|
a. Mathura |
||
|
b. Gandhara |
||
|
c. Sarnath |
||
|
d. Kondavane |
||
|
e. None of the Above |
|
a. Bodhisattva |
||
|
b. Aspara |
||
|
c. Buddha |
||
|
d. Demon king |
||
|
e. Arhat |
|
a. Chaitya Hall |
||
|
b. Pagoda |
||
|
c. Image Hall |
||
|
d. Vihara |
||
|
e. Stupa |
|
a. Sanchi |
||
|
b. Gyantse Stupa |
||
|
c. Bodhgaya |
||
|
d. Angkor Thom |
||
|
e. Tōdai-ji |
|
a. Bodhgaya |
||
|
b. Gyantse |
||
|
c. Sanchi |
||
|
d. Angkor Thom |
||
|
e. Pagan |
|
a. Yungang |
||
|
b. Ajanta |
||
|
c. Longmen |
||
|
d. Ellora |
||
|
e. None of the above |
|
a. Mauryan |
||
|
b. Shunga |
||
|
c. Kushan |
||
|
d. Gupta |
||
|
e. None of the above |
|
a. Pala Empire |
||
|
b. Mauryan Empire |
||
|
c. Kushan Empire |
||
|
d. Gupta Empire |
||
|
e. Chalukya Empire |
|
a. Gupta |
||
|
b. Mauryan |
||
|
c. Pallava |
||
|
d. Kushan |
||
|
e. Harsha |
|
a. Chaityas |
||
|
b. Mudras |
||
|
c. Yogas |
||
|
d. Lakshanas |
||
|
e. None of the above |
|
a. Hemispherical mounds that house the relics of the Buddha |
||
|
b. Halls of worship made out of brick or excavated from rock |
||
|
c. Tower-like structures that house the relics of the Buddha or his followers |
||
|
d. Large stone pillars commissioned by Emperor Ashoka |
||
|
e. None of the above |
|
a. Stories about the lives of the Buddha’s disciples |
||
|
b. Stories about the lives of bodhisattvas |
||
|
c. Stories about the previous lives of the Buddha |
||
|
d. All of the above |
||
|
e. A and B only |
|
a. Kanishka |
||
|
b. Chandragupta I |
||
|
c. Ashoka |
||
|
d. Shah Jahan |
||
|
e. None of the above |
|
a. Bodhgaya |
||
|
b. Lumbini |
||
|
c. Sankasya |
||
|
d. Sarnath |
||
|
e. All of the above |
|
a. As a sign |
||
|
b. As a pair of foot prints |
||
|
c. As an empty seat |
||
|
d. In a jataka tale |
||
|
e. All of the above |
|
a. Jataka tales |
||
|
b. Iconic representations of the Buddha |
||
|
c. Fertility figures |
||
|
d. All of the above |
||
|
e. None of the above |
|
a. The Eightfold Path |
||
|
b. Nirvana |
||
|
c. The Four Noble Truths |
||
|
d. Bodhisattvas |
||
|
e. Karma and reincarnation |
|
a. Earrings and bodily adornments |
||
|
b. A bulge on the top of his head |
||
|
c. Elongated earlobes |
||
|
d. A whirl of hair between his eyebrows |
||
|
e. Webbed hands and feet |
|
a. Khajuraho |
||
|
b. Bhimbetka |
||
|
c. Elephanta |
||
|
d. Ajanta |
||
|
e. Mahabalipuram |
|
a. Nalanda |
||
|
b. Ellora |
||
|
c. Sanchi |
||
|
d. Sarnath |
||
|
e. Karle |
|
a. They were only made by Buddhist worshippers. |
||
|
b. None of the caves contain small stupas. |
||
|
c. They are situated along an ancient trade route. |
||
|
d. All of the above |
||
|
e. A and B only |
|
a. Small stupas were often incorporated into chaitya halls and monasteries. |
||
|
b. They are meant to be circumambulated. |
||
|
c. In East Asia, the hemispherical form of the stupa evolved into the pagoda. |
||
|
d. They house the relics of the Buddha. |
||
|
e. All of the Above |
|
a. Mathuran Buddhist sculptures appear as organic, fleshy human forms. |
||
|
b. Mathuran Buddhist sculptures are made of sandstone. |
||
|
c. Mathuran Buddhist sculptures were influenced by Greco-Roman sculpture. |
||
|
d. Mathuran Buddhist sculptures are often depicted semi-nude. |
||
|
e. All of the above |
|
a. It was where the Buddha was born. |
||
|
b. It is where the Buddha died. |
||
|
c. It is where the Buddha gave his first sermon. |
||
|
d. It is where the Buddha sat under the Bodhi tree until he obtained enlightenment. |
||
|
e. All of the above |
|
a. Sanchi |
||
|
b. Barhut |
||
|
c. Amaravati |
||
|
d. All of the above |
||
|
e. None of the above |
|
a. One type has an open sanctuary; the other has two open sanctuaries. |
||
|
b. One type has a solid core that is ringed by a corridor; the other type has parallel side chambers with barrel vaults. |
||
|
c. One type has a central chamber with a courtyard to its rear; the other has two open sanctuaries. |
||
|
d. One type has an open central sanctuary; the other has a solid core that is ringed by a corridor. |
