a. Niccolo Machiavelli ![]() |
||
b. Johan Gutenberg ![]() |
||
c. Peter Schoeffer ![]() |
||
d. Johannes Fust ![]() |
||
e. Socrates ![]() |
a. Roman Catholic ![]() |
||
b. Anglican ![]() |
||
c. Buddhist ![]() |
||
d. Protestant ![]() |
||
e. Muslim ![]() |
a. “Paradise Lost” ![]() |
||
b. “95 Theses” ![]() |
||
c. “The Bible” ![]() |
||
d. “Piers Plowman” ![]() |
||
e. “Paradise Lost” ![]() |
a. Catholicism ![]() |
||
b. Medieval Europe ![]() |
||
c. Classical antiquity ![]() |
||
d. Protestantism ![]() |
||
e. Mythology ![]() |
a. Petrarch ![]() |
||
b. Dante ![]() |
||
c. Langland ![]() |
||
d. Machiavelli ![]() |
||
e. Plato ![]() |
a. Hanover ![]() |
||
b. Protestant ![]() |
||
c. Tudor ![]() |
||
d. Catholic ![]() |
||
e. Reformation ![]() |
a. Socialism ![]() |
||
b. Capitalism ![]() |
||
c. Humanitarianism ![]() |
||
d. Humanism ![]() |
||
e. None of the above ![]() |
a. Reincarnation ![]() |
||
b. Rebirth ![]() |
||
c. Reproduction ![]() |
||
d. Recapitulation ![]() |
||
e. Reimagination ![]() |
a. Catholic Restoration ![]() |
||
b. Catholic Reformation ![]() |
||
c. Protestant Reformation ![]() |
||
d. Protestant Restoration ![]() |
||
e. None of the above ![]() |
a. Petrarch ![]() |
||
b. Machiavelli ![]() |
||
c. Michelangelo ![]() |
||
d. A and B ![]() |
||
e. Dante ![]() |
a. Niccolo Machiavelli ![]() |
||
b. Martin Luther ![]() |
||
c. John Milton ![]() |
||
d. John Wycliffe ![]() |
||
e. Johan Gutenberg ![]() |
a. John Donne ![]() |
||
b. John Dryden ![]() |
||
c. John Wycliffe ![]() |
||
d. Johan Gutenberg ![]() |
||
e. None of the above ![]() |
a. Charles I ![]() |
||
b. Charles II ![]() |
||
c. Henry V ![]() |
||
d. Henry VIII ![]() |
||
e. Henry IX ![]() |
a. 12th and 13th ![]() |
||
b. 14th and 15th ![]() |
||
c. 15th and 16th ![]() |
||
d. 16th and 17th ![]() |
||
e. 17th and 18th ![]() |
a. Print halted the corruption of texts by copyists, giving everyone identical texts. ![]() |
||
b. Scientific research became a more collaborative effort. ![]() |
||
c. Learning to read was made easier as print was standardized and made clearer. ![]() |
||
d. All of the above ![]() |
||
e. A and C only ![]() |
a. Catholicism ![]() |
||
b. Protestantism ![]() |
||
c. Buddhism ![]() |
||
d. Roman Catholicism ![]() |
||
e. None of the above ![]() |
a. “Paradise Lost” ![]() |
||
b. “Canterbury Tales” ![]() |
||
c. “The Bible” ![]() |
||
d. “Piers Plowman” ![]() |
||
e. None of the above ![]() |
a. “Toxophilus” ![]() |
||
b. “Utopia” ![]() |
||
c. “The Inferno” ![]() |
||
d. “Paradise Lost” ![]() |
||
e. None of the above ![]() |
a. 1400 ![]() |
||
b. 1500 ![]() |
||
c. 1600 ![]() |
||
d. 1650 ![]() |
||
e. 1700 ![]() |
a. Niccolo Machiavelli ![]() |
||
b. Francesco Petrarcha ![]() |
||
c. Aristotle ![]() |
||
d. Plato ![]() |
||
e. None of the above ![]() |
a. It regarded human beings as social creatures who could create meaningful lives only in association with other social beings. ![]() |
||
