a. It is static language with unchanging rules. ![]() |
||
b. It is the language spoken by everyday people. ![]() |
||
c. It is the only kind of illustrious vernacular. ![]() |
||
d. It is synonymous with natural language. ![]() |
||
e. All of the above ![]() |
a. In written literature ![]() |
||
b. In everyday speech ![]() |
||
c. In essays ![]() |
||
d. In love poetry ![]() |
||
e. In comedies ![]() |
a. Courtly love ![]() |
||
b. Autobiography ![]() |
||
c. Framed narrative ![]() |
||
d. Lyric poetry ![]() |
||
e. All of the above ![]() |
a. Because many people were deeply offended by The Divine Comedy ![]() |
||
b. Because he was embroiled in the conflict between the Black Guelphs and White Guelphs ![]() |
||
c. Because Pope Boniface VIII was upset by his representation of the church in The Divine Comedy ![]() |
||
d. Because Beatrice’s family wanted the two lovers separated ![]() |
||
e. All of the above ![]() |
a. The relationship shows Dante ennobled by his love for Beatrice. ![]() |
||
b. The relationship watches Dante pass through stages of love for Beatrice’s physical, moral, and divine beauty. ![]() |
||
c. The relationship provides an example of passionate love rather than arranged matches. ![]() |
||
d. The relationship focuses on Beatrice’s chastity and purity. ![]() |
||
e. All of the above ![]() |
a. Tuscan ![]() |
||
b. Italian ![]() |
||
c. Latin ![]() |
||
d. English ![]() |
||
e. Occitan ![]() |
a. Love is an ennobling force that offers a chance for salvation. ![]() |
||
b. Love is problematic for Dante, because Beatrice is considered impure. ![]() |
||
c. Love has little to do with spirituality. ![]() |
||
d. Love obscures all possibility for salvation. ![]() |
||
e. All of the above ![]() |
a. Latin ![]() |
||
b. Tuscan ![]() |
||
c. English ![]() |
||
d. French ![]() |
||
e. German ![]() |
a. London ![]() |
||
b. Rome ![]() |
||
c. Florence ![]() |
||
d. Sorrento ![]() |
||
e. Paris ![]() |
a. He was part of a delegation to the Pope. ![]() |
||
b. He held several positions in the local government. ![]() |
||
c. He conducted diplomatic missions. ![]() |
||
d. He literally fought at the Battle of Campaldino. ![]() |
||
e. All of the above ![]() |
a. The Convivio ![]() |
||
b. Vita Nuova ![]() |
||
c. De Vulgari Eloquentia ![]() |
||
d. Eclogues ![]() |
||
e. De Monarchia ![]() |
a. He wrote classical epics with Christian materials. ![]() |
||
b. He promoted the worship of idolatrous statues from the ancient times. ![]() |
||
c. He rejected the influence of Scholasticism. ![]() |
||
d. He was uninterested in the poetics of the sublime. ![]() |
||
e. All of the above ![]() |
a. Vita Nuova ![]() |
||
b. De Monarchia ![]() |
||
c. De Vulgari Eloquentia ![]() |
||
d. The Divine Comedy ![]() |
||
e. The Convivio ![]() |
a. Both believed that the Church was infallible. ![]() |
||
b. Both believed that reason was unrelated to faith. ![]() |
||
c. Both believed in the joint power of the Church and the State. ![]() |
||
d. Both believed that only faith was an important part of the Christian worldview. ![]() |
||
e. Both believed that reason and faith were part of the quest for truth. ![]() |
a. The movement to write more in vernacular ![]() |
||
b. The intellectual movement interested in classical antiquity ![]() |
||
c. The scientific movement away from classical antiquity ![]() |
||
d. The movement based on literature about courtly love ![]() |
||
e. The political movement to end enlightened empires ![]() |
a. “The sweet silence” ![]() |
||
b. “The sweetness of love” ![]() |
||
c. “Sweet and still” ![]() |
