a. colonization. ![]() |
||
b. syncretism. ![]() |
||
c. topology. ![]() |
||
d. cosmology. ![]() |
a. End the slave trade ![]() |
||
b. Divide rule of Africa between European nations ![]() |
||
c. Turn over Africa to indigenous ![]() |
||
d. Divide African artifacts among European museums ![]() |
a. They are mainly danced by women. ![]() |
||
b. They are mainly performed in relation to the life cycle. ![]() |
||
c. They are only performed for funerary ceremonies. ![]() |
||
d. Both A and B. ![]() |
a. Congo Republic ![]() |
||
b. Democratic Republic of the Congo ![]() |
||
c. Central African Republic ![]() |
||
d. Chad ![]() |
a. hegemony. ![]() |
||
b. colonization. ![]() |
||
c. syncretism. ![]() |
||
d. aestheticism. ![]() |
a. Sculpture ![]() |
||
b. Topography ![]() |
||
c. Art style ![]() |
||
d. Islamic belief ![]() |
a. France ![]() |
||
b. Spain ![]() |
||
c. Belgium ![]() |
||
d. Portugal ![]() |
a. Men hunting ![]() |
||
b. Animals ![]() |
||
c. Women ![]() |
||
d. Landscape ![]() |
a. Tassili N’ajjer ![]() |
||
b. Fezzan ![]() |
||
c. Morocco ![]() |
||
d. Drakensberg ![]() |
a. Tuareg tents ![]() |
||
b. Mud-based buildings ![]() |
||
c. A type of scarification ![]() |
||
d. A mosque in Algeria ![]() |
||
e. It was derived solely for iconographic purpose. ![]() |
||
f. It was derived largely for functional purpose. ![]() |
||
g. It is found only in a small number of mosques. ![]() |
||
h. It was a modern addition to traditional mosques. ![]() |
a. Arab ![]() |
||
b. Berber ![]() |
||
c. Fezzan ![]() |
||
d. Fon ![]() |
a. Ethiopia ![]() |
||
b. Sudan ![]() |
||
c. Egypt ![]() |
||
d. Meroe ![]() |
a. Stand out prominently from the backdrop ![]() |
||
b. Stand out slightly from the backdrop ![]() |
||
c. Are incised deeply into the backdrop ![]() |
||
d. Are incised slightly into the backdrop ![]() |
a. Meroe ![]() |
||
b. Kush ![]() |
||
c. Lalibela ![]() |
||
d. Saqqara ![]() |
a. Egypt ![]() |
||
b. Ethiopia ![]() |
||
c. Sudan ![]() |
||
d. Kenya ![]() |
a. tomb. ![]() |
||
b. palace. ![]() |
||
c. artist’s workshop. ![]() |
||
d. temple. ![]() |
a. Pre-dynastic ![]() |
||
b. Old Kingdom ![]() |
||
c. Middle Kingdom ![]() |
||
d. New Kingdom ![]() |
a. Christianity ![]() |
||
b. Islam ![]() |
||
c. History from ancient Egyptian culture ![]() |
||
d. Portraiture from life ![]() |
a. A grave circle ![]() |
||
b. A wadi ![]() |
||
c. A sphinx ![]() |
||
d. A mastaba ![]() |
a. To house the ka; in case it escapes the mummified body of the deceased ![]() |
||
b. As votive; local priests would pray to sculptures in a pharaoh’s tomb ![]() |
||
c. As historical; to preserve a highly realistic portrait of the deceased ![]() |
||
d. None of these answers ![]() |
a. 17th century ![]() |
||
b. 18th century ![]() |
||
c. 19th century ![]() |
||
d. 20th century ![]() |
a. Rigid ![]() |
||
b. Natural ![]() |
||
c. Violent ![]() |
||
d. Fragile ![]() |
a. War ![]() |
||
b. Peace ![]() |
||
c. Permanence ![]() |
||
d. Ephemeral ![]() |
a. Acropolis ![]() |
||
b. Metropolis ![]() |
||
c. Necropolis ![]() |
||
d. Megalopolis ![]() |
a. polytheistic. ![]() |
||
b. monotheistic. ![]() |
||
c. atheistic. ![]() |
||
d. dynastic. ![]() |
a. By using reconstituted Roman ruins ![]() |
||
b. By cutting into rock ![]() |
||
c. By the mud brick technique ![]() |