b. Its major premise was that every existing thing in the universe had its “place” in a divinely planned hierarchical order which was pictured as a chain, vertically extended. ![]() |
||
c. It could only be achieved through faith in God's grace. ![]() |
||
d. Both A and B ![]() |
||
e. Both B and C ![]() |
a. Court Jester ![]() |
||
b. Master of Revels ![]() |
||
c. Master of Rebels ![]() |
||
d. Master of Ceremonies ![]() |
||
e. None of the above ![]() |
a. Catherine of Aragon ![]() |
||
b. Anne Boleyn ![]() |
||
c. Mary, Queen of Scots ![]() |
||
d. Anne of Cleves ![]() |
||
e. None of the above ![]() |
a. Elizabeth I ![]() |
||
b. Elizabeth II ![]() |
||
c. Mary, Queen of Scots ![]() |
||
d. Catherine of Aragon ![]() |
||
e. None of the above ![]() |
a. Sir Thomas More ![]() |
||
b. Sir Walter Raleigh ![]() |
||
c. John Foxe ![]() |
||
d. John Lyly ![]() |
||
e. King Henry VIII ![]() |
a. “Acts and Monuments” ![]() |
||
b. “Utopia” ![]() |
||
c. “Euphues” ![]() |
||
d. “Paradise Regained” ![]() |
||
e. “Piers Plowman” ![]() |
a. Mass ![]() |
||
b. Transubstantiation ![]() |
||
c. Resurrection ![]() |
||
d. Bible ![]() |
||
e. Communion ![]() |
a. Buddhist ![]() |
||
b. Anglican ![]() |
||
c. Quaker ![]() |
||
d. Catholic ![]() |
||
e. Hindu ![]() |
a. Untypical ![]() |
||
b. Not untypical ![]() |
||
c. Exploded ![]() |
||
d. Rejected ![]() |
||
e. None of the above ![]() |
a. Anachronistic ![]() |
||
b. Euphuistic ![]() |
||
c. Marxist ![]() |
||
d. Solipsistic ![]() |
||
e. None of the above ![]() |
a. “Euphues” ![]() |
||
b. “Paradise Lost” ![]() |
||
c. “Utopia” ![]() |
||
d. “Zelauto” ![]() |
||
e. None of the above ![]() |
a. The Catholic Church ![]() |
||
b. The English Church ![]() |
||
c. The Church of God ![]() |
||
d. Both A and B ![]() |
||
e. None of the above ![]() |
a. Henry VIII ![]() |
||
b. John Lyly ![]() |
||
c. Sir Thomas More ![]() |
||
d. John Foxe ![]() |
||
e. None of the above ![]() |
a. Protestantism ![]() |
||
b. Catholicism ![]() |
||
c. Roman Catholicism ![]() |
||
d. Buddhism ![]() |
||
e. None of the above ![]() |
a. “95 Theses” ![]() |
||
b. “Utopia” ![]() |
||
c. “Euphues, or the Anatomy of Wit” ![]() |
||
d. “Paradise Lost” ![]() |
||
e. None of the above ![]() |
a. William Blake ![]() |
||
b. William Wordsworth ![]() |
||
c. Samuel Taylor Coleridge ![]() |
||
d. William Shakespeare ![]() |
||
e. None of the above ![]() |
a. Utopian trades ![]() |
||
b. Riches, jewels, and gold ![]() |
||
c. Suicide ![]() |
||
d. Marriage and divorce ![]() |
||
e. All of the above ![]() |
a. Treasurer of the Exchequer ![]() |
||
b. Chancellor of the Duchy of Lancaster ![]() |
||
c. Speaker of the House of Commons ![]() |
||
d. Master of Requests ![]() |
||
e. All of the above ![]() |
a. Marxism ![]() |
||
b. Feminism ![]() |
||
c. New Historicism ![]() |
||
d. Psychoanalysis ![]() |
||
e. None of the above ![]() |
a. Restoration ![]() |
||
b. Glorious Revolution ![]() |
||
c. French Revolution ![]() |
||
