of Constantinople ![]() |
a. Western and Slavic. ![]() |
||
b. Byzantine and Ottoman. ![]() |
||
c. Western and Byzantine. ![]() |
||
d. Islamic and Western. ![]() |
a. Complex ![]() |
||
b. Unified ![]() |
||
c. Symmetrical ![]() |
||
d. All of the above ![]() |
a. Russia ![]() |
||
b. Italy ![]() |
||
c. Crete ![]() |
||
d. Syria ![]() |
a. The language barrier ![]() |
||
b. Political rivalry ![]() |
||
c. Conflicting views of Christianity ![]() |
||
d. All of the above ![]() |
a. Middle Byzantine architecture ![]() |
||
b. Late Byzantine architecture ![]() |
||
c. Early Christian architecture ![]() |
||
d. Early Byzantine architecture ![]() |
a. Was never completed ![]() |
||
b. Was not part of the original plan ![]() |
||
c. Was taken into consideration as the church was designed ![]() |
||
d. None of the above ![]() |
a. Classicizing ![]() |
||
b. Slavic ![]() |
||
c. Mannered ![]() |
||
d. All of the above ![]() |
a. The Virgin of the Don. ![]() |
||
b. The Theotokos from Hagia Sophia. ![]() |
||
c. The Holy Trinity. ![]() |
||
d. The Saint Francis Altarpiece. ![]() |
a. Relief sculpture. ![]() |
||
b. Mosaic imagery. ![]() |
||
c. Panel painting. ![]() |
||
d. All of the above. ![]() |
a. The fall of Constantinople to the Ottoman Turks. ![]() |
||
b. The Great Schism. ![]() |
||
c. The Fourth Crusade. ![]() |
||
d. The conversion of the Rus’ to Orthodox Christianity. ![]() |
a. Mosaic. ![]() |
||
b. Painting. ![]() |
||
c. Manuscript Illumination. ![]() |
||
d. Architecture. ![]() |
a. The Council of Nicea. ![]() |
||
b. The building of the Basilica of San Marco. ![]() |
||
c. The sack of Constantinople in 1204. ![]() |
||
d. The end of iconoclasm. ![]() |
a. A portrait of Mehmet II. ![]() |
||
b. A scene from the Prophet Mohammed’s life. ![]() |
||
c. Faux Arabic script. ![]() |
||
d. All of the above. ![]() |
a. Genoa. ![]() |
||
b. Siena. ![]() |
||
c. Kiev. ![]() |
||
d. Paris. ![]() |
a. The Late Byzantine period. ![]() |
||
b. The Middle Byzantine period. ![]() |
||
c. The Early Byzantine period. ![]() |
||
d. The Komnenian Dynasty. ![]() |
a. Mosaic icons in church domes. ![]() |
||
b. Icons on wood panels set against a gold background. ![]() |
||
c. Icons embroidered into textiles. ![]() |
||
d. Miniature mosaics. ![]() |
a. Portraits. ![]() |
||
b. History painting. ![]() |
||
c. Relics. ![]() |
||
d. All of the above. ![]() |
a. Simon Ushakov ![]() |
||
b. Andrei Rublev ![]() |
||
c. Dionisii ![]() |
||
d. Wassily Kandinsky ![]() |
a. Theophanes the Greek. ![]() |
||
b. Berlinghieri. ![]() |
||
c. Duccio. ![]() |
||
d. El Greco. ![]() |
a. The Catholic Church. ![]() |
||
b. Islam. ![]() |
||
c. The Normans. ![]() |
||
d. The Visigoths. ![]() |
a. Rublev. ![]() |
||
b. Theophanes the Greek. ![]() |
||
c. Berlinghieri. ![]() |
||
d. Raphael. ![]() |
a. Decreased population. ![]() |
||
b. Political Instability. ![]() |
||
c. Devalued currency. ![]() |
||
d. All of the above. ![]() |