a. the king ![]() |
||
b. the House of Lords ![]() |
||
c. popular election ![]() |
||
d. God ![]() |
||
e. The vote of church pastors ![]() |
a. Heaven ![]() |
||
b. Hell ![]() |
||
c. Chaos ![]() |
||
d. Sunshine ![]() |
||
e. A and B ![]() |
a. Michelangelo ![]() |
||
b. Charles II ![]() |
||
c. Galileo ![]() |
||
d. A and B ![]() |
||
e. A and C ![]() |
a. braille ![]() |
||
b. dictation ![]() |
||
c. a code of his own devising ![]() |
||
d. an Abacus ![]() |
||
e. A and C ![]() |
a. Anglican ![]() |
||
b. Methodist ![]() |
||
c. Protestant ![]() |
||
d. Buddhist ![]() |
||
e. A and B ![]() |
a. “Christian Doctrines” ![]() |
||
b. “On Regicide” ![]() |
||
c. “The Doctrine and Discipline of Divorce” ![]() |
||
d. “Paradise Lost” ![]() |
||
e. “Paradise Regained” ![]() |
a. He was imprisoned. ![]() |
||
b. His left index finger was chopped off. ![]() |
||
c. He was placed in the stocks for a week. ![]() |
||
d. A and B ![]() |
||
e. B and C ![]() |
a. Civil Engineer ![]() |
||
b. Poet Laureate ![]() |
||
c. Military Strategist ![]() |
||
d. Intellectual Defender ![]() |
||
e. A and D ![]() |
a. “Paradise Lost” ![]() |
||
b. “Samson Agonistes” ![]() |
||
c. “Areopagitica” ![]() |
||
d. “Paradise Regained” ![]() |
||
e. A and D ![]() |
a. Bath ![]() |
||
b. Paris ![]() |
||
c. London ![]() |
||
d. Nottingham ![]() |
||
e. Manchester ![]() |
a. One decade ![]() |
||
b. Two decades ![]() |
||
c. Three decades ![]() |
||
d. Four decades ![]() |
||
e. Five decades ![]() |
a. Royalists and Monarchists ![]() |
||
b. Royalists and Parliamentarians ![]() |
||
c. Parliamentarians and Roundheads ![]() |
||
d. Anarchists and Royalists ![]() |
||
e. Anarchists and Monarchists ![]() |
a. France ![]() |
||
b. Germany ![]() |
||
c. Spain ![]() |
||
d. Italy ![]() |
||
e. England ![]() |
a. Existentialism ![]() |
||
b. Humanism ![]() |
||
c. Stoicism ![]() |
||
d. Postmodernism ![]() |
||
e. Deism ![]() |
a. Charles I ![]() |
||
b. Charles II ![]() |
||
c. Queen Anne ![]() |
||
d. Henry VIII ![]() |
||
e. A and C ![]() |
a. Charles I ![]() |
||
b. Charles II ![]() |
||
c. Henry VIII ![]() |
||
d. Charles III ![]() |
||
e. Oliver Cromwell ![]() |
a. There was to be no king, bishops, or House of Lords. ![]() |
||
b. There were to be no churches except Anglican churches. ![]() |
||
c. There was to be no Oxford University. ![]() |
||
d. A and C ![]() |
||
e. B and C ![]() |
a. There is an emphasis on the importance of preaching. ![]() |
||
b. There is an emphasis on spiritual experience. ![]() |
||
c. There is an emphasis on the freedom of sexual expression. ![]() |
||
d. A and B ![]() |
||
e. A and C ![]() |
a. Medievalism ![]() |
||
b. Modernism ![]() |
||
c. Victorianism ![]() |
||
d. Neoclassicism ![]() |
||
e. Post Modernism ![]() |
a. Anglicism ![]() |
||
b. Puritanism ![]() |
||
c. Buddhism ![]() |
||
d. A and C ![]() |
||
e. B and C ![]() |
a. Mourns the death of a college classmate ![]() |
||
b. Mourns the death of his mother ![]() |
||
c. Mourns the death of his son ![]() |
||
d. Mourns the death of his wife ![]() |
||
e. Mourns the death of his daughter ![]() |
a. Romantic ![]() |
||
b. Victorian ![]() |
||
c. Cavalier ![]() |
||
d. Enlightenment ![]() |
||
e. Neoclassicist ![]() |
a. Latin, Greek, and Hebrew ![]() |
||
b. Latin, Sanskrit, and Aramaic ![]() |
||
c. Latin, Arabic, and Spanish ![]() |
||
d. Mandarin, Dutch, and French ![]() |
||
e. Greek, Esperanto, and French ![]() |
a. Homer, Virgil, and Dante ![]() |
||
b. Dante, Spenser, and Pope ![]() |
||
c. Homer, Dryden, and Longfellow ![]() |