d. Seven Years War ![]() |
||
e. None of the above ![]() |
a. Sir Thomas More ![]() |
||
b. Sir Walter Raleigh ![]() |
||
c. John Lyly ![]() |
||
d. Sir Philip Sidney ![]() |
||
e. None of the above ![]() |
a. John Foxe ![]() |
||
b. John Lyly ![]() |
||
c. Sir Thomas More ![]() |
||
d. Sir Walter Raleigh ![]() |
||
e. None of the above ![]() |
a. Marxism ![]() |
||
b. Christian Humanism ![]() |
||
c. Feminism ![]() |
||
d. New Historicism ![]() |
||
e. Post-Humanism ![]() |
a. “Utopia” ![]() |
||
b. “Euphues” ![]() |
||
c. “Paradise Lost” ![]() |
||
d. “Paradise Regained” ![]() |
||
e. “Acts and Monuments” ![]() |
a. Hexagrams ![]() |
||
b. Epigrams ![]() |
||
c. Heroic couplets ![]() |
||
d. All of the above ![]() |
||
e. None of the above ![]() |
a. John Locke ![]() |
||
b. John Lyly ![]() |
||
c. John Foxe ![]() |
||
d. John Milton ![]() |
||
e. None of the above ![]() |
a. Sir Thomas More ![]() |
||
b. Sir Walter Raleigh ![]() |
||
c. Sir Philip Sidney ![]() |
||
d. John Milton ![]() |
||
e. All of the above ![]() |
a. Sir Thomas More ![]() |
||
b. Sir Walter Raleigh ![]() |
||
c. Sir Philip Sidney ![]() |
||
d. Sir William Shakespeare ![]() |
||
e. None of the above ![]() |
a. John Donne ![]() |
||
b. Sir Walter Raleigh ![]() |
||
c. Sir Thomas More ![]() |
||
d. John Foxe ![]() |
||
e. None of the above ![]() |
a. Sir Thomas More ![]() |
||
b. Sir Philip Sidney ![]() |
||
c. Sir Walter Raleigh ![]() |
||
d. John Foxe ![]() |
||
e. None of the above ![]() |
a. 10 ![]() |
||
b. 20 ![]() |
||
c. 30 ![]() |
||
d. 40 ![]() |
||
e. 50 ![]() |
a. Lust ![]() |
||
b. Pride ![]() |
||
c. Jealousy ![]() |
||
d. Love ![]() |
||
e. None of the above ![]() |
a. Satan ![]() |
||
b. Adam ![]() |
||
c. Eve ![]() |
||
d. Christ ![]() |
||
e. None of the above ![]() |
a. The fall of the rebel angels ![]() |
||
b. The fall of Adam ![]() |
||
c. The fall of Eve ![]() |
||
d. The fall of the son ![]() |
||
e. None of the above ![]() |
a. An epic poem is the recital of some grand enterprise in a poetical form. ![]() |
||
b. Epic poetry is of a moral nature and tends to the promotion of virtue. ![]() |
||
c. “Canterbury Tales” is an example of epic poetry. ![]() |
||
d. All of the above answers are true. ![]() |
||
e. Both A and B are true. ![]() |
a. Sex ![]() |
||
b. Emotions ![]() |
||
c. Psychology ![]() |
||
d. All of the above ![]() |
||
e. A and C only ![]() |
a. Milton ![]() |
||
b. Wordsworth ![]() |
||
c. Aristo ![]() |
||
d. Both A and B ![]() |
||
e. Both B and C ![]() |
a. “Paradise Lost” ![]() |
||
b. “The Faerie Queen” ![]() |
||
c. “The Prelude” ![]() |
||
d. “Canterbury Tales” ![]() |
||
e. None of the above ![]() |
a. Medieval ![]() |
||
b. Victorian ![]() |
||
c. Romantic ![]() |
||
d. Modern ![]() |
||
e. Industrial ![]() |
a. Catholic ![]() |
||
b. Protestant ![]() |
||
c. Buddhist ![]() |
||
d. Quaker ![]() |
||
e. None of the above ![]() |
a. A pastoral elegy ![]() |
||
b. A satire ![]() |
||
c. An epic ![]() |
||