||
d. “Sweet new style” ![]() |
||
e. “The sweetness of heaven” ![]() |
a. Verona ![]() |
||
b. Paris ![]() |
||
c. Ravenna ![]() |
||
d. England ![]() |
||
e. All of the above ![]() |
a. He thought the popes failed to live up the requirements of their offices. ![]() |
||
b. He disbelieved in the Christian doctrine. ![]() |
||
c. He believed that most of the teachings were incorrect. ![]() |
||
d. He thought that the popes were the only successful part of the Church. ![]() |
a. There was an increase in popularity of wanderers and troubadours. ![]() |
||
b. Most professional scribes found it difficult to write in Medieval Latin. ![]() |
||
c. The spoken language tended to take precedence in areas where the Church was weak. ![]() |
||
d. Official documents were written in spoken language. ![]() |
||
e. All of the above ![]() |
a. The Italian Renaissance ![]() |
||
b. The Black Death ![]() |
||
c. The Crusades ![]() |
||
d. The Enlightenment ![]() |
||
e. The Scientific Revolution ![]() |
a. Saint Augustine ![]() |
||
b. Cicero ![]() |
||
c. Thomas Aquinas ![]() |
||
d. Brunetto Latini ![]() |
||
e. All of the above ![]() |
a. The search for the illustrious vernacular ![]() |
||
b. The historical evolution of language ![]() |
||
c. The language of different literary genres ![]() |
||
d. The difference between grammar and language ![]() |
||
e. All of the above ![]() |
a. Many people faulted the immorality of the higher levels of the clergy. ![]() |
||
b. Many people were unable to understand Church texts written in Latin. ![]() |
||
c. Many people were unable to understand the language of the Mass. ![]() |
||
d. Many people took issue with the Pope’s inordinate wealth and power. ![]() |
||
e. All of the above ![]() |
a. He came to prefer the idea of an enlightened emperor. ![]() |
||
b. He decided that only a dictator should be in power. ![]() |
||
c. He decided that only the Catholic Church should be in power. ![]() |
||
d. He came to the realization that all emperors are unjust. ![]() |
||
e. He came to favor the idea of an elected emperor. ![]() |
a. His dislike of the vernacular language ![]() |
||
b. His opposition to the separation of Church and State ![]() |
||
c. His love for Beatrice ![]() |
||
d. His experiences in exile ![]() |
a. Unlike Virgil’s hell, Dante’s underworld focuses on punishment for sins. ![]() |
||
b. Unlike Virgil’s hell, Dante’s underworld is concerned with destiny and future. ![]() |
||
c. Unlike Virgil’s hell, Dante’s underworld is not expected to last forever. ![]() |
||
d. Unlike Virgil’s hell, Dante’s underworld does not include examples of justice. ![]() |
a. Lust ![]() |
||
b. Gluttony ![]() |
||
c. Avarice ![]() |
||
d. Heresy ![]() |
||
e. Treachery ![]() |
a. Lust is often pure, while love tends to be crude. ![]() |
||
b. Lust and love are both sins that place the sinner in hell. ![]() |
||
c. Lust involves the subordination of reason to desire. ![]() |
||
d. Lust leads to moral improvement, while love is a more destructive force. ![]() |
||
e. Lust is moral attraction, while love is sexual attraction. ![]() |
a. Fraud ![]() |
||
b. Reason ![]() |
||
c. Justice ![]() |
||
d. Lust ![]() |
||
e. Violence ![]() |
a. “Allegory of speech” and “allegory of the poets” ![]() |
||
b. “Allegory of speech” and “allegory of irony” ![]() |
||
c. “Allegory of speech” and “allegory of the theologians” ![]() |
||
d. “Allegory of the poets” and “allegory of the theologians” ![]() |
||
e. “Allegory of the poets” and “allegory of irony” ![]() |
a. The Annunciation ![]() |
||
b. Baptism ![]() |
||