||
|
e. None of the above |
|
a. Vajrayana |
||
|
b. Mahayana |
||
|
c. Theravada |
||
|
d. All of the above |
||
|
e. None of the above |
|
a. Vajrayana |
||
|
b. Mahayana |
||
|
c. Theravada |
||
|
d. All of the above |
||
|
e. None of the above |
|
a. The Guptas |
||
|
b. The Ayutthayas |
||
|
c. The Saliendras |
||
|
d. The Pagans |
||
|
e. The Khmers |
|
a. Pala |
||
|
b. Ayutthaya |
||
|
c. Saliendra |
||
|
d. Pagan |
||
|
e. Khmer |
|
a. Borobudur |
||
|
b. Ananda |
||
|
c. Bayon |
||
|
d. Nagayon |
||
|
e. Bodhgaya |
|
a. When he meditated underneath the Bodhi tree |
||
|
b. When he died and achieved parinirvana |
||
|
c. When he taught his first sermon |
||
|
d. All of the above |
||
|
e. None of the above |
|
a. Mount Meru |
||
|
b. The Earthly Realm |
||
|
c. The Realm of Forms |
||
|
d. The Realm of Formlessness |
||
|
e. None of the above |
|
a. The Pagans |
||
|
b. The Khmers |
||
|
c. The Guptas |
||
|
d. The Ayutthayas |
||
|
e. The Saliendras |
|
a. Borobudur |
||
|
b. Sanchi |
||
|
c. Pagan |
||
|
d. Bodhgaya |
||
|
e. Sarnath |
|
a. The site has a stupa that contains the relics of the Buddha. |
||
|
b. The site is a university. |
||
|
c. The site is an important Buddhist pilgrimage site. |
||
|
d. The site is a monastery-temple. |
||
|
e. The site has served as both a Buddhist and a Hindu place of worship. |
|
a. Angkgor Wat |
||
|
b. Wat Ratchaburana |
||
|
c. Wat Mahathat |
||
|
d. The Ananda Temple |
||
|
e. None of the above |
|
a. A dedicatory scroll |
||
|
b. Other smaller statues of the Buddha |
||
|
c. A list of donors |
||
|
d. All of the above |
||
|
e. None of the above |
|
a. 1st century BCE |
||
|
b. 18th century |
||
|
c. 8th-9th centuries |
||
|
d. 3rd-4th centuries |
||
|
e. 5th century |
|
a. Foguang |
||
|
b. Bayon |
||
|
c. Borobudur |
||
|
d. Myazedei |
||
|
e. Wat Mahathat |
|
a. Suryavarman II |
||
|
b. Jayavarman VII |
||
|
c. Indravarman II |
||
|
d. Chandragupta I |
||
|
e. None of the above |
|
a. It was constructed to serve as a training center. |
||
|
b. It was constructed in the form of a mandala. |
||
|
c. It was constructed during the rule of the Saliendra kings. |
||
|
d. It is associated with Theravada Buddhism. |
||
|
e. All of the above |
|
a. It is a Mahayana Buddhist site. |
||
|
b. It can be divided into several vertical segments which represent different parts of the Buddhist universe. |
||
|
c. It was constructed as a site of worship. |
||
|
d. Reliefs on its most bottom level were later covered over and only discovered recently. |
||
|
e. All of the above |
|
a. Most Pagan structures were made of brick plastered with stucco. |
||
|
b. Many remains of Buddhist Pagan architecture include stupas, temples, monasteries, ordination halls, and libraries. |
||
|
c. Pagan temples and stupas were built adjacent to one another and were often created as part of a single complex. |
||
|
d. Some Pagan stupas have the external form of a stupa but can be entered, and they contain an inner corridor and multiple shrines. |
||
|
e. All of the above |
|
a. A rounded face |
||
|
b. Eyes cast forward rather than down |
||
|
c. Wide mouth with what might be a mustache along the upper lip |
||
|
d. A band or double band at the hairline |
||
|
e. A robust body |
|
a. It was the state temple of Jayavarman VII. |
||
|
b. It was a Mahayana Buddhist temple. |
||
|
c. It represented Mount Meru. |
||
|
d. It was constructed in the center of Angkor Thom. |
||
|
e. All of the above |
|
a. It is a Mon-style temple. |
||
|
b. Unlike other Pagan temples, it has two stories. |
||
|
c. It is a Mahayana Buddhist temple. |
||
|
d. Its cross-shaped plan centers on four shrines set back-to-back around a solid core. |
||
|
e. All of the above |
|
a. The Pagans |
||
|
b. The Saliendras |
||
|
c. The Khmers |
||
|
d. The Ayutthayas |
||
|
e. All of the above |
|
a. Jayavarman VII |
||
|
b. Kyanzittha |
||
|
c. Alaungsithu |
||
|
d. Narapatisithu |
||
|
e. None of the above |
|
a. All Buddhists in Southeast Asia are Mahayana Buddhists. |