d. A mock-epic ![]() |
||
e. None of the above ![]() |
a. Fate vs. free will ![]() |
||
b. Heaven vs. hell ![]() |
||
c. God vs. Satan ![]() |
||
d. Good vs. evil ![]() |
||
e. All of the above ![]() |
a. Drugs ![]() |
||
b. Sex ![]() |
||
c. Animals ![]() |
||
d. Propaganda ![]() |
||
e. None of the above ![]() |
a. “Canterbury Tales” ![]() |
||
b. “The Faerie Queen” ![]() |
||
c. “Paradise Lost” ![]() |
||
d. “The Prelude” ![]() |
||
e. None of the above ![]() |
a. 9 ![]() |
||
b. 10 ![]() |
||
c. 12 ![]() |
||
d. 14 ![]() |
||
e. None of the above ![]() |
a. Trochaic trimeter ![]() |
||
b. Terza rima ![]() |
||
c. Iambic pentameter ![]() |
||
d. Anapestic pentameter ![]() |
||
e. None of the above ![]() |
a. Sir Philip Sidney ![]() |
||
b. Sir Thomas More ![]() |
||
c. Thomas Wyatt ![]() |
||
d. Henry Howard, Earl of Surrey ![]() |
||
e. None of the above ![]() |
a. Sir Philip Sidney ![]() |
||
b. Sir Thomas More ![]() |
||
c. Thomas Wyatt ![]() |
||
d. Henry Howard, Earl of Surrey ![]() |
||
e. None of the above ![]() |
a. “Astrophil and Stella” ![]() |
||
b. “Utopia” ![]() |
||
c. “Paradise Lost” ![]() |
||
d. “Canterbury Tales” ![]() |
||
e. None of the above ![]() |
a. “Paradise Lost” ![]() |
||
b. “The Odyssey” ![]() |
||
c. “The Iliad” ![]() |
||
d. All of the above ![]() |
||
e. None of the above ![]() |
a. Terza rima ![]() |
||
b. Metaphysical poetry ![]() |
||
c. Rhyme royal ![]() |
||
d. The Petrarchan sonnet ![]() |
||
e. None of the above ![]() |
a. Thomas Wyatt ![]() |
||
b. Henry Howard, Earl of Surrey ![]() |
||
c. John Donne ![]() |
||
d. Both A and B ![]() |
||
e. Both A and C ![]() |
a. Homer ![]() |
||
b. Dante ![]() |
||
c. Virgil ![]() |
||
d. Milton ![]() |
||
e. Chaucer ![]() |
a. John Milton ![]() |
||
b. Ludovico Ariosto ![]() |
||
c. Sir Philip Sidney ![]() |
||
d. William Shakespeare ![]() |
||
e. None of the above ![]() |
a. “Romeo and Juliet” ![]() |
||
b. “Hamlet” ![]() |
||
c. “Titus Andronicus” ![]() |
||
d. “The Spanish Tragedy” ![]() |
||
e. “Much Ado about Nothing” ![]() |
a. “Macbeth” ![]() |
||
b. “Two Gentlemen of Verona” ![]() |
||
c. “The Winter’s Tale” ![]() |
||
d. “The Tempest” ![]() |
||
e. “Faustus” ![]() |
a. Psychological, Sexual ![]() |
||
b. Religious, Didactic ![]() |
||
c. Emotional, Psychological ![]() |
||
d. Sexual, Religious ![]() |
||
e. Scientific, Didactic ![]() |
a. Tragi-comedy ![]() |
||
b. Romance ![]() |
||
c. Satire ![]() |
||
d. Comedy ![]() |
||
e. Tragedy ![]() |
a. Masque ![]() |
||
b. Satire ![]() |
||
c. Tragedy ![]() |
||
d. Comedy ![]() |
||
e. Romance ![]() |
a. Very great ![]() |
||
b. Insignificant ![]() |
||
c. Somewhat significant ![]() |
||
d. Impossible ![]() |
||
e. None of the above ![]() |
a. Clowns ![]() |
||
b. Women ![]() |
||
c. Politicians ![]() |
||
d. Pantomimes ![]() |
||
e. Musicians ![]() |
a. Tragedy ![]() |
||
b. Comedy ![]() |
||
c. Romance ![]() |
||
d. A and B only ![]() |
||
e. B and C only ![]() |
a. Large hillside amphitheaters ![]() |