||
d. Virgil, Shakespeare, and Jane Austen ![]() |
||
e. Dante, Chaucer, and Swift ![]() |
a. Pastoral elegy ![]() |
||
b. Prose polemic ![]() |
||
c. Blank verse tragedy ![]() |
||
d. Masque ![]() |
||
e. Epic ![]() |
a. Pastoral elegy ![]() |
||
b. Prose polemic ![]() |
||
c. Blank verse tragedy ![]() |
||
d. Masque ![]() |
||
e. Epic ![]() |
a. iambic pentameter ![]() |
||
b. tetrameter couplets ![]() |
||
c. heroic couplets ![]() |
||
d. Shakespearean sonnets ![]() |
||
e. Latin ![]() |
a. Pastoral elegy ![]() |
||
b. Prose polemic ![]() |
||
c. Blank verse tragedy ![]() |
||
d. Masque ![]() |
||
e. Epic ![]() |
a. Pastoral elegy ![]() |
||
b. Prose polemic ![]() |
||
c. Blank verse tragedy ![]() |
||
d. Masque ![]() |
||
e. Epic ![]() |
a. Jesus ![]() |
||
b. Samson ![]() |
||
c. Satan ![]() |
||
d. Adam ![]() |
||
e. Milton ![]() |
a. French ![]() |
||
b. Greek ![]() |
||
c. Roman ![]() |
||
d. German ![]() |
||
e. Egyptian ![]() |
a. Spenserian ![]() |
||
b. Shakespearean ![]() |
||
c. Wordsworthian ![]() |
||
d. Petrarchan ![]() |
||
e. Henrichan ![]() |
a. Lyric ![]() |
||
b. Epic ![]() |
||
c. Satiric ![]() |
||
d. Virgilian ![]() |
||
e. Panegyric ![]() |
a. Invocation of a muse ![]() |
||
b. A cry of lament ![]() |
||
c. Prayer to the Sun ![]() |
||
d. A and B ![]() |
||
e. A and C ![]() |
a. Samuel Johnson ![]() |
||
b. Edmund Spencer ![]() |
||
c. Samuel Taylor Coleridge ![]() |
||
d. T. S. Eliot ![]() |
||
e. John Milton ![]() |
a. Virgil ![]() |
||
b. Shakespeare ![]() |
||
c. Chaucer ![]() |
||
d. A and B ![]() |
||
e. B and C ![]() |
a. Virgil, Shakespeare, and Spenser ![]() |
||
b. Homer, Virgil, and Spenser ![]() |
||
c. Chaucer, Shakespeare, and Spenser ![]() |
||
d. Gilgamesh, Petrarch, and Dryden ![]() |
||
e. Dryden, Jane Austen, and T.S. Eliot ![]() |
a. He followed the Shakespearean rather than the Petrarchan sonnet form. ![]() |
||
b. He followed the Petrarchan rather than the Shakespearean sonnet form. ![]() |
||
c. He followed the Spenserian rather than the Shakespearean sonnet form. ![]() |
||
d. He followed the Spenserian rather than the Petrarchan sonnet form. ![]() |
||
e. He followed the Henrichan rather than the Spenserian sonnet form. ![]() |
a. “How Soon Hath Time” ![]() |
||
b. “Captain or Colonel” ![]() |
||
c. “Avenge O Lord” ![]() |
||
d. “Methought I saw my late espoused saint” ![]() |
||
e. “Drink to Me only with thine eyes” ![]() |
a. Pastoral elegy ![]() |
||
b. Prose polemic ![]() |
||
c. Blank verse tragedy ![]() |
||
d. Masque ![]() |
||
e. Epic ![]() |
a. Eve ![]() |
||
b. Adam ![]() |
||
c. God ![]() |
||
d. Satan ![]() |
||
e. Raphael ![]() |
a. Nine ![]() |
||
b. Ten ![]() |
||
c. Eleven ![]() |
||
d. Twelve ![]() |
||
e. Fourteen ![]() |
a. to justify the ways of God to humankind. ![]() |
||
b. to justify the ways of humankind to God. ![]() |
||
c. to justify the ways of Heaven to Hell. ![]() |
||
d. to justify the ways of Hell to Heaven. ![]() |
||
e. to justify the ways of angels to humankind. ![]() |
a. Their surnames ![]() |
||
b. The names of pagan gods ![]() |
||
c. The names of foreign countries ![]() |
||
d. The names of the angels they will become ![]() |
||
e. The names of mythical animals ![]() |
a. The fall of the Son ![]() |
||
b. The fall of the Rebel Angels ![]() |
||
c. The fall of God ![]() |
||
d. The death of Michael ![]() |
||
e. The death of Abdiel ![]() |
a. Gunpowder ![]() |
||
b. Adamantine armor ![]() |
||
c. The Chariot of Paternal Deity ![]() |
||
d. The Thunderbolt ![]() |
||
e. The Longbow ![]() |
