a. Uses cement columns faced with marble in imitation of the Greeks. ![]() |
||
b. Imitates the Greek style of columns encircling a temple, but uses engaged columns, rather than free-standing columns. ![]() |
||
c. Has a stairway all around the base of the temple. ![]() |
||
d. Has a stairway at the front of the temple. ![]() |
||
e. Has a continuous frieze. ![]() |
a. Concentric circles. ![]() |
||
b. Concentric squares. ![]() |
||
c. An x-shape, with four triangular divisions of space. ![]() |
||
d. A rectangular grid with two main streets converging in the center. ![]() |
||
e. None of the above; Romans did not like to plan their cities, instead preferring to let them develop organically. ![]() |
a. Imitating colorful marble and stone. ![]() |
||
b. Creating the illusion of a window looking onto a vista. ![]() |
||
c. Geometric patterning. ![]() |
||
d. Landscape paintings. ![]() |
||
e. Mythological scenes. ![]() |
a. Resembling third style painting, but with more substantial architectural elements. ![]() |
||
b. Resembling third style painting, but with portraiture rather than mythological scenes. ![]() |
||
c. Large-scale narrative paintings. ![]() |
||
d. Paintings depicting wildlife and hunting. ![]() |
||
e. Pure abstraction. ![]() |
a. Caligula. ![]() |
||
b. Augustus. ![]() |
||
c. Nero. ![]() |
||
d. Julius Caesar. ![]() |
||
e. Hadrian ![]() |
a. There are no examples of public architecture in Herculaneum. ![]() |
||
b. Herculaneum is less excavated than Pompeii. ![]() |
||
c. Herculaneum was hermetically sealed by a layer of lava. ![]() |
||
d. All of the above. ![]() |
||
e. There are virtually no differences between Herculaneum and Pompeii. ![]() |
a. Individualistic facial features. ![]() |
||
b. Landscape and the details of nature. ![]() |
||
c. Gesture as a mode of storytelling. ![]() |
||
d. Greek architecture. ![]() |
||
e. Warfare. ![]() |
a. Greek sculpture. ![]() |
||
b. Greek painting. ![]() |
||
c. Roman theater. ![]() |
||
d. Etruscan painting. ![]() |
||
e. Roman oratory. ![]() |
a. It was more expensive than stone construction. ![]() |
||
b. It was less attractive than stone construction. ![]() |
||
c. It was vulnerable to moisture. ![]() |
||
d. B and C only. ![]() |
||
e. A and C only. ![]() |
a. A resort city. ![]() |
||
b. A Roman colony. ![]() |
||
c. A trade center. ![]() |
||
d. A slave district. ![]() |
||
e. A quarry. ![]() |
a. Roman amphitheaters did not require a hillside for their construction. ![]() |
||
b. Roman amphitheaters were reserved only for use by the emperor and his closest friends. ![]() |
||
c. Roman amphitheaters were not a valued part of the culture. ![]() |
||
d. Roman amphitheaters had no seating. ![]() |
||
e. All of the above. ![]() |
a. Imitating colorful marble and stone. ![]() |
||
b. Creating the illusion of a window looking onto a vista. ![]() |
||
c. Geometric patterning. ![]() |
||
d. Landscape paintings. ![]() |
||
e. Mythological scenes. ![]() |
a. The invention of concrete. ![]() |
||
b. The lightening of concrete by the removal of stone rubble. ![]() |
||
c. The discovery of local marble quarries. ![]() |
||
d. Both A and C ![]() |
||
e. Both B and C. ![]() |
a. It had a gilded façade. ![]() |
||
b. It was built on hundreds of acres of land taken from the Roman people. ![]() |
||
c. It represents the move away from the rigid, rectangular-plan building. ![]() |
||
d. It had an octagonal, domed room. ![]() |
||
e. All of the above. ![]() |
a. First style. ![]() |
||
b. Second style. ![]() |
||
c. Third style. ![]() |
||
d. Fourth style. ![]() |
||
e. None of the above. ![]() |
a. The domus italica. ![]() |
||
b. The Hellenized domus ![]() |
||
c. An imperial villa. ![]() |
||
d. All of the above. ![]() |