c. Holy Communion ![]() |
||
d. The Last Judgment ![]() |
||
e. Easter Sunday ![]() |
a. The circle of lust ![]() |
||
b. The circle of gluttony ![]() |
||
c. The circle of heresy ![]() |
||
d. The circle of treachery ![]() |
||
e. The circle of violence ![]() |
a. Easter Sunday ![]() |
||
b. Christmas ![]() |
||
c. All Saint’s Day ![]() |
||
d. All Soul’s Day ![]() |
||
e. Good Friday ![]() |
a. They violently fight each other in a muddy swamp. ![]() |
||
b. They are burned in their graves. ![]() |
||
c. They roll heavy stones onto one another. ![]() |
||
d. They are forced to lie under the surface of a marsh. ![]() |
a. He remains in hell. ![]() |
||
b. He returns to earth. ![]() |
||
c. He escapes into Purgatory. ![]() |
||
d. He emerges in Paradise. ![]() |
||
e. He remains in the deepest circle. ![]() |
a. As the denial of the soul’s immortality ![]() |
||
b. As the rejection free will ![]() |
||
c. As the choice of lust over love ![]() |
||
d. As the decision to indulge in various sins ![]() |
||
e. As the acceptance of all Christian ideas ![]() |
a. Fortune is represented as a fickle woman. ![]() |
||
b. Fortune is a “divine minister” similar to an angel. ![]() |
||
c. Fortune is responsible for the distribution of worldly goods. ![]() |
||
d. Fortune is beyond human understanding. ![]() |
||
e. All of the above ![]() |
a. Reason ![]() |
||
b. Compassion ![]() |
||
c. Temperance ![]() |
||
d. Fortitude ![]() |
||
e. Pride ![]() |
a. Beneath Cairo ![]() |
||
b. Beneath Jerusalem ![]() |
||
c. Beneath Rome ![]() |
||
d. Beneath Florence ![]() |
||
e. Beneath Athens ![]() |
a. Dido ![]() |
||
b. Pope Boniface ![]() |
||
c. Beatrice ![]() |
||
d. Judas ![]() |
||
e. Francesca ![]() |
a. Guinevere, Dido, and Francesca ![]() |
||
b. Homer, Dante, and Virgil ![]() |
||
c. Brutus, Cassius, and Judas ![]() |
||
d. Pope Nicholas, Pope Boniface, and Pope Clement ![]() |
||
e. Amphiaraus, Jason, and Tiresias ![]() |
a. The sinners in the heretic circle ![]() |
||
b. The furies ![]() |
||
c. The fallen angels ![]() |
||
d. The angelic messengers ![]() |
||
e. The sinners in the treachery circle ![]() |
a. The circle of violence ![]() |
||
b. The circle of wrath ![]() |
||
c. The circle of heresy ![]() |
||
d. The circle of treachery ![]() |
||
e. The circle of fraud ![]() |
a. Allegory ![]() |
||
b. Metonymy ![]() |
||
c. Synesthesia ![]() |
||
d. Simile ![]() |
||
e. Litotes ![]() |
a. Vita Nuova ![]() |
||
b. The Divine Comedy ![]() |
||
c. De Vulgari Eloquentia ![]() |
||
d. De Monarchia ![]() |
||
e. Eclogues ![]() |
a. The idea that the punishment fits the crime ![]() |
||
b. The poetic verse form used in Vita Nuova ![]() |
||
c. The structure of the cantos in The Divine Comedy ![]() |
||
d. The theme of love and lust in The Divine Comedy ![]() |
||
e. The idea that sinners will rise into heaven ![]() |
a. The space on the edge of hell for those who are not saved ![]() |
||
b. In The Inferno, the place for many ancient Roman, Greek, and Egyptian thinkers ![]() |
||
c. For Dante, the home of major figures from the Hebrew Bible ![]() |
||
d. The place for virtuous non-Christian adults ![]() |
||
e. All of the above ![]() |
a. A traditional type of poetry rejected by Dante in favor of new rhyme schemes ![]() |
||
b. A form of blank verse ![]() |
||
c. A poetic form with an interlocking three-line rhyme scheme ![]() |
||
d. A poetic form with five-line stanzas ![]() |
||
e. A traditional form used only in sonnets ![]() |
a. Francesca ![]() |
||
b. Judas ![]() |
||
c. Ciacco ![]() |
||
d. Alberigo ![]() |
a. Saint Augustine ![]() |
||