||
d. None of these options ![]() |
a. antelope. ![]() |
||
b. lion. ![]() |
||
c. elephant. ![]() |
||
d. lizard. ![]() |
a. Ancient mothers ![]() |
||
b. Funeral rites ![]() |
||
c. Birth ceremonies ![]() |
||
d. The founding of agriculture ![]() |
a. Carved wooden helmet masks ![]() |
||
b. Woven cloth costumes ![]() |
||
c. Costumes of natural grasses ![]() |
||
d. Dancers on stilts ![]() |
a. Nigeria ![]() |
||
b. Chad ![]() |
||
c. Algeria ![]() |
||
d. Mali ![]() |
a. Elongation of form ![]() |
||
b. Mix of geometric and figurative form ![]() |
||
c. Both A and B ![]() |
||
d. None of these answers ![]() |
a. Young women ![]() |
||
b. Young men ![]() |
||
c. Older men and women ![]() |
||
d. Older men ![]() |
a. Berber ![]() |
||
b. Bamana ![]() |
||
c. Tuareg ![]() |
||
d. Fulani ![]() |
a. Scientific testing for authentication of age ![]() |
||
b. The return to Nigeria of Nok art currently owned by institutions outside the country ![]() |
||
c. Distributing reinterpretations of Nok art to public museums ![]() |
||
d. All of these answers ![]() |
a. Clay ![]() |
||
b. Stone ![]() |
||
c. Wood ![]() |
||
d. Plastic ![]() |
a. It is associated with males of the Bamana. ![]() |
||
b. It is associated with females of the Bamana. ![]() |
||
c. It is associated with females of the Dogon. ![]() |
||
d. It was first developed for the tourist trade. ![]() |
a. It is primarily a funeral ritual. ![]() |
||
b. It expresses aspects of Dogon cosmology. ![]() |
||
c. The head crest is an abstract form. ![]() |
||
d. All of these answers. ![]() |
a. The name of the historian who first wrote about it ![]() |
||
b. The place it was found ![]() |
||
c. The language spoken in the region it was found ![]() |
||
d. None of these answers ![]() |
a. Ancestral mothers ![]() |
||
b. Twins ![]() |
||
c. The supreme deity ![]() |
||
d. The Orisa Obatala ![]() |
a. Guinea ![]() |
||
b. Liberia ![]() |
||
c. Ghana ![]() |
||
d. Senegal ![]() |
a. Cowrie shells ![]() |
||
b. Paints ![]() |
||
c. Stretched animal skins ![]() |
||
d. Metal studs ![]() |
a. Functions of saint-like figures ![]() |
||
b. Dynastic history ![]() |
||
c. Verbal proverbs/sayings ![]() |
||
d. Gender ![]() |
a. Igbo ![]() |
||
b. Yoruba ![]() |
||
c. Bamana ![]() |
||
d. Fon ![]() |
a. Carving ![]() |
||
b. Casting ![]() |
||
c. Welding ![]() |
||
d. Modeling ![]() |
a. adinkra. ![]() |
||
b. asafo. ![]() |
||
c. ukara. ![]() |
||
d. adire. ![]() |
a. Yoruba ![]() |
||
b. Asante ![]() |
||
c. Baule ![]() |
||
d. Fon ![]() |
a. A water spirit across cultures in Africa and the African diaspora ![]() |
||
b. A supreme being in Yoruba and Igbo kingdoms ![]() |
||
c. Mother Earth mainly in West Africa ![]() |
||
d. A pan-African women’s heritage group ![]() |
a. Monarchs ![]() |
||
b. Deities ![]() |
||
c. Soldiers ![]() |
||
d. Priests ![]() |
a. Styles of West African art ![]() |
||
b. Objects reserved for use by royal elite of a culture ![]() |
||
c. Objects reserved for use by religious clerics of a culture ![]() |
||
d. None of these answers ![]() |
a. uli. ![]() |
||
b. nsibidi. ![]() |
||
c. ukara. ![]() |
||
d. adire. ![]() |
a. Benin ![]() |
||
b. Nigeria ![]() |
||
c. Cameroon ![]() |
||
d. Ghana ![]() |
a. Twins ![]() |
||
b. Ancestral mothers ![]() |
||