||
e. None of the above. ![]() |
a. The Egyptians. ![]() |
||
b. The Greeks. ![]() |
||
c. The Persians. ![]() |
||
d. The Visigoths. ![]() |
||
e. The Etruscans. ![]() |
a. The Colosseum. ![]() |
||
b. The Altar of Augustan Peace (Ara Pacis). ![]() |
||
c. The Pantheon. ![]() |
||
d. The Circus Maximus. ![]() |
||
e. The Sanctuary of Fortuna Primigenia. ![]() |
a. Was probably based on an earlier Greek painting of the same subject. ![]() |
||
b. Is the first narrative painting in Ancient Rome. ![]() |
||
c. Includes portraits of the family that commissioned the painting. ![]() |
||
d. Is the ultimate First Style Roman wall painting. ![]() |
||
e. All of the above. ![]() |
a. Nero ![]() |
||
b. Vespasian ![]() |
||
c. Augustus ![]() |
||
d. Commodus ![]() |
||
e. Diocletian ![]() |
a. Obelisk. ![]() |
||
b. Pyramid. ![]() |
||
c. Portrait head. ![]() |
||
d. Gargantuan column. ![]() |
||
e. Tree. ![]() |
a. First style. ![]() |
||
b. Second style. ![]() |
||
c. Third style. ![]() |
||
d. Fourth style. ![]() |
||
e. None of the above. ![]() |
a. The Colosseum. ![]() |
||
b. The Arch of Titus. ![]() |
||
c. The Domus Aurea. ![]() |
||
d. The Baths of Caracalla. ![]() |
||
e. Trajan’s Column. ![]() |
a. The inner chambers of a round temple. ![]() |
||
b. The two main streets of a Roman city, intersecting at the center. ![]() |
||
c. The two head administrators of the Roman law courts. ![]() |
||
d. The two main supports for an arch. ![]() |
||
e. The main living spaces of a Roman house. ![]() |
a. Curtains that would have been draped over the walls to protect the paintings. ![]() |
||
b. Illusionistic curtains painted into the far sides of the scenes to create the illusion of a curtain that could be drawn. ![]() |
||
c. The stark black awnings painted into architectural vistas. ![]() |
||
d. Mysterious black fabric painted into a scene, resembling the curtains one might have seen in a Roman theatrical set. ![]() |
||
e. An illusionistically painted black cornice that appears to protrude into the viewer’s space. ![]() |
a. Houses began to imitate Greek architecture. ![]() |
||
b. Houses began to imitate Etruscan architecture. ![]() |
||
c. Houses were being built with multiple stories. ![]() |
||
d. Houses were becoming smaller and smaller. ![]() |
||
e. All of the above. ![]() |
a. Titus’s conquest of Judea. ![]() |
||
b. The birth of Titus. ![]() |
||
c. Titus’s defeat of his coregents. ![]() |
||
d. The birth of Titus’s son. ![]() |
||
e. Titus’s marriage. ![]() |
a. The death of Nero. ![]() |
||
b. The birth of a son. ![]() |
||
c. His marriage. ![]() |
||
d. The conquest of Judea. ![]() |
||
e. All of the above. ![]() |
a. The Theater was a semicircle, whereas the Music Hall is a full circle. ![]() |
||
b. The Theater is built from stone, whereas the Music Hall is built from concrete. ![]() |
||
c. The Theater is open to the sky, whereas the Music Hall has a roof. ![]() |
||
d. Unlike the Theater, the Music Hall has no seats. ![]() |
||
e. All of the above. ![]() |
a. The ideal Roman home, passed down through the writings of Vitruvius. ![]() |
||
b. The standard house plan used in early houses at Pompeii. ![]() |
||
c. The standard house plan used only in the distant provinces of Rome. ![]() |
||
d. Both A and B. ![]() |
||
e. None of the above. ![]() |
a. Augustus went to great expense remodeling old brick Roman buildings. ![]() |
||
b. Augustus sought to build Rome in the style of a Greek city. ![]() |
||
c. Augustus built many more religious buildings than did earlier emperors. ![]() |
||
d. Augustus plundered the quarries of Greece to bring in large amounts of marble. ![]() |
||
e. All of the above. ![]() |
a. Animal sacrifice. ![]() |
||
b. The afterlife. ![]() |