b. Virgil ![]() |
||
c. Homer ![]() |
||
d. Judas ![]() |
||
e. Saint Bernard ![]() |
a. The Gate to Limbo ![]() |
||
b. The Garden of Eden ![]() |
||
c. The Dark Wood ![]() |
||
d. The circles of Hell ![]() |
||
e. The Empyrean ![]() |
a. The secret confession of sins ![]() |
||
b. A lack of remorse ![]() |
||
c. The inability to reject one’s old life ![]() |
||
d. A sense of gratitude for God’s mercy ![]() |
a. The souls of those who are ready to enter heaven ![]() |
||
b. The souls of those who are not yet ready to purge their sins ![]() |
||
c. The souls of those who are about to enter hell ![]() |
||
d. The souls of the repentant who are punished for their sins ![]() |
||
e. The souls of those who are about to die ![]() |
a. It means that sinners must resign themselves to life in hell. ![]() |
||
b. It implies that Beatrice will return later in the poem. ![]() |
||
c. It suggests that paradise is close to purgatory. ![]() |
||
d. It highlights the idea that Dante is on a journey of poetry. ![]() |
||
e. It implies that time in The Divine Comedy exists outside the real world. ![]() |
a. The poet’s attempt to climb the mountain ![]() |
||
b. The poet’s attempt to find his way back to Florence from Jerusalem ![]() |
||
c. The poet’s descent into hell ![]() |
||
d. The poet’s tour of earthly paradise ![]() |
||
e. The poet’s tour of heavenly paradise ![]() |
a. Purgatory is less future-oriented. ![]() |
||
b. Purgatory is a place of redemptive intervention. ![]() |
||
c. Purgatory includes references to time. ![]() |
||
d. Purgatory is less rooted in the human, natural world. ![]() |
a. The absence of heretics and monsters in medieval church history ![]() |
||
b. The conflict between ancient Romans and the early Church ![]() |
||
c. The impossibility for sinners to repent ![]() |
||
d. The righteousness of the Roman Empire over time ![]() |
||
e. The inability to move between purgatory and paradise ![]() |
a. The penitent life ![]() |
||
b. The afterlife existence for mortal sinners ![]() |
||
c. The heavenly paradise ![]() |
||
d. The earthly paradise ![]() |
||
e. The lack of an afterlife ![]() |
a. They are punished with whips and bridles. ![]() |
||
b. They are forced to carry heavy rocks on their backs. ![]() |
||
c. They have their eyes sewn shut with wire. ![]() |
||
d. They must walk through thick smoke. ![]() |
||
e. They are forced to walk through a wall of flames. ![]() |
a. He must be allowed by Cerberus to pass. ![]() |
||
b. He must walk through an immense wall of flames. ![]() |
||
c. He must be escorted into the terrace by an angelic messenger. ![]() |
||
d. He must first be ferried across the River Lethe. ![]() |
||
e. He must be escorted into the terrace by his own lover, Beatrice. ![]() |
a. Sonnet ![]() |
||
b. Aubade ![]() |
||
c. Ode ![]() |
||
d. Elegy ![]() |
||
e. Doggerel ![]() |
a. The punishments prevent hope from being reborn in sinners. ![]() |
||
b. The punishments keep the sinners from entering the path to salvation. ![]() |
||
c. The punishments allow the sinners to purge their sins. ![]() |
||
d. The punishments remind the sinners that they are damned to hell. ![]() |
a. In the southern hemisphere ![]() |
||
b. In the northern hemisphere ![]() |
||
c. In Florence ![]() |
||
d. In Rome ![]() |
||
e. In the western hemisphere ![]() |
a. Rachel and Leah ![]() |
||
b. Brutus and Cassius ![]() |
||
c. Dido and Aeneas ![]() |
||
d. Pope Boniface and Pope Clement ![]() |
||
e. Homer and Virgil ![]() |
a. Pope Boniface ![]() |
||
b. Pope Clement ![]() |
||
c. Saint Stephen ![]() |
||