c. The king at Oyo ![]() |
||
d. All the Orisas ![]() |
a. A temple for worship ![]() |
||
b. A residence for the head diviner of a community ![]() |
||
c. A spirit house ![]() |
||
d. A men’s association ![]() |
a. Nigeria ![]() |
||
b. Benin ![]() |
||
c. Ghana ![]() |
||
d. Mali ![]() |
a. Messenger ![]() |
||
b. Fertility ![]() |
||
c. Agriculture ![]() |
||
d. Age initiation ![]() |
a. Art criticism ![]() |
||
b. Aesthetic theory ![]() |
||
c. Curatorial ![]() |
||
d. Connoisseurship ![]() |
a. Northern Nigeria ![]() |
||
b. Southern Nigeria ![]() |
||
c. Southern Mali ![]() |
||
d. Benin City ![]() |
a. No drumming is used. ![]() |
||
b. Dancers do not cover their faces. ![]() |
||
c. Women organize and perform in the prominent masquerades. ![]() |
||
d. Men play woman’s roles. ![]() |
a. Naturalistic ![]() |
||
b. Geometric ![]() |
||
c. Colossal ![]() |
||
d. Ceramic ![]() |
a. Mauritania ![]() |
||
b. Sierra Leone ![]() |
||
c. Guinea ![]() |
||
d. Liberia ![]() |
a. Fante ![]() |
||
b. Baule ![]() |
||
c. Senufo ![]() |
||
d. Asante ![]() |
a. The bronze equestrian figure ![]() |
||
b. The bronze head ![]() |
||
c. Kuduo containers ![]() |
||
d. Wood votives ![]() |
a. Ebony wood ![]() |
||
b. Gold ![]() |
||
c. Soapstone ![]() |
||
d. Silver ![]() |
a. Akua ma ![]() |
||
b. Personal stools ![]() |
||
c. Brass weights ![]() |
||
d. Adinkra ![]() |
a. It is meant to be a permanent monument. ![]() |
||
b. It is closely associated with the earth mother deity. ![]() |
||
c. It is created in relation to community issues. ![]() |
||
d. It is an ephemeral form. ![]() |
a. Most art was produced at the court of the Oba. ![]() |
||
b. Europeans are represented in traditional sculpture of Benin City. ![]() |
||
c. Bronze plaques featured representations of the Oba. ![]() |
||
d. All of these answers. ![]() |
a. Dancers are completely covered in textile costumes. ![]() |
||
b. Women are the main performers. ![]() |
||
c. It commemorates early victories of the Yoruba over neighboring groups. ![]() |
||
d. All of these answers. ![]() |
a. It is distinguished by a stamp printing technique. ![]() |
||
b. It is ornamented with symbolic forms. ![]() |
||
c. It was associated with mourning. ![]() |
||
d. All of these answers. ![]() |
a. It is distinguished by a stamp printing technique. ![]() |
||
b. It is ornamented with symbolic forms. ![]() |
||
c. It was associated with mourning. ![]() |
||
d. All of these answers. ![]() |
a. A woven textile of the Igbo ![]() |
||
b. The largest traditional mask type in Africa ![]() |
||
c. The palace compound of an Igbo chief ![]() |
||
d. A fertility votive of the Yoruba ![]() |
a. Stone figures found in Sierra Leone ![]() |
||
b. Carved ivory figures found in Sierra Leone ![]() |
||
c. The Senufo men’s association ![]() |
||
d. None of these answers ![]() |
a. A women’s society in Mende culture ![]() |
||
b. A men’s society in Dan culture ![]() |
||
c. A Bamana masquerade ![]() |
||
d. A type of nomoli ![]() |
a. West Atlantic Coast ![]() |
||
b. Central Sudan ![]() |
||
c. Gold Coast ![]() |
||
d. Sahara ![]() |
a. The history of ownership of an object ![]() |
||
b. The stylistic lineage of an object ![]() |
||
c. The market value of an object ![]() |
||
d. The relative quality of an object ![]() |