||
c. Landscape. ![]() |
||
d. A marriage ceremony. ![]() |
||
e. All of the above. ![]() |
a. They are made of wood, rather than stone. ![]() |
||
b. They are sculpted to look like female figures. ![]() |
||
c. They have openwork carving in them. ![]() |
||
d. They are left unfinished, or “rusticated.” ![]() |
||
e. Each column is different from the others. ![]() |
a. In Third style wall painting, architectural elements were extremely attenuated. ![]() |
||
b. Third style paintings depict mythological subjects ![]() |
||
c. Third style painting emphasizes the flat wall surface. ![]() |
||
d. Third style painting does not attempt to create a window looking into space. ![]() |
||
e. All of the above. ![]() |
a. It was a way of honoring his wife, whose name was Genetrix. ![]() |
||
b. Caesar wanted to build a monument for his lover, and therefore built a temple for the goddess of love. ![]() |
||
c. Caesar and his family claimed to be descended from Venus Genetrix, and the temple therefore honored his own family. ![]() |
||
d. The temple was a votive offering to Venus Genetrix in the hopes of a fruitful crop. ![]() |
||
e. Caesar built the temple as a validation of his violent military campaigns. ![]() |
a. The Sanctuary of Fortuna Primigenia. ![]() |
||
b. The Baths of Caracalla. ![]() |
||
c. The Parthenon. ![]() |
||
d. The Villa of Livia. ![]() |
||
e. The Erechtheion. ![]() |
a. Doric order capitals. ![]() |
||
b. Ionic order capitals. ![]() |
||
c. Corinthian capitals. ![]() |
||
d. Tuscan capitals. ![]() |
||
e. Composite capitals. ![]() |
a. Vespasian ![]() |
||
b. Nero ![]() |
||
c. Diocletian ![]() |
||
d. Domitian ![]() |
||
e. Augustus ![]() |
a. The Temple of Portunus. ![]() |
||
b. The Baths of Caracalla. ![]() |
||
c. The House of the Faun. ![]() |
||
d. The Sanctuary of Fortuna Primigenia. ![]() |
||
e. All of the above. ![]() |
a. The Sanctuary of Fortuna Primigenia. ![]() |
||
b. The Colosseum. ![]() |
||
c. The Pantheon. ![]() |
||
d. The Temple of Portunus. ![]() |
||
e. All of the above. ![]() |
a. Fountains. ![]() |
||
b. Cafeteria-style restaurants. ![]() |
||
c. Sidewalks. ![]() |
||
d. Public baths. ![]() |
||
e. Gas lighting. ![]() |
a. A domed central-plan. ![]() |
||
b. A rectangular courtyard. ![]() |
||
c. A series of vaults connected by tunnels. ![]() |
||
d. A roofed rectangular space with axial orientation. ![]() |
||
e. A square plan with hemispherical apses connected to all four sides. ![]() |
a. Columns. ![]() |
||
b. A peristyle courtyard. ![]() |
||
c. First-style Roman wall painting. ![]() |
||
d. All of the above. ![]() |
||
e. A and B only. ![]() |
a. Tepidarium. ![]() |
||
b. Tablinum. ![]() |
||
c. Caldarium. ![]() |
||
d. Natatio. ![]() |
||
e. Frigidarium. ![]() |
a. Annular vaults. ![]() |
||
b. Concrete. ![]() |
||
c. Groin vaults. ![]() |
||
d. An awning. ![]() |
||
e. Post and lintel construction. ![]() |
a. A frightened woman. ![]() |
||
b. A satyr. ![]() |
||
c. Drinking vessels. ![]() |
||
d. A bride. ![]() |
||
e. Jupiter. ![]() |
a. The Theater of Marcellus. ![]() |
||
b. The Colosseum. ![]() |
||
c. The Amphitheater at Pompeii. ![]() |
||
d. The thermopolium. ![]() |
||
e. None of the above. ![]() |
a. First Style wall painting was a revolutionary Roman invention. ![]() |
||
b. First Style wall painting borrowed styles from wall paintings in Etruscan tombs. ![]() |
||
c. First Style wall painting was a carryover from the painting traditions of Ancient Greece. ![]() |
||
d. First style wall painting grew out of Samnite traditions. ![]() |
||
e. First style wall painting was borrowed from the Egyptians. ![]() |
a. It was known by the Romans as opus caementicum. ![]() |
||
b. It allowed for quick and cheap construction. ![]() |