a. Transubstantiation ![]() |
||
b. Free will ![]() |
||
c. Predestination ![]() |
||
d. Sufficience ![]() |
||
e. Divine Effluence ![]() |
a. A toad ![]() |
||
b. A serpent ![]() |
||
c. A lion ![]() |
||
d. A tiger ![]() |
||
e. A cormorant ![]() |
a. Baal ![]() |
||
b. Beelzebub ![]() |
||
c. Michel ![]() |
||
d. A and B ![]() |
||
e. A and C ![]() |
a. Uriel ![]() |
||
b. Urania ![]() |
||
c. Calypso ![]() |
||
d. Calliope ![]() |
||
e. Xanadu ![]() |
a. Death is Satan’s father. ![]() |
||
b. Death is Satan’s son. ![]() |
||
c. Death is Satan’s brother. ![]() |
||
d. Death is Satan’s daughter. ![]() |
||
e. Death is Satan’s muse. ![]() |
a. The Son ![]() |
||
b. Raphael ![]() |
||
c. Michael ![]() |
||
d. Adam ![]() |
||
e. Eve ![]() |
a. visible, inaccessible ![]() |
||
b. inaccessible, omnipresent ![]() |
||
c. nonexistent, invisible ![]() |
||
d. invisible, omnipresent ![]() |
||
e. None of these ![]() |
a. Michelangelo ![]() |
||
b. Raphael ![]() |
||
c. Pandosto ![]() |
||
d. Baal ![]() |
||
e. Uriel ![]() |
a. William Wordsworth ![]() |
||
b. Percy Bysshe Shelley ![]() |
||
c. William Blake ![]() |
||
d. John Keats ![]() |
||
e. Lord Byron ![]() |
a. William Blake ![]() |
||
b. Alfred Lord Tennyson ![]() |
||
c. Elizabeth Barrett Browning ![]() |
||
d. T.S. Eliot ![]() |
||
e. Jane Austen ![]() |
a. Raphael ![]() |
||
b. Eve ![]() |
||
c. Adam ![]() |
||
d. The Son ![]() |
||
e. Satan ![]() |
a. Michelangelo ![]() |
||
b. Raphael ![]() |
||
c. Uriel ![]() |
||
d. Urania ![]() |
||
e. Michael ![]() |
a. Adam and Eve hold hands and walk across an arid plain. ![]() |
||
b. Adam and Eve promise to be fruitful and multiply. ![]() |
||
c. Adam and Eve curse their God. ![]() |
||
d. Adam and Eve curse Satan. ![]() |
||
e. Adam and Eve are introduced to Michael. ![]() |
a. Nature is immediately wounded by Eve’s transgression. ![]() |
||
b. Satan is immediately wounded by Eve’s transgression. ![]() |
||
c. Raphael is immediately wounded by Eve’s transgression. ![]() |
||
d. Abdiel immediately flees the Council of Rebel Angels. ![]() |
||
e. Uriel sees through Satan’s innocent disguise as a cherub. ![]() |
a. An Epic Council ![]() |
||
b. An “Arming of the Hero” Scene ![]() |
||
c. A “Tragic Recognition” Speech ![]() |
||
d. An Invocation to the Muse ![]() |
||
e. A Narrator who “sings” the narrative ![]() |
a. Satan contemplates his reflection in a pool of water. ![]() |
||
b. Adam contemplates his reflection in a pool of water. ![]() |
||
c. Eve contemplates her reflection in a pool of water. ![]() |
||
d. God contemplates his reflection in a pool of water. ![]() |
||
e. All of these ![]() |
a. Satan lays dazed on the burning lake. ![]() |
||
b. Satan assembles his fallen legions. ![]() |
||
c. Adam and Eve fall from the state of Paradise. ![]() |
||
d. A and B ![]() |
||
e. A and C ![]() |
a. “What is the precise relationship between Satan, Sin, and Death?” ![]() |
||
b. “How, exactly, was Eve tempted to eat of the Tree of Knowledge?” ![]() |
||
c. “How, exactly, was Adam convinced to eat of the Tree of Knowledge?” ![]() |
||
d. A and B ![]() |
||
e. B and C ![]() |
a. A debate is held in Hell by Satan and his compatriots concerning whether to attempt to recover Heaven. ![]() |
||
b. Satan encounters Sin and Death. ![]() |
||
c. Satan embarks on his passage across the great gulf of Chaos. ![]() |
||
d. The Narrator invokes his muse by the name of “Holy Light.” ![]() |
||
e. The demons begin exploring Hell, engaging in philosophical debates, and entering singing competitions. ![]() |