d. John the Baptist ![]() |
||
e. Saint Augustine ![]() |
a. The planets ![]() |
||
b. The seven deadly sins ![]() |
||
c. The Augustan calendar ![]() |
||
d. The seven sacraments ![]() |
||
e. The holy days ![]() |
a. Vita Nuova ![]() |
||
b. The Convivio ![]() |
||
c. De Vulgari Eloquentia ![]() |
||
d. The Divine Comedy ![]() |
||
e. Eclogues ![]() |
a. The ability to move from purgatory into heaven ![]() |
||
b. The translation of culture from one civilization to another ![]() |
||
c. The movement from one circle of hell to another ![]() |
||
d. The idea that the punishment fits the crime ![]() |
||
e. The ability to make a religious pilgrimage ![]() |
a. A condition of temporal punishment for those who have committed minor sins ![]() |
||
b. A place for cleansing and purification ![]() |
||
c. The place of transition between earth, heaven, and hell ![]() |
||
d. The setting for the middle portion of Dante’s The Divine Comedy ![]() |
||
e. All of the above ![]() |
a. It separates heaven from hell. ![]() |
||
b. It prevents sinners from escaping hell. ![]() |
||
c. It washes away the memory of sin. ![]() |
||
d. It separates Dante from the other sinners. ![]() |
a. Cato ![]() |
||
b. Beatrice ![]() |
||
c. Virgil ![]() |
||
d. Homer ![]() |
||
e. Ulysses ![]() |
a. Beatrice ![]() |
||
b. Sapia ![]() |
||
c. Cato ![]() |
||
d. Sordello ![]() |
||
e. All of the above ![]() |
a. A vision purges a character’s earthly sins ![]() |
||
b. The themes usually involve life after death ![]() |
||
c. A character’s body is separated from his soul ![]() |
||
d. A guide leads the narrator on a spiritual journey ![]() |
||
e. All of the above ![]() |
a. An ancient Greek statesman ![]() |
||
b. A character who appears in the lust circle of hell ![]() |
||
c. A character who appears in the ninth circle of hell ![]() |
||
d. The example Dante uses to show a perfect Christian man ![]() |
||
e. An ancient pagan that Dante meets in purgatory ![]() |
a. The seven deadly sins ![]() |
||
b. The seven types of sin that keep people from heaven ![]() |
||
c. The three components of the perfect confession ![]() |
||
d. The eight beatitudes ![]() |
||
e. All of the above ![]() |
a. The wise ![]() |
||
b. The warriors of faith ![]() |
||
c. The justice rulers ![]() |
||
d. The contemplative ![]() |
||
e. The lovers ![]() |
a. The deadly sins ![]() |
||
b. The historical religious eras ![]() |
||
c. The liberal arts ![]() |
||
d. The sacraments ![]() |
||
e. The Roman rulers ![]() |
a. It is a symbol of divine love. ![]() |
||
b. It alludes to the Garden of Eden. ![]() |
||
c. It symbolizes perfection and paradise. ![]() |
||
d. It is a symbol of the Virgin Mary. ![]() |
||
e. All of the above ![]() |
a. The deadly sins ![]() |
||
b. The steps to confession ![]() |
||
c. The beatitudes ![]() |
||
d. The angelic hierarchy ![]() |
||
e. The sacraments ![]() |
a. English ![]() |
||
b. Latin ![]() |
||
c. Italian ![]() |
||
d. Tuscan ![]() |
||
e. Occitan ![]() |
a. His use of allegory ![]() |
||
b. His opposition to the separation of Church and State ![]() |
||
c. His belief in the infallibility of the popes ![]() |
||
d. His interest in medieval cosmology ![]() |
||
e. His use of terza rima ![]() |
a. He says that God’s ways are similar to those of Roman emperors. ![]() |
||
b. He says that God’s ways are extremely simple. ![]() |
||
c. He says that God’s ways are beyond human understanding. ![]() |
||
d. He says that God’s ways are only available to those in heaven. ![]() |
||
e. All of the above ![]() |
a. The light of glory ![]() |
||
b. Natural light ![]() |