||
|
b. During many periods, Buddhism and Hinduism coexisted in areas of Southeast Asia. |
||
|
c. Buddhism had spread to Southeast Asia by the seventh century CE. |
||
|
d. Indigenous and pantheistic beliefs survived and were integrated alongside Buddhism in Southeast Asia. |
||
|
e. All of the above |
|
a. India |
||
|
b. China |
||
|
c. Korea |
||
|
d. Burma |
||
|
e. None of the Above |
|
a. To accrue merit |
||
|
b. To serve as aids in meditation |
||
|
c. To commemorate the death of an individual |
||
|
d. All of the above |
||
|
e. None of the above |
|
a. The Kumbun Stupa at Gyantse |
||
|
b. Samye Monastery |
||
|
c. Bodhgaya |
||
|
d. Ananda Temple |
||
|
e. None of the above |
|
a. Bodhgaya |
||
|
b. Swayambhunath Stupa |
||
|
c. Bayon |
||
|
d. Gyantse Stupa |
||
|
e. Ananda Temple |
|
a. A thangka |
||
|
b. A lung-ta |
||
|
c. A vajra |
||
|
d. An incense holder |
||
|
e. None of the above |
|
a. An illuminated manuscript |
||
|
b. A prayer flag |
||
|
c. A thangka |
||
|
d. A vajra |
||
|
e. None of the above |
|
a. Devotional paintings on cloth |
||
|
b. Guardian figures placed outside Newar Buddhist temples |
||
|
c. A special ritual bell that provides protection against demons |
||
|
d. Bronze figurines of the moon god Chandra |
||
|
e. None of the above |
|
a. The torma and prayer wheel |
||
|
b. The torma and bell |
||
|
c. The vajra and prayer wheel |
||
|
d. The vajra and torma |
||
|
e. The vajra and bell |
|
a. It is a form of Vajrayana Buddhism. |
||
|
b. It is practiced throughout Nepal. |
||
|
c. Newar Buddhists have lived in a society that is primarily Hindu. |
||
|
d. Paubhas are important Newar Buddhist ritual objects. |
||
|
e. All of the above |
|
a. His traditional home is located in the Samye Monastery. |
||
|
b. He is the religious and political leader of Tibet. |
||
|
c. His name means “Oceanic Lama.” |
||
|
d. When the old lama dies, he is replaced by a special child born later in the same year who through tests is proven to be the reincarnation of the old lama. |
||
|
e. All of the above |
|
a. Every aspect, such as color, shape, and placement, has symbolic significance in Tibetan Art. |
||
|
b. Tibetans only consider certain objects, such as ornately decorated bronze statues as works of art. |
||
|
c. Tibetan Buddhist art is always directly commissioned from an artist. |
||
|
d. Tibetan artists usually do not sign their art works. |
||
|
e. All of the above |
|
a. Nepalese metal sculptures are either heavily gilded or, if the gold has worn off, have a slightly reddish patina that derives from their high copper content. |
||
|
b. Nepalese sculptures are stylistically nearly identical to Indian Guptan and Palan sculpture. |
||
|
c. Later Nepalese sculpture is often decorated with inlaid semi-precious stones. |
||
|
d. Nepalese wooden sculptures usually served as struts to support roofs, door surrounds, or as decorations. |
||
|
e. All of the above |
|
a. It looks like a giant mandala from above. |
||
|
b. It is the center of Buddhist culture in Kathmandu. |
||
|
c. It is one of the most important centers of Tibetan Buddhism. |
||
|
d. A pair of Buddhas decorate the square base at the pyramid on top of the stupa. |
||
|
e. All of the above |
|
a. It is the traditional winter residence of the Dalai Lama. |
||
|
b. It is named after the paradise of the Buddha Shakyamnui. |
||
|
c. The red buildings at the center are the Potrang Marpo, or the red palace, where religious services took place. |
||
|
d. It was first built in the seventh century. |
||
|
e. All of the above |
|
a. It is known as the “Self-Creating Stupa.” |
||
|
b. It is famous for the many peacocks that call it home. |
||
|
c. It is known for the sleepy Buddhist eyes that decorate the topmost portion of the stupa. |
||
|
d. The earliest written record of the stupa dates to the fifth century. |
||
|
e. All of the above |
|
a. Its leader is the Dalai Lama. |
||
|
b. It is a form of Theravada Buddhism. |
||
|
c. It also contains elements of the Bön religion. |
||
|