a. The Book of “Genesis” ![]() |
||
b. The Book of “Revelations” ![]() |
||
c. “The Odyssey” ![]() |
||
d. “Canterbury Tales” ![]() |
||
e. The Edeniad ![]() |
a. John the Apostle ![]() |
||
b. John the Baptist ![]() |
||
c. Michael the Archangel ![]() |
||
d. Joseph, Jesus’s stepfather ![]() |
||
e. Moses ![]() |
a. Judea ![]() |
||
b. Egypt ![]() |
||
c. Syria ![]() |
||
d. Jerusalem ![]() |
||
e. Babylonia ![]() |
a. First Mary, then Joseph ![]() |
||
b. First Andrew and Simon (Peter), then Mary ![]() |
||
c. First Mary, then James and John ![]() |
||
d. First Peter, then Paul and Mary ![]() |
||
e. Gabriel the Angel ![]() |
a. superior ![]() |
||
b. inferior ![]() |
||
c. equal ![]() |
||
d. irrelevant in comparison ![]() |
||
e. A and B ![]() |
a. One ![]() |
||
b. Two ![]() |
||
c. Three ![]() |
||
d. Four ![]() |
||
e. Five ![]() |
a. The top of the Pantheon in Rome ![]() |
||
b. The Pinnacle of the Temple in Jerusalem ![]() |
||
c. The top of a “Mountain high” ![]() |
||
d. “Up to the middle Region of thick Air” ![]() |
||
e. C and D ![]() |
a. Belial ![]() |
||
b. Beelzebub ![]() |
||
c. Venus ![]() |
||
d. Satan ![]() |
||
e. Cupid ![]() |
a. God/Yahweh ![]() |
||
b. Judea ![]() |
||
c. Lot ![]() |
||
d. A and B ![]() |
||
e. B and C ![]() |
a. England’s first poet ![]() |
||
b. England’s first dramatist ![]() |
||
c. England’s poet laureate ![]() |
||
d. England’s greatest civil engineer ![]() |
||
e. England’s greatest Cavalier Poet ![]() |
a. A quest for knowledge of the self ![]() |
||
b. A quest for knowledge of other countries ![]() |
||
c. A quest for knowledge of the future ![]() |
||
d. A quest for Forbidden Knowledge ![]() |
||
e. A quest for knowledge of the Angels ![]() |
a. One and Two ![]() |
||
b. Three and Four ![]() |
||
c. Five and Six ![]() |
||
d. Eight and Nine ![]() |
||
e. Eleven and Twelve ![]() |
a. plain ![]() |
||
b. extravagant ![]() |
||
c. luminescent ![]() |
||
d. Latinate ![]() |
||
e. Sophistic ![]() |
a. A brief summary of “Paradise Lost” ![]() |
||
b. A detailed description of Satan ![]() |
||
c. A detailed description of Milton himself ![]() |
||
d. A and B ![]() |
||
e. B and C ![]() |
a. The Baptism of Jesus ![]() |
||
b. The Crucifixion of Jesus ![]() |
||
c. The story of Luke ![]() |
||
d. The Ascension of Jesus ![]() |
||
e. The Second Coming of Jesus ![]() |
a. Hunger ![]() |
||
b. Sexual desire ![]() |
||
c. Seeking God’s Will and Guidance ![]() |
||
d. What it means to be the “Son of God” ![]() |
||
e. Temptation ![]() |
a. “Paradise Lost” ![]() |
||
b. “Areopagitica” ![]() |
||
c. “On Christian Doctrine” ![]() |
||
d. “Samson Agonistes” ![]() |
||
e. “Comus” ![]() |
a. The Great Flood ![]() |
||
b. The Parting of the Red Sea ![]() |
||
c. The Immaculate Conception ![]() |
||
d. The Temptation of Christ ![]() |
||
e. None of these ![]() |
a. Religious conviction ![]() |
||
b. Political patriotism ![]() |
||
c. Her weakness as a woman ![]() |
||
d. Her love for Samson ![]() |
a. the prediction is never fulfilled. ![]() |
||
b. the prophet Enoch had made the same prediction centuries earlier. ![]() |
||
c. Samson doesn’t know he himself will fulfill the prediction. ![]() |
||
d. the prediction is finally fulfilled much later when Jesus defeats Dagon. ![]() |
||
e. B and D ![]() |
a. he genuinely wants to fight Samson even though Samson is blind. ![]() |
||
b. he wants to get respect from the Philistine general standing beside him. ![]() |
||
c. he wants Samson to break out of prison and kill some more Philistines. ![]() |
||