||
c. Revelations ![]() |
||
d. The light of grace ![]() |
||
e. All of the above ![]() |
a. The Renaissance concept of the planets ![]() |
||
b. The Ptolemaic universe ![]() |
||
c. Ancient Roman cosmology ![]() |
||
d. Ancient Greek cosmology ![]() |
||
e. The Enlightenment concept of the universe ![]() |
a. The politics of Florence ![]() |
||
b. The politics of Ravenna ![]() |
||
c. The politics of ancient Greece ![]() |
||
d. The politics of Italian city-states ![]() |
||
e. The politics of the Roman Empire ![]() |
a. With his exclusion from purgatory ![]() |
||
b. With a vision of the Trinity ![]() |
||
c. With his return to hell ![]() |
||
d. With his death ![]() |
||
e. With his declaration of disbelief ![]() |
a. Easter Sunday ![]() |
||
b. Wednesday after Easter ![]() |
||
c. Good Friday ![]() |
||
d. All Saint’s Day ![]() |
||
e. All Soul’s Day ![]() |
a. The soul’s union with the body ![]() |
||
b. The soul’s ascent to heaven ![]() |
||
c. The soul’s tour of purgatory ![]() |
||
d. The soul’s descent into hell ![]() |
||
e. The soul’s punishment for sin ![]() |
a. The lustful ![]() |
||
b. Those with the most constancy of characters ![]() |
||
c. The proud ![]() |
||
d. The best emperors and rulers ![]() |
||
e. The souls of those who abandoned their vows ![]() |
a. Prudence ![]() |
||
b. Justice ![]() |
||
c. Temperance ![]() |
||
d. Fortitude ![]() |
||
e. All of the above ![]() |
a. Virgil ![]() |
||
b. Thomas Aquinas ![]() |
||
c. Judas ![]() |
||
d. Cacciaguida ![]() |
||
e. Saint Peter ![]() |
a. Virgil ![]() |
||
b. Beatrice ![]() |
||
c. Cato ![]() |
||
d. Ulysses ![]() |
||
e. Homer ![]() |
a. Saint James ![]() |
||
b. Saint John ![]() |
||
c. Saint Peter ![]() |
||
d. Saint Thomas ![]() |
||
e. Saint Paul ![]() |
a. The Inferno ![]() |
||
b. The Convivio ![]() |
||
c. The Purgatorio ![]() |
||
d. The Paradiso ![]() |
||
e. All of the above ![]() |
a. It is the ability to move above the earthly state into heaven. ![]() |
||
b. It is the ability to reunite with the body. ![]() |
||
c. It is the ability to commit sins while in the human body. ![]() |
||
d. It is the ability to separate from the body in order to reach hell. ![]() |
||
e. It is the ability to reject heaven in order to remain in the human body. ![]() |
a. It symbolizes Dante’s distrust of the Church. ![]() |
||
b. It is the home of the angels. ![]() |
||
c. It separates heaven from hell. ![]() |
||
d. It reminds Dante of his own pride. ![]() |
||
e. It is a place for repentant sinners. ![]() |
a. He believed that eternal life in heaven was the real one. ![]() |
||
b. Because he was pagan, he did not believe in heaven. ![]() |
||
c. Because he was an early Christian, he believed that heaven was inaccessible. ![]() |
||
d. He believed that heaven, hell, and earth were indistinguishable. ![]() |
||
e. He believed that sinners were accepted into heaven. ![]() |
a. Faith, hope, and love ![]() |
||
b. Faith, wisdom, and love ![]() |
||
c. Love, compassion, and pride ![]() |
||
d. Justice, temperance, and faith ![]() |
||
e. Justice, compassion, and faith ![]() |
a. The poet who leads Dante on a tour of hell ![]() |
||
b. Dante’s enemy ![]() |
||
c. Dante’s patron ![]() |
||
d. The emperor of Italy in Dante’s lifetime ![]() |
||
e. The pope who exiled Dante ![]() |
a. He promotes the separation of Church and State. ![]() |
||
b. He declares papal authority infallible. ![]() |
||
c. He declares emperors infallible. ![]() |
||
d. He says that all empires should be ruled by dictators. ![]() |
||
e. He promotes the union of Church and State. ![]() |