a. Carves the core wooden votive ![]() |
||
b. Adds organic substances to the core votive ![]() |
||
c. Both A and B ![]() |
||
d. None of these answers ![]() |
a. Fertility ![]() |
||
b. Funeral rites ![]() |
||
c. Historical memory ![]() |
||
d. Age initiations ![]() |
a. Bangwa ![]() |
||
b. Kongo ![]() |
||
c. Fon ![]() |
||
d. Mangbetu ![]() |
a. Cameroon ![]() |
||
b. Gabon ![]() |
||
c. Nigeria ![]() |
||
d. Guinea ![]() |
a. Congo Republic ![]() |
||
b. Democratic Republic of the Congo ![]() |
||
c. Central African Republic ![]() |
||
d. Angola ![]() |
a. syncretism. ![]() |
||
b. appropriation. ![]() |
||
c. hegemony. ![]() |
||
d. repatriation. ![]() |
a. Portraiture of specific individuals ![]() |
||
b. Symbolic lineage ![]() |
||
c. Anatomical abstraction ![]() |
||
d. Carving technique ![]() |
a. Bamum ![]() |
||
b. Bamileke ![]() |
||
c. Both A and B ![]() |
||
d. None of these answers ![]() |
a. Scarification ![]() |
||
b. Elaborate hairstyles ![]() |
||
c. Head elongation ![]() |
||
d. Tooth shaping ![]() |
a. Wood type used ![]() |
||
b. Position ![]() |
||
c. Exposed breasts ![]() |
||
d. Represented scarification ![]() |
a. They have a rigid canon of form. ![]() |
||
b. The belly is a symbolic focus. ![]() |
||
c. They are sculpture types of the Bangwa culture. ![]() |
||
d. All of these answers. ![]() |
a. Bamum ![]() |
||
b. Bamileke ![]() |
||
c. Both A and B ![]() |
||
d. None of these answers ![]() |
a. Egyptian and Sudanese ![]() |
||
b. Arabic and Indian ![]() |
||
c. French and English ![]() |
||
d. Congolese and Bantu ![]() |
a. The meanings associated with them ![]() |
||
b. Aesthetic judgments ![]() |
||
c. Individual artistic decisions ![]() |
||
d. Both A and B ![]() |
a. Life ![]() |
||
b. Death ![]() |
||
c. Light ![]() |
||
d. Fire ![]() |
a. The Khoi ![]() |
||
b. The San ![]() |
||
c. The Zulu ![]() |
||
d. The Shona ![]() |
a. Rigid, geometric organization ![]() |
||
b. Organic, curved structures ![]() |
||
c. A series of low, small enclosures ![]() |
||
d. Knowledge of Egyptian building techniques ![]() |
a. Mud brick ![]() |
||
b. Coral cement ![]() |
||
c. Marble ![]() |
||
d. Adobe ![]() |
a. Tanzania ![]() |
||
b. Kenya ![]() |
||
c. Uganda ![]() |
||
d. Madagascar ![]() |
a. Bronze ![]() |
||
b. Ceramic ![]() |
||
c. Wood ![]() |
||
d. Stone ![]() |
a. Stacked stone without mortar ![]() |
||
b. Cement ![]() |
||
c. Ceramic brick ![]() |
||
d. Wood ![]() |
a. Zambia ![]() |
||
b. Durban ![]() |
||
c. Drakensberg ![]() |
||
d. Johannesburg ![]() |
a. A mosque in Swahili ![]() |
||
b. A traditional food of the Swahili coast ![]() |
||
c. A large house ![]() |
||
d. An indigenous language in Kenya ![]() |
a. Arabic ![]() |
||
b. Mande ![]() |
||
c. Swahili ![]() |
||
d. Zulu ![]() |
a. Politics ![]() |
||
b. Identity ![]() |
||
c. Tradition ![]() |
||
d. All of these answers ![]() |
a. Installations ![]() |
||
b. Found objects ![]() |
||
c. Video ![]() |
||
d. All of these answers ![]() |
a. Alienation ![]() |
||
b. Appropriation ![]() |
||
c. Allocation ![]() |
||
d. Annexation ![]() |
a. The abstracted anatomy ![]() |
||
b. The materials used ![]() |
||
c. The cultural symbolism of the works for the cultures in which they were created ![]() |
||
d. Their potential monetary worth as curiosities ![]() |