||
c. It enabled architects to build structures that would have otherwise been incredibly difficult—if not impossible—to construct. ![]() |
||
d. It was cast in wooden molds. ![]() |
||
e. All of the above. ![]() |
a. Most Roman paintings were panel paintings hung on the wall. ![]() |
||
b. Most Roman paintings were wall paintings. ![]() |
||
c. Roman paintings sometimes included still life scenes. ![]() |
||
d. Roman painting suggests an interest in nature and specific details. ![]() |
||
e. In some cases, the painters’ names are known. ![]() |
a. Second Style wall painting was a revolutionary Roman invention. ![]() |
||
b. Second Style wall painting borrowed from Etruscan tomb decoration. ![]() |
||
c. Second Style wall painting is a carryover from the painting traditions of Ancient Greece. ![]() |
||
d. Second style wall painting grew out of Samnite traditions. ![]() |
||
e. Second style wall painting was borrowed from the Egyptians. ![]() |
a. The fauces. ![]() |
||
b. The atrium. ![]() |
||
c. The impluvium. ![]() |
||
d. The thermopolium. ![]() |
||
e. The hortus. ![]() |
a. Linear (one-point) perspective. ![]() |
||
b. Pointillism. ![]() |
||
c. Atmospheric perspective. ![]() |
||
d. Oil paint. ![]() |
||
e. All of the above. ![]() |
a. Elegant. ![]() |
||
b. Forceful. ![]() |
||
c. Illusionistic. ![]() |
||
d. Primitive. ![]() |
||
e. Autobiographical. ![]() |
a. An arch was carved out of marble. ![]() |
||
b. A road was paved with marble. ![]() |
||
c. Concrete was reinforced with ashlar masonry. ![]() |
||
d. Concrete was faced with mosaics. ![]() |
||
e. Concrete was faced with irregular, small stones. ![]() |
a. The third century BC. ![]() |
||
b. The fourth century BC. ![]() |
||
c. The eighth century BC. ![]() |
||
d. The seventh century BC. ![]() |
||
e. 100 BC ![]() |
a. A plague killed off most of the local builders. ![]() |
||
b. Quarries had been over-used and there were no local building materials. ![]() |
||
c. Political instability left little time or money for building projects. ![]() |
||
d. Rome was overcrowded, leaving no room for new construction. ![]() |
||
e. All of the above. ![]() |
a. There is a narthex at the entranceway. ![]() |
||
b. It has no roof. ![]() |
||
c. It is appointed with theater-style seating on the interior. ![]() |
||
d. It is very stark and geometric, with no columns in the cella. ![]() |
||
e. Both A and D. ![]() |
a. The reign of Augustus. ![]() |
||
b. Republican Rome ![]() |
||
c. The second century AD. ![]() |
||
d. The first century BC. ![]() |
||
e. The reign of Constantine. ![]() |
a. The Capitoline Triad. ![]() |
||
b. Mars and Venus. ![]() |
||
c. All gods. ![]() |
||
d. Venus and Caesar. ![]() |
||
e. Jupiter and Minerva. ![]() |
a. In Ostia, houses were rarely designated for single family occupancy. ![]() |
||
b. Housing in Ostia was often multi-storied, whereas housing in Pompeii was single-story. ![]() |
||
c. Pompeiian housing was more lavish than was housing in Ostia. ![]() |
||
d. Ostian housing had to be designed to accommodate more people than Pompeiian housing. ![]() |
||
e. All of the above. ![]() |
a. Timgad was a resort town, while Leptis Magna was an industrial center. ![]() |
||
b. Timgad became a part of the empire much later than did Leptis Magna. ![]() |
||
c. Leptis Magna was the religious center in the provinces, whereas Timgad was an administrative center. ![]() |
||
d. Both A and B. ![]() |
||
e. Both A and C. ![]() |
a. The concrete encased permanent wooden beams. ![]() |
||
b. A lighter concrete mixture with pumice was used towards the top of the dome. ![]() |
||
c. A heavier concrete mixture with basalt was used towards the bottom of the dome. ![]() |
||
d. Both B and C. ![]() |