d. The Great Stupa at Gyantse is one of its important pilgrimage sites. |
||
|
e. All of the above |
|
a. Newar artists made mostly illuminated manuscripts, book covers, and devotional paintings on cloth. |
||
|
b. Nepalese paintings are conservative in technique, style, and iconography, but subtle changes occurred in composition, palette, style, and motifs over time. |
||
|
c. The decoration of illuminated manuscript covers usually do not relate to the text inside. |
||
|
d. All of the above |
||
|
e. None of the above |
|
a. It does not have discernable Buddhist or Hindu styles. |
||
|
b. Nepalese sculptors worked with stone, wood, metal, and terracotta. |
||
|
c. Stylistically, Nepalese sculpture grew out of the art of Gupta India, and later was influenced by that of Pala India. |
||
|
d. All of the above |
||
|
e. None of the above |
|
a. They follow strict roles of iconography. |
||
|
b. They must be consecrated in a ceremony by an ordained lama. |
||
|
c. They must be framed in silk brocade. |
||
|
d. All of the above |
||
|
e. None of the above |
|
a. It is the largest stupa in Burma. |
||
|
b. It is a three-dimensional mandala. |
||
|
c. Inside the stupa there are six floors that contain chapels filled with murals and sacred statues. |
||
|
d. All of the above |
||
|
e. None of the above |
|
a. Many artworks serve as guides in meditation. |
||
|
b. Ritual objects are handled by monks or lay persons as part of rituals or worship. |
||
|
c. Many objects are part of an altar, where worshippers make offerings of food, scarves, tea, money, or other valuables. |
||
|
d. All of the above |
||
|
e. None of the above |
|
a. It is a type of Mahayana Buddhism. |
||
|
b. It is based on the esoteric doctrines of the Buddha given to selected disciples. |
||
|
c. It uses meditation, mantras, and rituals to bring about psychological and physiological transformations. |
||
|
d. All of the above |
||
|
e. None of the above |
|
a. Their name means “Wind horse.” |
||
|
b. They often have an image of a horse carrying a load of flaming jewels. |
||
|
c. They are meant to multiply the number of prayers going out. |
||
|
d. They are made by printing carved wood blocks onto pieces of colored or white fabric. |
||
|
e. All of the above |
|
a. Boudhanath Stupa |
||
|
b. Ananda Palace |
||
|
c. Gyantse Palace |
||
|
d. Foguang Temple |
||
|
e. Potala Palace |
|
a. Silla |
||
|
b. Paekche |
||
|
c. Koguryô |
||
|
d. All of the above |
||
|
e. None of the above |
|
a. Theravada and Mahayana |
||
|
b. Kyo and Sŏn |
||
|
c. Pure Land and Zen |
||
|
d. Hwaôm and Kyo |
||
|
e. None of the above |
|
a. Ryōan-ji |
||
|
b. Borobudur |
||
|
c. Hōryūj-i |
||
|
d. Tōdai-ji |
||
|
e. Pagan |
|
a. Dunhunag |
||
|
b. Ellora |
||
|
c. Longmen |
||
|
d. Ajanta |
||
|
e. Yungang |
|
a. Dunhunag |
||
|
b. Ellora |
||
|
c. Longmen |
||
|
d. Ajanta |
||
|
e. Yungang |
|
a. Famen Temple |
||
|
b. Foguang Temple |
||
|
c. Great Goose Pagoda |
||
|
d. Songyue Pagoda |
||
|
e. None of the above |
|
a. Bayon |
||
|
b. Byōdō-in |
||
|
c. Hōryūj-i |
||
|
d. Tōdai-ji |
||
|
e. Borobudur |
|
a. Three Kingdoms Period |
||
|
b. Unified Silla |
||
|
c. Koryŏ Dynasty |
||
|
d. Chosŏn Dynasty |
||
|
e. None of the above |
|
a. Northern Wei |
||
|
b. Northern Qi |
||
|
c. Sui |
||
|
d. Tang |
||
|
e. Liao |
|
a. Foguang |
||
|
b. Fengxian |
||
|
c. Famen temple complex |
||
|
d. Dunhuang |
||
|
e. Yungang |
|
a. Handscrolls that depicted the world of the Heian court |
||
|
b. Hanging scrolls hung while a person was dying to help them enter the Western Paradise |
||
|
c. A type of handscroll that depicted battles and historical events that became popular after the rise of the warrior class |
||
|
d. Hanging scrolls or handscrolls that depicted events relating to the founding of a temple |
||
|
e. None of the above |
|
a. Ink monochrome painting |
||
|
b. Blue and green landscapes |
||
|
c. Bird and flower paintings |
||
|
d. Gold leaf folding screens |
||
|
e. All of the above |
|
a. Amida |
||
|
b. Dainichi Nyorai |
||
|