d. he wants to encourage Samson. ![]() |
||
e. he wants to seem more heroic than he really is. ![]() |
a. history play ![]() |
||
b. tragedy ![]() |
||
c. comedy ![]() |
||
d. Biblical mystery play ![]() |
||
e. Morality Play ![]() |
a. Dalila pays Samson’s ransom from prison. ![]() |
||
b. Dalila refuses to pay Samson’s ransom in prison. ![]() |
||
c. Never records Dalila’s visit to Samson in prison. ![]() |
||
d. Never records Dalila’s cutting of Samson’s hair. ![]() |
||
e. Never records Samson’s pulling down of the pillars. ![]() |
a. Samson will not fight him. ![]() |
||
b. He does not want to fight Samson. ![]() |
||
c. He must hurry to catch up with Dalila. ![]() |
||
d. He has been called back to his hometown of Gath. ![]() |
||
e. He is going to try to stop Samson from pulling at the pillars. ![]() |
a. both statements end up happening that day. ![]() |
||
b. both statements end up not happening that day. ![]() |
||
c. Samson is echoing the older prediction of the prophet Enoch. ![]() |
||
d. both statements will later be fulfilled by Christ. ![]() |
||
e. C and D ![]() |
a. Manoa. ![]() |
||
b. Dalila. ![]() |
||
c. the Chorus. ![]() |
||
d. a Messenger. ![]() |
||
e. Harapha. ![]() |
a. the Chorus has just stated it hates this kind of lavish, external beauty. ![]() |
||
b. Samson hates this kind of lavish, external beauty. ![]() |
||
c. Dalila usually dresses in a more understated Puritan manner. ![]() |
||
d. Samson is blind. ![]() |
||
e. A and C ![]() |
a. Medieval Mystery Plays ![]() |
||
b. Greek Epic ![]() |
||
c. Greek Drama ![]() |
||
d. French Chanson de Gestes ![]() |
||
e. Medieval Morality Plays ![]() |
a. He experiences some “rousing motions” which might be from God. ![]() |
||
b. Manoa convinces him to do it or the Philistines will execute Samson. ![]() |
||
c. The Chorus demands he stay in his prison cell and Samson reacts against them. ![]() |
||
d. He wishes to see Dalila one last time in the crowd. ![]() |
||
e. B and C ![]() |
a. Greek Olympic Games ![]() |
||
b. A Roman Circus ![]() |
||
c. A Gladiator competition ![]() |
||
d. A play ![]() |
||
e. A and B ![]() |
a. one who is in agony. ![]() |
||
b. one who inflicts agony. ![]() |
||
c. one who struggles for or champions a cause. ![]() |
||
d. one who predicts the future. ![]() |
||
e. one who “postdicts” the past. ![]() |
a. In “Samson,” Samson is blind, but he is not in “Judges.” ![]() |
||
b. In “Samson,” Manoa is Samson’s father, but he is not in “Judges.” ![]() |
||
c. In “Samson,” Samson is married to Dalila, but he is not in “Judges.” ![]() |
||
d. In “Samson,” Dalila cuts Samson’s hair, but she does not in “Judges.” ![]() |
||
e. In “Samson,” Samson cuts his own hair, but he does not in “Judges.” ![]() |
a. In “Samson,” Harapha is Samson’s enemy, but he is not in “Judges.” ![]() |
||
b. In “Samson,” Samson is a Jew, but he is not in “Judges.” ![]() |
||
c. In “Samson,” Samson marries the Woman of Timnah, but not in “Judges.” ![]() |
||
d. In “Samson,” Samson never worships Dagon, but he does in “Judges.” ![]() |
||
e. In “Samson,” Harapha is attracted to Dalila, but not in “Judges.” ![]() |
a. it can be acted out on a very small stage. ![]() |
||
b. it was written to be read but not acted upon a stage. ![]() |
||
c. people will read it in secret and not publically admit they read it. ![]() |
||
d. it was written to be acted in a church. ![]() |
||
e. B and C ![]() |
a. get revenge on his enemies ![]() |
||
b. re-instated as a Judge ![]() |
||
c. retire ![]() |
||
d. convert ![]() |
||
e. A and B ![]() |