||
e. All of the above. ![]() |
a. Timgad. ![]() |
||
b. Split. ![]() |
||
c. Leptis Magna. ![]() |
||
d. Orange. ![]() |
||
e. Nîmes. ![]() |
a. It has a low podium. ![]() |
||
b. It has a continuous staircase around the circumference of the building. ![]() |
||
c. It has a peripteral colonnade. ![]() |
||
d. It has a double cella. ![]() |
||
e. All of the above. ![]() |
a. It is made using concrete. ![]() |
||
b. It is made using brick. ![]() |
||
c. It is heavily decorated. ![]() |
||
d. It has no roof. ![]() |
||
e. It has no colonnade. ![]() |
a. The theater at Orange was built using white marble. ![]() |
||
b. The theater at Orange was built into a natural hillside. ![]() |
||
c. The theater at Orange has a roof. ![]() |
||
d. All of the above. ![]() |
||
e. A and B only. ![]() |
a. Rome. ![]() |
||
b. North Africa. ![]() |
||
c. The Western Provinces. ![]() |
||
d. The Eastern Provinces. ![]() |
||
e. Pompeii. ![]() |
a. Gaul ![]() |
||
b. Timgad ![]() |
||
c. Athens ![]() |
||
d. Capri ![]() |
||
e. None of the above; the Romans did not use Pentellic marble. ![]() |
a. Marble ![]() |
||
b. Tufa ![]() |
||
c. Brick ![]() |
||
d. Opus incertum ![]() |
||
e. Local stone ![]() |
a. Dining and banquet halls. ![]() |
||
b. Law courts. ![]() |
||
c. Small temples. ![]() |
||
d. Intellectual halls and meeting rooms. ![]() |
||
e. All of the above. ![]() |
a. The Colosseum. ![]() |
||
b. The Baths of Titus. ![]() |
||
c. The Forum of Augustus. ![]() |
||
d. The Forum of Julius Caesar. ![]() |
||
e. The Domus Aurea. ![]() |
a. A basilica. ![]() |
||
b. A public bath. ![]() |
||
c. A temple to all gods. ![]() |
||
d. A defensive wall. ![]() |
||
e. A prison. ![]() |
a. Aqueducts. ![]() |
||
b. Roads. ![]() |
||
c. Temples. ![]() |
||
d. Bath houses. ![]() |
||
e. Marketplace. ![]() |
a. Septimius Severus and Caracalla ![]() |
||
b. Julius Caesar and Augustus ![]() |
||
c. Augustus and Domitian ![]() |
||
d. Nero and Vespasian ![]() |
||
e. Augustus and Hadrian ![]() |
a. The Parthenon. ![]() |
||
b. The Temple of Jupiter Optimus Maximus Capitolinus. ![]() |
||
c. The Temple of Venus and Roma. ![]() |
||
d. The House of the Faun. ![]() |
||
e. The Temple of Venus from Knidos. ![]() |
a. Constantine was a pacifist. ![]() |
||
b. Constantine was priest and emperor simultaneously. ![]() |
||
c. Constantine was the first Christian emperor. ![]() |
||
d. Constantine was an artist. ![]() |
||
e. Both A and D. ![]() |
a. Constantine’s defeat over the Visigoths at Aosta. ![]() |
||
b. The birth of Constantine’s eldest child. ![]() |
||
c. The founding of a new capital in the Roman east: Constantinople. ![]() |
||
d. Constantine’s victory over Maxentius at the Battle of the Milvian Bridge. ![]() |
||
e. Constantine’s coronation as emperor of Rome and leader of the Christian Church. ![]() |
a. A Roman temple on an island. ![]() |
||
b. An apartment building. ![]() |
||
c. A mansion-villa. ![]() |
||
d. A warehouse. ![]() |
||
e. A university. ![]() |
a. They completely abandon Roman stylistic traditions. ![]() |
||
b. They incorporate wood more than stone, concrete, or brick. ![]() |
||
c. They are enormous. ![]() |
||
d. They are built directly into the face of cliff walls. ![]() |
||
e. All of the above. ![]() |
a. A porphyry obelisk. ![]() |
||
b. A column with a spiral frieze commemorating Trajan’s Dacian campaigns. ![]() |
||
c. A column sculpted into a monumental portrait of Trajan. ![]() |
||
d. A fluted column supporting a gilded statue of Trajan. ![]() |
||
e. A memorial column put up by Trajan’s widow. ![]() |
a. Temples. ![]() |
||
b. Shops. ![]() |
||
c. Baths. ![]() |
||
d. Tombs. ![]() |
||
e. Apartments. ![]() |
a. Septimius Severus conquered the city at the start of his reign. ![]() |