c. Yakushi |
||
|
d. Shaka |
||
|
e. None of the above |
|
a. Dunhuang |
||
|
b. Yungang |
||
|
c. Longmen |
||
|
d. Juyan |
||
|
e. Chang’an |
|
a. Chang’an |
||
|
b. Dunhuang |
||
|
c. Juyuan |
||
|
d. Yungang |
||
|
e. Longmen |
|
a. The Eastern Paradise of Yakushi Nyorai |
||
|
b. Mount Sumeru |
||
|
c. The immortal island of Horai |
||
|
d. The Western Paradise of Amida |
||
|
e. None of the above |
|
a. They included a relic that is supposed to date to the time of Emperor Ashoka. |
||
|
b. The objects all date to the Northern Wei dynasty. |
||
|
c. They included many “decoy” relics, Buddhist statues, and other Buddhist ritual objects. |
||
|
d. They include implements used to store and prepare tea. |
||
|
e. All of the above |
|
a. It is set of woodblocks for printing the entire Buddhist cannon. |
||
|
b. It was commissioned to protect against foreign invasions. |
||
|
c. It is the second complete set of woodblocks for printing the entire Buddhist cannon made in Korea. |
||
|
d. It is kept in Sŏkkuram. |
||
|
e. All of the above |
|
a. It depicts Amida Buddha in a landscape of rolling hills. |
||
|
b. It represents the myriad Buddhas as geometric relationships. |
||
|
c. This type of mandala was only made during the Kamakura Period. |
||
|
d. It is used by practitioners of Zen Buddhism. |
||
|
e. All of the above |
|
a. It is often of Zen patriarchs and teachers. |
||
|
b. Personal expression is always more important than a particular painting style. |
||
|
c. It draws upon secular Chinese themes infused with scholarly symbolism. |
||
|
d. It sometimes includes landscapes and literary figures. |
||
|
e. All of the above |
|
a. It is an example of a dry rock garden. |
||
|
b. It is associated with Zen Buddhism. |
||
|
c. It is attributed to Soami. |
||
|
d. It probably originally used the concept of shakkei or “borrowed scenery” in its design. |
||
|
e. All of the above |
|
a. They were usually painted on silk. |
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b. They were painted on both sides of the cloth. |
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c. When finished, an “eye-dotting ceremony” was performed to give life to the images. |
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d. All of the above |
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e. None of the above |
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a. All of its buildings date to the Tang Dynasty. |
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b. Its famous east hall is seven bays wide and four bays deep. |
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c. Over 250 statues of arhats line the walls around the alter in its East Hall. |
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d. Its wooden pagoda does not date to the Tang Dynasty. |
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e. All of the above |
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a. Chaonoyu |
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b. Raku |
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c. Wabi and sabi |
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d. Sumi-e |
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e. None of the above |
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a. It is the oldest surviving Buddhist statue in Japan. |
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b. It was made by the sculptor Tori Busshi. |
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c. It is the largest bronze statue in the world. |
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d. All of the above |
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e. None of the above |
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a. Northern Wei |
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b. Sui |
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c. Northern Liang |
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d. Tang |
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e. None of the above |