||
b. Large indoor theaters ![]() |
||
c. Small indoor theaters ![]() |
||
d. All of the above ![]() |
||
e. None of the above ![]() |
a. When Elizabeth I came to the throne, there were no specially designed theatre buildings in England. ![]() |
||
b. When Elizabeth I came to the throne, there were dozens of specially designed theatre buildings in England. ![]() |
||
c. When Elizabeth I came to the throne, there were three specially designed theatre buildings in England. ![]() |
||
d. When Elizabeth I came to the throne, there were ten specially designed theatre buildings in England. ![]() |
||
e. None of the above ![]() |
a. “The Curtain” ![]() |
||
b. “The Globe” ![]() |
||
c. “The Rose” ![]() |
||
d. “The Anchor” ![]() |
||
e. None of the above ![]() |
a. Chaucer ![]() |
||
b. Langland ![]() |
||
c. Homer ![]() |
||
d. Shakespeare ![]() |
||
e. None of the above ![]() |
a. “Henry IV, Part I” ![]() |
||
b. “Henry IV, Part II” ![]() |
||
c. “Titus Andronicus” ![]() |
||
d. All of the above ![]() |
||
e. A and B only ![]() |
a. Medieval ![]() |
||
b. Romantic ![]() |
||
c. Victorian ![]() |
||
d. Elizabethan ![]() |
||
e. None of the above ![]() |
a. Tragedies ![]() |
||
b. Comedies ![]() |
||
c. Romances ![]() |
||
d. All of the above ![]() |
||
e. A and B only ![]() |
a. Benvolio ![]() |
||
b. Lady Capulet ![]() |
||
c. Mercutio ![]() |
||
d. Falstaff ![]() |
||
e. Romeo ![]() |
a. The idea that William Shakespeare was a homosexual. ![]() |
||
b. The idea that William Shakespeare never lived. ![]() |
||
c. The idea that William Shakespeare was a Catholic. ![]() |
||
d. All of the above ![]() |
||
e. A and B only ![]() |
a. M. H. Abrams ![]() |
||
b. Stephen Greenblatt ![]() |
||
c. Helen Vendler ![]() |
||
d. Wayne C. Booth ![]() |
||
e. None of the above ![]() |
a. “Romeo and Juliet” ![]() |
||
b. “Hamlet” ![]() |
||
c. “Much Ado about Nothing” ![]() |
||
d. “Henry IV, Part I” ![]() |
||
e. “Titus Andronicus” ![]() |
a. “The Jew of Malta” ![]() |
||
b. “Doctor Faustus” ![]() |
||
c. “Edward II” ![]() |
||
d. All of the above ![]() |
||
e. A and C only ![]() |
a. It burned down and was reconstructed hundreds of years later. ![]() |
||
b. It was situated on the Thames River. ![]() |
||
c. It was lit from natural sunlight as well as by candle light. ![]() |
||
d. All of the above ![]() |
||
e. A and C only ![]() |
a. The Red Bull ![]() |
||
b. The Curtain ![]() |
||
c. The Rose ![]() |
||
d. The Globe ![]() |
||
e. All of the above ![]() |
a. Queen Elizabeth I ![]() |
||
b. Queen Elizabeth II ![]() |
||
c. Queen Anne ![]() |
||
d. Both A and B ![]() |
||
e. None of the above ![]() |
a. Tragedy ![]() |
||
b. Comedy ![]() |
||
c. Romance ![]() |
||
d. Satire ![]() |
||
e. None of the above ![]() |
a. Tragedy ![]() |
||
b. Comedy ![]() |
||
c. Romance ![]() |
||
d. History ![]() |
||
e. Satire ![]() |
a. Masque ![]() |
||
b. Satire ![]() |
||
c. Burlesque ![]() |
||
d. Tragedy ![]() |
||
e. Comedy ![]() |