||
b. It had one of the most important marble quarries in the empire. ![]() |
||
c. It was the source of much of the grain imported to Rome. ![]() |
||
d. It was the birthplace of the emperor Septimius Severus. ![]() |
||
e. All of the above. ![]() |
a. Constantinople brought the Romans into contact with Islam. ![]() |
||
b. When Constantinople was founded, Christianity was introduced into the Roman empire. ![]() |
||
c. It allowed for greater exchange of luxury items between Rome and the East. ![]() |
||
d. It marked the end of the Roman Empire. ![]() |
||
e. With the founding of Constantinople, Rome was saved from ruin. ![]() |
a. Marble. ![]() |
||
b. Tufa. ![]() |
||
c. Travertine. ![]() |
||
d. Brick. ![]() |
||
e. Porphyry. ![]() |
a. Ostia. ![]() |
||
b. Delphi. ![]() |
||
c. Pompeii. ![]() |
||
d. Rome. ![]() |
||
e. Tivoli. ![]() |
a. The Temple of Hera I ![]() |
||
b. The Treasury at Delphi ![]() |
||
c. The Sanctuary of Fortuna Primigenia ![]() |
||
d. The Erechtheion ![]() |
||
e. The Altar of Zeus ![]() |
a. Peripteral. ![]() |
||
b. Pseudoperipteral. ![]() |
||
c. Arcuated. ![]() |
||
d. Buttressed. ![]() |
||
e. Fenestrated. ![]() |
a. The Aurelian Walls. ![]() |
||
b. The Decennial Monument. ![]() |
||
c. The restoration of the Curia Julia. ![]() |
||
d. The Baths of Diocletian. ![]() |
||
e. The Palace of Diocletian. ![]() |
a. The high podium. ![]() |
||
b. The columns across the porch. ![]() |
||
c. The frontal staircase. ![]() |
||
d. The dome. ![]() |
||
e. The rectangular forecourt. ![]() |
a. Regimented, orderly planning and decoration. ![]() |
||
b. Extensive, often excessive, ornamentation. ![]() |
||
c. A sense of movement in building facades. ![]() |
||
d. Traditional architectural elements, used in an innovative way. ![]() |
||
e. A focus on the three-dimensional quality of a building’s façade, especially the shadows created by deep recesses. ![]() |
a. The Sanctuary of Jupiter Heliopolitanus in Baalbek ![]() |
||
b. Domitian’s Palace ![]() |
||
c. The Baths of Caracalla ![]() |
||
d. The Tomb of Eurysaces ![]() |
||
e. All of the above. ![]() |
a. Julius Caesar ![]() |
||
b. Hadrian ![]() |
||
c. Agrippa ![]() |
||
d. Nero ![]() |
||
e. Trajan ![]() |
a. The Arch of Constantine. ![]() |
||
b. The Baths of Diocletian. ![]() |
||
c. The Temple of Jupiter Optimus Maximus Capitolinus. ![]() |
||
d. The Pont-du-Gard. ![]() |
||
e. The Theater at Orange. ![]() |
a. Tomb architecture followed very strict templates, with very little variation from tomb to tomb. ![]() |
||
b. Only the wealthy could afford to build large tombs for themselves and their families. ![]() |
||
c. Tombs were not a very important part of Roman culture. ![]() |
||
d. Because they served only to house the remains of the dead, they could be much more experimental than other forms of architecture. ![]() |
||
e. Both A and B. ![]() |
a. They were built during the reign of Augustus. ![]() |
||
b. They were built during the reign of Septimius Severus. ![]() |
||
c. They only used building materials native to the region. ![]() |
||
d. They used no concrete. ![]() |
||
e. They were built in honor of Julius Caesar. ![]() |
a. Icon paintings. ![]() |
||
b. First style wall painting. ![]() |
||
c. Painted stucco relief. ![]() |
||
d. Architectural elements. ![]() |
||
e. Both C and D. ![]() |
a. He helped design many of his buildings, as he was an amateur architect. ![]() |
||
b. Most of the buildings he commissioned were religious buildings. ![]() |
||
c. He was inspired by Greek architecture. ![]() |
||
d. All of the above. ![]() |
||
e. A and C only. ![]() |
a. Trajan. ![]() |
||
b. Titus. ![]() |
||
c. Augustus ![]() |
||
d. Nero. ![]() |
||
e. Vespasian. ![]() |